'There was no need for Bradley Cooper to add an odd prosthetic nose on top of this to play Leonard Bernstein. His own nose is longer!' a netizen said

Super-heated seawater off the Florida Keys has grown so perilous to the world's third-largest barrier reef that scientists are now removing samples of coral from ocean nurseries...

Lions Gate Entertainment Corp. has agreed to buy the EOne film and TV studio from toymaker Hasbro Inc.

NEW YORK A look at the day ahead in Asian markets from Stephen Culp, financial markets columnist. Could

Germany suffered a winter recession, fresh data showed, extinguishing hopes that Europe’s top economy could escape such a

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Scientists have claimed to make a breakthrough that would be “one of the holy grails of modern physics” – but experts have urged caution about the results. In recent days, many commentators have become excited by two papers that claim to document the production of a new superconductor that works at room temperature and ambient pressure. Scientists in Korea said they had synthesised a new material called LK-99 that would represent one of the biggest physics breakthroughs of recent decades. Superconductors are a special kind of material where electrical resistance vanishes, and which throw out magnetic fields. They are widely useful, including in the production of powerful magnets and in reducing the amount of energy lost as it moves through circuits. They are also often impractical, since they require low temperatures and high pressure. That means that they cannot be used in most traditional circuits, for instance. Since the beginning of the last century, scientists have been working not only to understand superconductivity but also develop new materials that would allow the phenomenon to be harvested at ambient temperatures and pressures. That has not been successful, and the discovery of such a material would mark a major breakthrough in physics. The new papers, published in recent days as a preprint on the website arXiv, claims to have overcome that problem. The researchers said they had not only found a way to synthesise such a superconducting material, but also that it could be done relatively easily – leading to huge excitement on social media. One Twitter thread from Alex Kaplan, a recent Princeton graduate who is now head of coffee product at startup Cometeer, helped propel the news into the mainstream. His thread had been viewed 8.5 million times, Twitter said, and has been retweeted more than 10,000 times. “Today might have seen the biggest physics discovery of my lifetime. I don’t think people fully grasp the implications of an ambient temperature / pressure superconductor,” he wrote in a long thread that went on to explain the possible applications of the material. Mr Kaplan pointed to the fact that vast amounts of energy are lost in the transmission of electricity across the world, that the the authors claimed material could be made in just 34 hours with simple equipment, and that such a superconductor would have revolutionary uses in everything from nuclear fusion reactors to batteries and quantum computers. Scientists away from the work agreed that such a breakthrough would be hugely significant. But they urged caution, pointing to the fact that the paper has not yet gone through the peer review process, the results have not been replicated, and that there could be other explanations for the apparently astonishing behaviour described in the work. “A real, working room-temperature superconductor which works at ambient pressure would be one of the holy grails of modern physics, unlocking major new developments in energy, transportation, healthcare, and communications,” said Mohammad Yazdani-Asrami of the University of Glasgow’s James Watt School of Engineering. “As it stands, however, the paper is not yet peer-reviewed and has not yet been tested in other labs to see if other researchers can reproduce its results. These are both key to determining for sure whether the world should be getting excited about the authors’ claims, which need much more scrutiny at this early stage. If the claims of findings are approved, perhaps, this is one of the most significant achievements of last few decades in physics and material engineering.” Others voiced specific concerns about the paper. Some of the results meant that other researchers working on superconductors were not convinced by the claims made in the paper. “The recent preprint by Lee, Kim and Kwon suggesting that they have observed room temperature superconductivity in the copper doped lead phosphate system, without the need for very high applied pressures, is interesting, but not yet wholly convincing,” said Susannah Speller, Professor of Materials Science at the University of Oxford, and Chris Grovenor, Professor of Materials at the University of Oxford. Professors Speller and Grovenor pointed to the fact that the data did not show the behaviour that would be expected to happen when the material became superconducting. Features that would be expected to be evident in the results were not, they said, and “and so it is too early to say that we have been presented with compelling evidence for superconductivity in these samples”. John Durrell, professor of superconductor engineering at Cambridge University, said that it could take considerable time to see the practical benefits of the breakthrough, even if the team’s results were confirmed. “There will be understandable scepticism about this result in the community as there have been numerous reports of room temperature superconductors over the years which have not held up,” he told The Independent. “I would, therefore, personally withhold judgement on this work until it becomes clear if the result is reproducible in other laboratories. “From my engineering point of view, a practical room temperature superconductor would be potentially transformative – allowing a host of exciting applications such as cheap MRI machines, more compact and efficient motors and low loss power transmission. “However, there can be significant challenges in turning a newly discovered superconducting material into a practical material. In previous cases, this has taken one or two decades and is not always possible.” Read More Europe to cover continent in fast EV chargers under new law Elon Musk takes control of @X account from user who had held it for 16 years iPhone users urged to check their photo library amid fears they could be deleted Europe to cover continent in fast EV chargers under new law Elon Musk takes control of @X account from user who had held it for 16 years iPhone users urged to check their photo library amid fears they could be deleted

Katy Perry is currently gearing up for the final legs of her Las Vegas residency Play

A person’s choice of background on video call platforms like Zoom and Microsoft Teams can significantly impact other people’s first impressions of them, according to a new study. Researchers at Durham University found that objects like house plants or book shelves can alter whether people perceive someone as trustworthy or competent. Study participants were asked to judge still images of different subjects taking part in a videoconference, with statistical analysis revealing that people who used blurred, novelty or living space backgrounds were viewed as less trustworthy than those who had bookcases or plants in the background. The research also revealed that people who smile on video calls are also generally seen as more trustworthy. “This research shows how our Zoom backgrounds can affect the first impressions we make,” the researchers wrote. “If you want to come across as trustworthy and competent there are some backgrounds you should use and some you should definitely avoid.” Previous studies have demonstrated that first impressions can have significant impacts on people’s lives, capable of influencing everything from criminal sentencing decisions to romantic outcomes. The popularity of videoconferencing platforms that arose during the Covid-19 pandemic mean first impressions are often made via video chat rather than face-to-face contact. “In the professional environment, 75 per cent of business meetings are predicted to occur by videoconferencing by 2024. The findings of this study therefore have extensive implications for professional organisations and the general public,” the researchers wrote. “The findings are highly relevant to recruitment processes because competence is a strong predictor of hire ability... Beyond the boardroom, the implications of the study are pervasive for the criminal justice system as defendants are increasingly appearing by videoconferencing.” The research was detailed in a paper, titled ‘Virtual first impressions: Zoom backgrounds affect judgements of trust and competence’, published on Wednesday in the scientific journal PLoS ONE. Read More ChatGPT boss says he’s created human-level AI, then says he’s ‘just memeing’

Meredith Marks' fiery outburst, where she threatened to expose Angie's marriage secrets, marked a dramatic turning point in 'RHOSLC' Season 4

I can’t lie. I felt famous during New York Fashion Week. With my focus oscillating between Google Maps and the cobblestone streets of Tribeca, I had no time to stop and think about the scene I would be approaching. The thing with runway shows is they never start on time. Who shows up early these days anyway? For me, someone constantly late but willingly accepting every opportunity, NYFW’s schedule worked to my advantage. Still, inklings of doubt mixed with the rush of not knowing how late would be too late – leaving me with little room for mental preparation. In the case of the Brandon Maxwell show, I anticipated an intimate setting. I was told the guests were close friends, family, and a few high-profile fashion moguls who were asked to refrain from using recording devices during the presentation. It was a trusted circle of less than one hundred. I knew there’d be paparazzi outside impatiently awaiting the elite attendees. However, I didn’t foresee the vast amount of turned heads and focused cameras crowding the corner of Walker Street and Cortlandt Alley, all readily directed at me. Suddenly, I was someone to be noticed. Through the white flashes and crisp calls for attention, I approached the threshold of the Andrew Kreps Gallery. I presented myself to be checked off a list of people deemed special enough to see inside. Camera personnel and event staff had no clue who I was or why I was there – the irony. I wasn’t Julia Fox, Anna Wintour, or Blake Lively-level distinguished or expected. But I, Kaleigh Werner, was presumed worthy of being photographed and granted access based on proximity, invitation, and seating. It was thrilling. I felt as though I’d made it. In the literal form, yes, I’d arrived at my destination and found my chair. But metaphorically, I was on the cusp of something sensational that surpassed the rush of being realised through an entirely new lens. As a reporter, someone invited to review these presentations, it’s easier to block out the A-list noise. My attention remains locked on the intricacies of each collection, and figuring out how they mirror the thoughts of a designer. Whether sitting in the front or standing in the back, I’m concentrating on how a designer’s societal impression can be contextualised in fashion, while still adhering to the temperature regulations of the season. I’m in a gallery or a museum to perceive art, not at a red carpet event. I’m not being dressed by the brand. I’m not worried about how I look. The runway demands my attention. So, my gaze is directed there. This year I attended three shows: ADEAM, Atelier Ndigo, and of course, Brandon Maxwell. For ADEAM’s spring/summer 2024 show, hosted inside a warehouse on the west side of Manhattan, creative director and CEO Hanako Maeda effectively fused her longtime love for the ballet with her desire to “juxtapose the performance art as a sport”. “I think the collection combines the romanticism and couture-like craftsmanship that you see in ballet costumes with a more modern, sporty mood. I also added a touch of rock ‘n’ roll edge with the accessories,” Maeda told The Independent. Through tulle skirts, corsetry, ribbon, sheer Ponte, mixed media knits, and tailoring, Maeda - who designed the costumes for New York City Ballet’s Fall Fashion Gala in 2015 - reconfigured ballerinas to be models replicating a facile silhouette on the street. By using the specific material and intentional shape often associated with ballet, she harnessed the “athletic prowess” a performance artist displays and weaved it into everyday wear. Atelier Ndigo played with personal inspiration by utilising vibrant colours, textured fabrics, and structured pieces. From a bumpy white two-piece to balloon short sleeves, brand founder Waina Chancy once again proved to be an architect in dainty yet outspoken fashion. The white-washed walls of Spring Studios, complete with a backdrop of block brand lettering, only made every shade of red, purple, pink, and orange louder. Back at Andrew Kreps Gallery, Brandon Maxwell strayed from the eccentricity of his past spring collections to construct an ethereal response to the power of love. To him, that response is seen through sheer and natural beauty, along with coding that only added a breath of elegance. On the catwalk, gusts of chiffon, leather, knits, and denim blew past the few guests who sat in the studio. With flourescent lights and white ambiance, it felt as thought Maxwell had called upon angels to introduce a new wave of purity and innonence. Yet, the see-through materials mixed with belted pieces reminded us of the allure of form. The Brandon Maxwell spring/summer 2024 runway presentation wasn’t just the launch of a new line, but a visceral discussion on freedom and restraint - being simutaneously aware of both independence and determinism. From the distant eye, minimalism was triumphant. But upon closer look, the details were unveiled. Spliced sleeves turned biker-esque jackets and blazers into capes; sheer layers over and under long, fitted jackets transformed signature workwear into chic formalwear; and ripped, patchwork denim paired with slouched sweaters or unbuttoned button-ups brought an air of luxury to street style. As I exited down the steps to return to the reality of a typical work day, I stuck around to see who I could spot leaving the venue. NYFW has assumed a certain social stigma and media blitz. As much as it’s known for the inspired collections crafted by the minds of upcoming and distinguished talents, the seven-day affair has been hit with criticism, as more participants and curious observers are blinded by its social scene. After an animal rights advocate and PETA supporter stormed Coach’s spring/summer 2024 runway to protest the brand’s use of leather, discussion errupted around influencers increased presence at NYFW. Famed creators like Taylor Hawkins have been quick to point out how “dead” some events can get, due to the amount of brands that prioritise seating and dressing social media stars based on their online presence. Kelly Cutrone, best-selling author and CEO of People’s Revolution, echoed these sentiments in conversation with Dear Media during NYFW in February. “It’s just like, because you’re good at marketing yourself on the internet doesn’t make you a fashion expert,” she said about influencer being invited to shows. “Don’t pretend that just ‘cause you come here for a week that you’re in the fashion business.” For industry representatives - who are devoted to furthering the conversations that are evoked in fashion collections - their experiences are entirely separate from those who are invited to sit and make content about what they saw. These professionals are behind-the-scenes, speaking with the creative directors and producing copy to candidly honour their own work. “You know what I really don’t get, and what I don’t have much time for anymore. The fact that so much of the fashion content around the show that I see, especially on Instagram with these influencers, it’s really all about them,” fashion journalist Mosha Lundstrom Halbert said on her podcast, NEWSFASH. “It’s all about the fact that they got to go to fashion week - okay, cool. The fact that they’re being dressed by the designer - great, I’m happy for you,” she went on. “No editors get dressed by the designers, that’s really just influencers. And the fact that they’re going to show you where they sat and who they’re friends with...” But, there’s an advantage to having paparazzi feed off the unpredictable swarm of A-listers and influencers, and an obvious benefit to designers who decide to fill their front row with them. At ADEAM, Lana Condor, Elsa Husk, Poppy Delevigne, Harry Shum Jr, and Anna Cathcart were among the photographed VIPs. Meanwhile, Brandon Maxwell hosted Henrik Morten Lischk, Lisa Aiken, Eva Chen, Camila Alves McConaughey, Kat Collings, and Alex Badia. From a brand perspective, visibility is everything. In order for clothes to sell, the pieces need to be represented and observed by the right people – the “Emily Ratajkowskis” who generate buzz, or the social media influencers who inspire fads. It’s worth noting that, even though the production, styling, and individual garments speak volumes to the attractiveness of a collection, desire is often born from those who are adored and admired. Designers will develop their seasonal lines in tandem with a muse or inspired concept, like ADEAM’s spring/summer 2024 being motivated by the ballet or Brandon Maxwell’s being an answer to the impasse of freedom and restraint. Then there was Dolce and Gabbana’s famed spring/summer 2023 show curated by Kim Kardashian, after both Domenico and Stefano were galvanised by the reality star’s “it girl” essence. High fashion runway can be viewed as a melting pot of celebrity image and designer conception. While the relationship between famed figures and name brands is pertinent to Fashion Week criticisms, the focus shouldn’t be on celebrity sightings or social climbings. Although I observed a clear presence of exclusivity hovering over runway presentations and after-parties, I found the purpose is not to be seen but to step inside the minds of imaginative designers and celebrate the execution of their visions. Read More London Fashion Week 2023: All the highlights from day two British Vogue appoints Chioma Nnadi as Edward Enninful’s successor London Fashion Week: Jourdan Dunn walks in emotional Richard Quinn show

The Supreme Court cleared the way for construction of the controversial Mountain Valley Pipeline to proceed on Thursday, granting an emergency request from backers of the project that has the support of Congress and the Biden administration.