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Crop tops. Denim cut-offs. Someone else’s wellies. In 2023, festival fashion has officially become a tired sport. Even the words themselves carry connotations that seem to have fallen far out of sync with the sartorial zeitgeist. Is anyone still slathering themselves in glitter? Do we still care about sequins and novelty sunglasses? And surely we’ve all long-tired of neon by now? With Glastonbury Festival underway this weekend, all of this begs one crucial, singular question: Does festival fashion still exist? The fashion industry’s growing environmental conscience might provide an answer. Today, it’s much cooler to source your wardrobe from the likes of Depop and your local charity shop than Asos or Big Topshop (RIP). We fell out of love with fast fashion some time ago and, as a result, generally far more considerate consumers when it comes to our clothing. This is, of course, a very good thing. But it’s also completely at odds with the concept of festival fashion. Few modes of dressing revolve around disposability quite like it. Think about it. A typical festival lasts one weekend, during which time you will inevitably be camping in a wide range of weather scenarios, sweating and dancing for hours on end without access to showers. You’ll also be surrounded by scores of people who may or may not raid your tent for all of your belongings. In short, you don’t exactly want to bring items you care about. Hence why fast fashion and festivals made so much sense; flimsy, cheap, tacky garments comprised the optimum capsule wardrobe. At least they did, anyway – until everyone wised up to the environmental consequences. Nonetheless, if you’re going to a festival this summer, it’s a universally accepted truth that you will probably have to wear some clothes. Where, then, does that leave you? And what of festival fashion trends? Is there space to tap into the latest cool, new thing when you’re trying to shop sustainably and save money? Can we still have a hot girl (festival) summer? “The cost of living crisis is having a huge impact on young peoples’ purchasing patterns, particularly when it comes to ad hoc events, so second-hand buys are proving a big hit for festival season,” says Emily Gordon-Smith, content director and sustainability lead at the trend and insights forecaster Stylus. “This means tapping into more personalised looks, not straight off the high street, and often with a nod to iconic festival-ready styling that definitely includes Kate Moss in her Glasto heyday.” As any seasoned festival-goer will know, few outfits have stood the test of time quite like Moss’s from the early Noughties. One quick Google search will bring up hundreds of infamous shots of the model stomping through the muddy fields in micro-shorts, leather trousers, waistcoats, belted mini dresses, and other understated, utilitarian looks that couldn’t be further from the festival fashion aesthetic du jour. Other style mavens for the era? Alexa Chung in a silver mini dress with a jumper tied loosely around her waist. Sienna Miller in yellow sunglasses and a studded belt. And so on. They weren’t so much dressing for festivals as they were just dressing for a day of drinking beer and watching live music. Yes, they looked amazing, but it wasn’t because they were soaking themselves in lame co-ords. It was because they weren’t trying very hard, and it’s this modus operandi that has established itself at the centre of festival fashion now. Kate’s festival looks are still being recreated on the runways, with key items like the waistcoats and flat knee boots appearing in many collections Emily Gordon-Smith It’s also at the root of the Y2K trends reigning supreme on catwalks across the globe for the last year. “The Nineties and Noughties continue to be eras of stylistic fascination for those not even old enough to remember them, so of course style icons like Kate Moss are a major reference point,” adds Gordon-Smith. “Her festival looks are still being recreated on the runways, with key items like the waistcoats and flat knee boots appearing in many collections including those from Celine and Stella McCartney.” As for how to incorporate all this into your own festival wardrobe, it’s obviously not as easy as popping into a high-end luxury store and snapping up a £700 waistcoat. But if you want to follow in Moss and Co’s footsteps, the way to do it is to actually do the exact opposite and try and find something unique. It might sound counterintuitive but, ultimately, that’s what made their outfits so memorable in the first place; you couldn’t easily replicate them. That’s not to say you can’t look for key items, like tinted sunglasses and mini dresses, but you can find standout ones by taking your search onto secondhand shopping platforms, where you’ll find limitless options and one-off pieces. On Depop, some of the most searched-for items reflect a wide range of trends for festival season, spanning from “silver” (21 per cent increase in searches) and “lace cami” (37 per cent) to “mirror” (65 per cent) and “parachute pants” (1,200 per cent). If you do find yourself wanting to follow the crowd, though, the leading trend of the season is “Western”. According to money-saving platform WeThrift, searches for the “cowboy aesthetic” have increased by 40 per cent on Pinterest in the last 90 days. Meanwhile, over on TikTok, the #cowboyaesthetic hashtag has surpassed more than 4.3 million views. The hashtag #cowboyboots has more than 920.9 million views. Similar data has been found by retailers, with Pretty Little Thing reporting a 57 per cent increase in searches for cowboy boots in the last month, while “Western” searches have surged by 49 per cent. So long as you wear it right, it’s a look that reflects the boho chic image of the early Noughties Glastonbury set. Our suggestion is to pair some brightly coloured boots (we love these ones) with a secondhand slip dress and a pair of yellow-tinted shades. Throw on an oversized cargo jacket and you’re all set. Alternatively, if the sun is shining you might find yourself wanting to opt for a pair of statement trainers (these ones are very Nineties), which would work well with some classic Adidas tracksuit bottoms, a lace cami and some tiny sunglasses, amounting to a very Bella Hadid look. If you must do the crop top and denim cut-offs combo, there are ways to reinvent it a little. Try a knitted option from sustainable Australian brand MNK, for example, and there are plenty of secondhand denim shorts available across the web. All of it is easy to do – and far more comfortable than the festival outfits of yore – if you know what you’re doing. Just remember, though, that if you’re channelling Moss, less is always more. Don’t be afraid to take risks. And stay very far away from the glitter. Read More Glastonbury 2023 – live: Immigration enforcement officers spotted near festival site at Castle Cary station Flip-flops, nudity and ‘up the vajayjay!’: How the red carpet became a platform for protest Subversive? Dangerous? Boring?: How the red carpet became a barometer for modern masculinity

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British High Commissioner to Australia Vicki Treadell believes England’s Lionesses have a vital role to play in the diplomatic mission of fighting for the rights of women and girls around the world. England players on Tuesday released a collective statement, posted on Twitter by captain Millie Bright, outlining their “disappointment” in not reaching an agreement with the Football Association over performance bonus payments and commercial structures ahead of their World Cup opener against Haiti in Brisbane. That fight, they said, was driven not solely by personal gain but by “a strong sense of responsibility to grow the game” globally – a sentiment reiterated by numerous players over the last few days in the Queensland capital, where defender Lucy Bronze explained “we’re not only doing this for ourselves, we’re doing it so that we can set a standard.” Asked how she felt about the Lionesses’ advocacy, Treadell told the PA news agency: “I’m hugely proud. If you have a platform you should use it for global good. “I think the Lionesses are doing just that. They are personalities, they have a profile, it’s part of a much broader global agenda of closing the gender pay gap. [In many professions] women are still behind the men. “We must all work together to say ‘that is wrong’. If we’re doing the same job we should have equal pay. So if they voice that, if we voice that it’s about pushing that and getting people to say actually, that is about equality, that is about fairness. “Football is played on every continent. The English Premier League, the Women’s Super League in the UK, has a global audience. It’s a great soft power asset. More people watch British football than any other nation’s football. They are personalities, they have a profile, it's part of a much broader global agenda of closing the gender pay gap Vicki Treadell “So for us they are amazing brand ambassadors entering every room.” This is not the first time the Lionesses have used their platform politically. Days after lifting the Euro 2022 trophy, they collectively released a letter to then-Conservative leadership candidates Rishi Sunak and Liz Truss with a host of demands including a school football provision for girls identical to that offered to boys. Their campaign paid off in March when the government responded with a new package of measures designed to grant equal access to all school sport, backed by over £600 million in funding over the next two academic years. According to last year’s FIFA benchmarking report on women’s leagues and clubs, the average salary in the women’s game worldwide is just USD 14,000 (£11,000). And at international level, players from World Cup nations including France, Spain, Jamaica, Canada, South Africa and Zambia have all called out or taken action over issues ranging from playing and training conditions to personnel, while this is the first World Cup the United States will play following their landmark legal battle for equal pay. An increased prize pot of 110 million US dollars (£84.2m) for this World Cup came after an open letter to FIFA signed by 150 players from 25 national teams called for equal conditions and a guarantee that at least 30 per cent of prize money would be allocated to players. That pot is more than three times that of the 2019 Women’s World Cup in France, but still pales in comparison to the 440 million USD (£342m) doled out after the 2022 men’s edition in Qatar, though FIFA has outlined ambitions for parity by the next World Cups. Bright will for England’s second match wear an armband advocating for Indigenous People, a collective choice she said was “massively important to us as a team” after meeting members of the community in Australia. Treadell lauded that decision, adding: “It’s really important cultural understanding and awareness. The wonderful thing is that it’s the women of those First Nations who have been at the forefront of these welcomes. “Women to women, gender empowerment, inspiring young girls of whatever race, religion, ethnicity, that there is potential that they can realise their dreams. “And of course the Lionesses are role models about realising your dreams.” Read More Charity boss speaks out over ‘traumatic’ encounter with royal aide Ukraine war’s heaviest fight rages in east - follow live On this day in 2012: Bradley Wiggins celebrates historic Tour de France victory Day four of fourth Ashes Test: Eyes on the skies as England chase victory Tommy Fleetwood vows to give chase as Open history favours Brian Harman

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