A group of gambling industry veterans is pushing for changes at 888 Holdings Plc, the owner of British

Kyle Schwarber hit his 25th home run and ended the game with a 12th-inning sacrifice fly, giving the Philadelphia Phillies a 7-6 win over the San Diego Padres

US billionaire Ken Griffin may provide financial backing to a consortium led by fellow hedge fund manager by

'Baby Burglar' is about saxophonist Lee Thompson being reminded of his crooked youth when his house was burgled.

If you own a swimming pool, be it an in-ground pool or an above-ground pool,

The Singaporean dollar surged to the strongest level on record against the Malaysian ringgit, with the latter suffering

If the Phillies and Astros meet in the World Series again, Philadelphia will have one leg up on the AL West winners.

'Valerie' hitmakers The Zutons have a new album dropping next April.

Long space missions are damaging astronauts’ brains, scientists have said. Experts now suggest that those who are spending a long time in space should take three years to allow their brains to recover from the changes experienced during their journeys. Those are the findings of a new study looking at how brain’s react to leaving Earth’s gravity. It comes ahead of what is expected to be a new era of long journeys around space, including the first missions to Mars. Researchers looked at brain scans of 30 astronauts, taken before and after they travelled to space. They found that journeys over six months left the brain’s ventricles significantly expanded – and they could take up to three years to recover. The ventricles are cavities in the brain that are filled with a fluid that protects and nourishes the brain, as well as removing waste. Usually, that fluid is helpfully distributed around the body, but the lack of gravity in space can mean that the fluid is pushed upward and shoves the brain higher in the skull. “We found that the more time people spent in space, the larger their ventricles became,” said Rachael Seidler, a professor of applied physiology and kinesiology at the University of Florida and an author of the study. “Many astronauts travel to space more than one time, and our study shows it takes about three years between flights for the ventricles to fully recover.” Read More Scientists demonstrate wireless power transmission from space for first time Japan to launch satellite made of wood in 2024 US tells China: ‘We’ll fight in outer space if we have to’

England players are still in the process of deciding which of FIFA’s eight approved armbands captain Millie Bright might wear in the Lionesses’ World Cup opener, midfielder Jordan Nobbs has revealed. Controversy surrounding the rainbow ‘OneLove’ armband sparked the threat of sanctions being issued to countries – including England and Wales – during the 2022 men’s World Cup in Qatar. In an effort to pre-empt a similar situation in Australia and New Zealand, FIFA has partnered with the United Nations to create sanctioned options that can be swapped out or worn throughout the month-long women’s tournament, with England kicking off their campaign on Saturday against Haiti. Speaking from the Lionesses team hotel in Brisbane, Nobbs said: “We’ve had some brief conversations, but I think that will be discussed a little bit closer to the game. “But obviously we know our values and equality etc, so that will be finally finalised soon.” While FIFA’s ‘Unite’ armbands will highlight a number of social issues, amongst them inclusion, gender equality, indigenous people and peace, there is no specific armband that advocates for the LGBTQ+ community and none contain the rainbow colours commonly associated as the colours of pride. While that decision has drawn criticism, England boss Sarina Wiegman has said she thinks her players are happy with the solution. On Tuesday, Wiegman’s squad collectively released a statement on social media addressing their stance on ongoing discussions with the Football Association surrounding issues such as performance bonus payments and commercial structures. I'm truly honoured to be part of such a successful team and be here to compete with the best Jordan Nobbs In a message from the team posted by Bright, the Lionesses said they were “disappointed that a resolution has still not been achieved” but would “pause discussions, with full intentions of revisiting them following the tournament”. Asked if the uncertainty ahead of England’s push for a first World Cup has been difficult, Nobbs replied: “I don’t think it’s difficult. I think we’ve had a lot of these conversations, probably over the last however many years, just not everything’s always seen by the public. “I think together as a team we’re pausing the conversations to obviously focus on the World Cup, but we just want to keep growing the women’s game. “[Compared to previous negotiations] we have a different group of players, the game’s grown so quickly. So I think conversations have been different, but I think it’s just been to try and fight in the right area of where the game is right now. “So I think together, between the players and the FA, we’re just trying to go on the same path and obviously have questions between each other. “It’s not just about money, it’s not just about care, or facilities, I think there’s so many areas we’re trying to grow. And we’re trying to obviously just do it in the way that the women’s game has grown as well. So I think it’s about us as a team believing in the next generation as well, having the best possible situation to play football.” Nobbs’ injury-plagued career has kept her out of action for several major tournaments. In 2015, she played just one World Cup match in Canada before sustaining a hamstring problem. A ruptured anterior cruciate ligament (ACL) ruled her out of the 2019 World Cup in France and a knee issue made her unavailable for England’s triumphant Euro 2022 campaign. But the 30-year-old’s bold move from Arsenal to Aston Villa in the January Women’s Super League (WSL) transfer window paid off after she impressed Wiegman and earned a ticket to Australia – where so far she is fit and healthy. Nobbs added: “It’s huge. I am unlucky with all the injuries, so this is a big one that I wanted to be at. I think when you miss something it makes you want something even more, so I’m truly honoured to be part of such a successful team and be here to compete with the best.” Read More Charity boss speaks out over ‘traumatic’ encounter with royal aide Ukraine war’s heaviest fight rages in east - follow live On This Day in 2005 – England striker Peter Crouch signs for Liverpool Courtney Brosnan says playing for Republic gives her ‘connection’ to family MLS All-Star boss Wayne Rooney struggles to take lessons out of Arsenal thumping

As a child of the South, actor Cailee Spaeny grew up steeped in Graceland mythology, memorabilia and Elvis Presley tunes. Her mother loved Elvis and it wasn’t unusual for a trip to that famous house in Memphis, Tennessee, to count as a family vacation. Priscilla Presley was of course part of that. But Spaeny would find there was much more than she’d ever known when she got the opportunity to play her in Sofia Coppola ’s new film, “Priscilla,” now in theaters nationwide. “I had no idea about her side of the story and what her experience was growing up in Graceland,” Spaeny said in a recent interview. The film is based on Presley’s 1985 memoir “Elvis and Me,” a diary-like account of her years with the King. She recounts meeting him at 14 in Wiesbaden, Germany, and moving to Graceland not too long after, where she finished high school. She talks about her unconventional hours, staying up all night with Elvis and trying to stay awake in school the next day. She details how he dictated her look including her hair (black and big!), eye makeup (more!) and clothing choices (no prints!), their passion for one another, his volatility and her isolation. And perhaps most importantly how she, and everyone around him, just wanted to make him happy— even after she chose to leave. Spaeny got to spend some time with Presley before filming began, though she wasn’t entirely prepared to be as star-struck as she was. “I remember when I first met her, I had all these questions ready to go. I was so prepared. And then I just see her sort of walking my way and they all just leave you because she has such a presence about her,” Spaeny said. “The way she carries herself is really like no one else. I mean, she really is American royalty.” She was equally grateful that Presley did not hang around set during the shoot where she and Jacob Elordi, the rising Australian actor cast as Elvis, had only 30 days to tell this expansive but intimate story with hundreds of costume changes and quite a few wigs too. “You just don’t know what you’re getting into when someone is cast as your co-star,” Spaeny said. “And when you have that little time, you’re shooting massive scenes every single day. You don’t get a light day. So to be able to go into this project with someone who took it as seriously as he did and really took the time to find those nuances and to do the prep beforehand was such a relief.” Elordi said they quickly developed an “unspoken language” that helped carry them through. As an actor, he loved going deep into why Elvis behaved the way he did. “You have to establish a base where you can just fall into this immediate love,” he said. “We would sort of look each other in the eyes and it would just say, ‘You’re going to do this? I’m going to do this.’” The beehive hairdo, Spaeny laughed, took more getting used to. She found herself having to walk “like a doll” and sometimes she'd forget its height when getting into a car. But the wigs would be a grounding factor in a shoot that often had her playing very different ages in the same day. “You just got to do what you got to do,” Spaeny said. “It was just one of the many fun little challenges along the way. The hair, makeup and costumes were really essential in knowing what age she is and where she is emotionally. That was the thing that I held on to.” And it wasn't just a dress up extravaganza for Spaeny either. Elordi got to wear custom looks throughout. “It was kind of as cool as it sounds,” he said. "You know, for me personally, it was like, ‘Do you want to be Elvis Presley for 30 days and wear Valentino clothes that are tailored to your body?’ Yes. That’s awesome.” Though Spaeny might have less dialogue than Elordi, her performance has been making waves since its debut — a breakout that has already been recognized by the Venice Film Festival and is sure to garner more nominations as awards season picks up. “She can convey so much emotion with just her face,” Coppola said. “It’s mysterious but the camera can pick up on it. She’s so photogenic and some people just jump off the screen, but you can connect to them in an emotional way.” In one scene, where Elvis tells a very pregnant Priscilla that he wants her to move out and she calls his bluff, Coppola debated using narration. She’d loved what Presley had written about that moment and wanted to capture that, but she also wanted to have the film stay in the present. And Spaeny was up to the challenge. “I talked to Cailee and we did another take and she did some little shift,” Coppola said. “You see halfway down the hall, her face changes with resolution. It was so subtle. I don’t know how she did it. It’s a talent that some actresses can really just convey so much without saying anything.” And though things went quickly and sometimes it felt like Spaeny couldn’t feel her feet on the ground, she was grateful that her director kept a calm, focused set. It was, she said, the opposite of chaos. “I’ve never really worked with someone quite like her, and the way she handles herself on the set,” Spaeny said. “She knows when to take things seriously and when to have fun. Everyone just brings their A-game because of her. She just leads with kindness. She wants to be collaborative and she has a clear vision.” Though both Spaeny and Elordi have trouble watching themselves on screen, they are proud of “Priscilla.” Elordi said he felt honored to be “part of the way that she wants her story to be told." And both walked away with something tangible from whirlwind too. Elordi said he has a few "secret things.” Spaeny got something too, but it might be a bit much even for someone who grew up surrounded by Elvis stuff. “I have this really strange mural of myself as Priscilla. It was a beautiful painting, but it’s me as Priscilla that was hanging on the walls of Graceland. I just am like, what do I do with this? I can’t put it anywhere,” she laughed. “I think I’ve got to, like, ship it to my grandma. I think she’d love it.” Read More Jimmy Kimmel to host the Oscars for the fourth time The Israeli military has set its sights on southern Gaza. Problems loom in next phase of war Business lobby attacks as New York nears a noncompete ban, rare in the US A suspicious letter to the top elections agency in Kansas appears harmless, authorities say Mayorkas warns of dangers to the US if it loses tools to block terrorists from using drones and WMD Hospital director in Haiti says a gang stormed in and took hundreds of women and children hostage

Former NBA employee calls out league on its own Facebook page ... Michigan and Jim Harbaugh still trying to figure it all out ... The New York Yankees' season has been over for a long time ... Lee Fitting surprisingly out at ESPN ... Amazon's Thursday Night Football looking to continue to skew a bit younger ... Keyshawn Johnson likely to join Undisputed cast ... Prime Minister Justin Trudeau thanks Canadians for support after separation from wife ... Rihanna delivers her second child ... Even the most popular bands have some unpopular songs ... Atlanta street racing event video is really hard to watch ... Donald Trump planning to turn himself in ...