Paul Finebaum welcomes the public reckoning on his initial comments regarding the Michigan scandal.

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Tracey Emin has opened up about “totally accepting death” when she was diagnosed with an aggressive form of bladder cancer in 2020. In June 2020, visual artist Emin was diagnosed with cancer, and subsequently underwent a series of major surgeries, including a full hysterectomy, as well as the removal of her urethra, bladder, lymph nodes, and part of her vagina and intestine. In April 2021, she shared that the cancer was “gone” after the surgery. In a new interview with The Times, Emin, 60, explained that upon her diagnosis, she was told that there was no guarantee the surgery would be successful in removing the cancer. At the time of her diagnosis, Emin said that she had feared being “dead by Christmas”. As a result, the Turner Prize nominee explained: “I totally accepted death – absolutely, totally.” “I think accepting death on such a profound level was what’s kept me alive,” she said. “I thought, you know what? Death looks after itself. We all die – now I’ll look after living. “I realised that my life has never really been living. I’ve been just dying. I’ve been so nihilistic. I thought, this is gonna change – if I get through this I want to look forward to things and I want to be present.” Emin, 60, now has a stoma (an opening on the abdomen connected to the urinary system allowing waste to be diverted out of the body) and uses a urostomy bag, which she will need to use for the rest of her life. On International Women’s Day in March, Emin penned a powerful personal essay in The Independent about her relationship with her body after surgery. Here, the artist admitted that she “hated” her bag, “but most days I’m philosophical; knowing that it keeps me alive”. She recalled: “One of my greatest golden moments was when my entire bag came off in Chanel on Bond Street: a tsunami of p*** cascading down my body crashing to the champagne-carpeted floor. Everyone was lovely and understood, Chanel even sent me a beautiful bouquet of flowers.” For the article published in The Independent, Emin created an exclusive acrylic on canvas artwork, titled “Marriage to Myself”. She also shared a candid photograph of herself standing in front of a full-length mirror with her white urostomy bag visible. While Emin works almost exclusively in the paint medium now, in June she unveiled three bronze doors that she secretly worked on for the re-opening of the National Portrait Gallery following a substantial £44m redevelopment. Etched in individual panels on the doors are 45 female faces, which Emin explained were inspired by facets of her “soul”. Emin said that her arrangement with the National Portrait Gallery was that she was not paid for the work (the gallery only paid the production fees), in exchange for total creative freedom. “It wasn’t a commission,” she explained. “I did it for free. I think the gallery wants to push the idea of portraiture in a different way. “There’s so many different ways to experience somebody’s, let’s say, soul. It doesn’t just have to be what they look like. It could be a portrait of the soul, for example. It could be lots of different things. So I think they wanted it to move away from the idea of classic portraiture. To stretch it.”

Some days NASA sees the Red Planet, and it wants to paint it rainbow colors.

Here's a breakdown of how to encounter and catch Galarian Zapdos in Pokémon GO.

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New York Yankees pitcher Clarke Schmidt was told to wash his hands after a sticky substance check on Friday. Here's what he said about it after the game.The New York Yankees left Toronto after a drama-filled series against the rival Blue Jays. Whether it was the Blue Jays complaining about ...

Donald Trump, who has often lied, unquestionably told the truth when he said Thursday was a "dark day" for America.

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An ancient Greek statue of a woman seemingly using a laptop has sparked time travel theories online. "Grave Naiskos of an Enthroned Woman with an Attendant" is a 37-inch marble statue created around 1000 BC and shows a woman opening a laptop-like item as it's held up by an attendant. The item has two surfaces opened at a 90-degree angle, resembling a laptop. It also has two holes in the side of it, prompting theories that it could be a USB port or headphone jack- thus "proving" time travel is real. Sign up for our free Indy100 weekly newsletter Because the statue depicts a woman opening the laptop-like item, many are convinced the ancient Greeks were time traveling. But according to the Getty Collection, there is a reasonable explanation for the item. The item the woman is opening is actually a shadow box used in funerary by ancient Greeks. Apparently, the statue is depicting a deceased woman reaching for the shadow box held by her attendant. This "has a long history in Greek funerary art," according to the Getty Collection. It's unclear if the attendant represents a young family member in mourning or a servant or enslaved person. But the Getty Collection notes that the deceased woman came from a wealthy family. As for the USB-like holes: "The two holes apparent on its base are evidence of an ancient repair, perhaps in the form of two metal pins intended to hold a now lost marble component in place. The thinness of the box indicates that, like many works of ancient art, this relief was not intended as a photographic depiction of reality, but to convey the wealth and status of the deceased." Alas, the statue does not depict the possibility of time travel. The statue is currently available for viewing at the Getty Villa in Los Angeles, California. Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings.

Soaring ticket prices are lining the pockets of the world’s biggest airlines, providing balm to the economic wounds

Billionaire philanthropist MacKenzie Scott’s first open call for grants yielded 6,353 applications from nonprofits — meaning candidates have at least a 4% chance of being selected for a $1 million grant