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In a world of Adam Schefters and Pat McAfees, there's one NFL source who just might be the most genuine of the bunch: Chiefs and Eagles joint fan Donna Kelce.Schefty, you've got competition.Famous NFL mom Donna Kelce, mother of Kansas City Chiefs tight end Travis Kelce and Philadel...

The Earth is home to truly stunning natural features, but sometimes you need a new perspective to appreciate it all over again. Thankfully, the experts at NASA are on hand to remind us just how incredible our planet is with the release of new photos showing the “blood of Earth”. The incredible images seem to show it bleeding, with dramatic red liquid appearing to cascade over the surface. However, it’s nothing at all to do with blood – which is probably just as well. Instead, the first picture shows the Laguna Colorada in the Bolivian Andes in South America from space. Remarkably, the image was taken by an astronaut onboard the International Space Station (ISS) using just a Nikon digital camera. The fact that it was taken more than 400 kilometres away from Earth on a handheld device is pretty staggering, and it offers a look at a natural phenomenon which we’d never otherwise get to see. The first picture shows the impact of red algae flourishing in the shallow water of the laguna, while the second shows the Betsiboka River Delta in Madagascar. This time, the red colour comes as a result of the iron-rich sediment. It’s pretty awe-inspiring stuff, and it’s not the first time that red “blood” has been seen running from our planet, either. Antarctica’s Blood Falls is a bizarre geographical feature in the McMurdo Dry Valleys region of the continent, and it’s one of the strangest natural phenomena you're likely to see. It features a flow of water the colour of blood that can be seen seeping out from a glacier into the ocean. The mystery behind it has fascinated members of the scientific community for decades, but a solution has now been found. Sign up for our free Indy100 weekly newsletter How to join the indy100's free WhatsApp channel Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings

Chelsea and a number of other interested clubs are waiting to see whether or not Victor Osimhen signs a new contract at Serie A holders Napoli.

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Head to Google’s homepage today and you’ll see its primary-coloured logo transformed into an elaborate floral display, accompanied by an imposing, androgynous face. This face belongs to the pioneering British artist known only as Gluck, who is celebrated both for their iconic portraits and picture frame designs, and for their bold rejection of gender norms. Google has used its Doodle design to pay tribute to the trailblazing visionary on what would have been their 128th birthday. So what do we know about Gluck? And why was their work so important? Sign up for our free Indy100 weekly newsletter Gluck was born Hannah Gluckstein in London on 13 August 1895 to a wealthy catering family. However, as they grew older, they rejected their full name – asking to be referred to simply as Gluck. They attended the prestigious St. Paul’s Girls’ School in Hammersmith before moving on to St John's Wood School of Art. During World War I, they moved to the village of Lamorna in Cornwall, which was known for its buzzing artists' community. There, Gluck began to defy gender norms and fashions, donning men’s clothes and sporting barbered hair. According to the Royal Academy of Art, they refused to identify with any artistic school or movement and so exhibited their work solely in “one-man shows”. They also wrote on the backs of publicity photos: “Please return in good condition to Gluck, no prefix, suffix or quotes.” And, as Google notes, when one art society identified Gluck as “Miss Gluck” on its letterhead, they immediately resigned. Still, despite what would have been eyebrow-raising practices at the time, Gluck earned popularity among their peers and the wider public. In 1932, Gluck designed and patented a three-tiered picture frame, which later became known as the Gluck frame. This traditionally matched the colour of the wall on which it hung, giving the illusion that the painting was part of the wall itself. But perhaps their most famous work was a double-portrait of Gluck and their lover Nesta Obermer, called ‘Medallion’. Gluck referred to the 1936 piece as the “YouWe” picture, which symbolised their spiritual, marital union with Obermer. They later explained that, on 23 June 1936, the couple had attended a production of Mozart’s Don Giovanni at Glyndebourne. Gluck felt that the intensity of the music fused them into one, inspiring the “YouWe” painting as a public declaration of love and commitment. “Now it is out,” they subsequently wrote to Obermer, “and to the rest of the Universe I call Beware! Beware! We are not to be trifled with.” Up until their relationship with Obermer, Gluck was better known for their still-lifes of flowers, which were inspired by arrangements created by their former lover, florist Constance Spry. After this affair ended and their relationship with Obermer blossomed in its place, Gluck’s subjects and style evolved, with the focus shifting to their alliance, which they saw as a true meeting of souls. In 1973, Gluck held their final exhibition, which debuted more than fifty paintings from across their career. As Google points out in the blurb to its Google tribute, Gluck refused to compromise artistically and personally, and their legacy continues to inspire artists to express themselves freely today. Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings.

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Robin Roberts told her fans, 'We will try to sneak in a morning message or two if we can. So, in the meantime, have a blessed day and be a blessing!'

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