Doorcam footage could reveal the reason for Sophie Turner and Joe Jonas getting a divorce as the topic of what was said is revealed. This month, musician Joe Jonas filed for divorce from the Game of Thrones actor Sophie Turner after four years of marriage. While the divorce papers cited that the marriage was “irretrievably broken”, several sources told gossip site TMZ that ring camera footage which had caught Turner saying some disparaging things made Jonas acknowledge that their marriage was essentially over. Now, the content of the footage has been shared with USWeekly. The anonymous source said that the doorbell caught Turner telling her friend “some not-so-nice things about Jonas”. The source added: “It wasn’t anything more than that, but that was the final straw.” “Nobody thought things would get this nasty between Joe and Sophie. Friends are hopeful they can be mature for the sake of the kids, but neither one is going to acquiesce to the other. This could go on for a very long time,” they continued. The couple share two children, with their first daughter, Willa, born in July 2020. Their second child, Delphine arrived in July 2022. As rumours swirled about the status of their marriage, the couple posted a joint statement on Instagram. It read: “After four wonderful years of marriage we have mutually decided to amicably end our marriage. “There are many speculative narratives as to why but, truly this is a united decision and we sincerely hope that everyone can respect our wishes for privacy for us and our children.” However, on 21 September, Turner filed a lawsuit against her former partner over the “wrongful retention” of their two children, who remain in New York against Turner’s wishes. Sign up to our free Indy100 weekly newsletter Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings.

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Responding to a distress call near Flamingo Road and Valley View Boulevard, the officers were met with a scene that will forever haunt their memories

It transpires there are different kinds of problems involving the Liverpool midfield. Last season was a tale of the aged, the injured, the inconsistent and the incoherent, the malfunctioning midfield that meant a champion team suddenly looked disjointed and disappointing. If it was an exaggeration to say Liverpool didn’t have a midfield last season, in a sense they don’t have one now. Or not their old midfield, anyway. An exodus was partly planned, partly thrust upon Jurgen Klopp by Saudi Arabia’s injection of money and unexpected wish to acquire defensive midfielders. Perhaps Jordan Henderson and Fabinho will not be able to gegenpress in 45-degree heat, but it is not Klopp’s immediate concern; if the plan was for two new faces to feature in his first-choice midfield, a complete overhaul has become necessary. He wanted change and got a revolution instead. Of the six midfield departures, Arthur Melo – he of the solitary, 13-minute appearance – is still more of an afterthought now. Naby Keita and Alex Oxlade-Chamberlain are cases of what might have been, some of their potential left unrealised amid spells on the treatment table. But James Milner, Henderson and Fabinho were three of the quintessential Klopp midfielders: the fourth, Gini Wijnaldum, left in 2021. Between them, they played 1063 times for Klopp; they rank second, fourth, 17th and 11th respectively for most appearances in the German’s managerial career and, even including his days at Mainz and Borussia Dortmund, no central midfielders have lined up as often for him. They were the men who made his teams work, the rhythm section of his heavy-metal football, leaving the glamorous jobs to others. There were always other midfielders, but they were usually those trusted for the big occasions. In the 2018 Champions League final, Milner and Wijnaldum flanked Henderson. Come the 2019 final, when Fabinho had joined, he had the anchor role, with Henderson and Wijnaldum either side and Milner deployed as a specialist finisher, using his experience to see out the victory. The Dutchman was a different sort of finisher on Klopp’s greatest night: initially benched for the second leg against Barcelona, Wijnaldum came on at half-time, as Milner switched to left back, to score twice in a 4-0 triumph. All of which was uncharacteristic. Those 1063 appearances produced just 71 goals, a total that would have been smaller still but for Milner’s excellent penalty-taking. There were 99 assists, too, but to put that in context, Kevin De Bruyne got 149 on his own for Manchester City since Klopp’s appointment at Anfield, plus 92 goals. It illustrates it is a comparison of opposites. The definitive Klopp midfielders were the selfless support acts, defined by what they did not do – score, for instance – and where they did not go: the penalty area, or not often anyway. The full backs usurped them as creators; the goals came largely from the front three; if most great teams have at least one goalscoring midfielder, and Klopp’s Dortmund protégé Ilkay Gundogan developed a potent streak for Pep Guardiola and alongside De Bruyne, his Liverpool were the exception. His core four at Liverpool were the masters of the unspectacular: workhorses who ran many a mile, though often in relatively short distances, experienced figures who were experts at positional discipline. They were a reason why, at their best, Liverpool were rarely caught on the counter-attack, even when Andy Robertson and Trent Alexander-Arnold were in the final third. Liverpool were never a pure possession team but Wijnaldum, in particular, tended to have very high pass-completion statistics. It was in part because they were rarely charged with playing the most ambitious balls but Wijnaldum, especially, made playing in a Klopp midfield look deceptively simple: as his far greater goalscoring return for the Netherlands showed, his was a self-sacrificial role, playing within himself with the intelligence to make the tactics of a narrow 4-3-3 work. In one respect, Fabinho is the anomaly. He was the specialist defensive midfielder. The other three were all multifunctional grafters, their broader skillsets equipping them for many a task (often playing full back in Milner’s case). None was an out-and-out playmaker, but they brought combativity and understated chemistry. It amounted to a triumph of all-rounders: whereas some midfields were combinations of players with contrasting attributes, Liverpool prospered with those with similar strengths. Maybe an ethos has changed now. Klopp’s first two summer midfield additions, Alexis Mac Allister and Dominik Szoboszlai, offer the prospect of more goals than his quintessential quartet ever provided: after the shift in formation towards the end of last season, when Alexander-Arnold came to join Fabinho at the base of the midfield, Klopp referred to his more advanced pair as “two [No] 10s”. And if Wijnaldum could play as a genuine No 10 elsewhere, Milner and Henderson rarely did. Mac Allister and Szoboszlai, however, can meet the description. But maybe the newcomers will discover they are charged with copying their predecessors. Perhaps the beginning of the end for Klopp’s original midfield can be traced to the signing of Thiago Alcantara, to the sign he wanted something more stylish. But suddenly, an era has ended. Klopp’s four favourite workhorses are all gone. There may not be an all-conquering midfield quite like them again. Read More Jurgen Klopp responds after Kylian Mbappe to Liverpool rumours Liverpool name Virgil van Dijk as new captain after Jordan Henderson exit Liverpool confirm Fabinho transfer in latest Saudi Arabia move Lauren James on song as England thrash China – Tuesday’s sporting social Sadio Mane’s swift decline reaches new low Liverpool make second Romeo Lavia bid as Southampton set transfer price