Wayne Rooney roared onto the scene as a player but is taking a more patient approach to coaching as the Manchester United and England great strives to become a top manager. Nobody could forget his stunning breakthrough as a teenager with Everton and then the national team, leading to his big-money move to Old Trafford in 2004. Rooney was a force of nature that won trophies aplenty as records fell with United before winding down his career with spells at Everton, DC United and Derby. The forward hung up his boots in January 2021 to take on the full-time managerial role at County, steering them through tough times during a rollercoaster start to his coaching career. The 37-year-old decided to return to the USA and has overseen a marked improvement since taking over then Major League Soccer strugglers DC United last July as he builds his coaching pedigree. “It’s been a great experience,” Rooney told the PA news agency. “Obviously I had the challenge at Derby County, which was a difficult one to say the least. “But coming out here has just really been about gaining experience and for me to try and develop as a coach. “I know I am not where I want to be as a finished article, but these next few years are really important in terms of me getting to grips and getting the best out of myself and eventually out of the players. But it is something I really enjoy.” Rooney seems to be approaching his coaching career with a calm, patient mindset – something that might surprise those that watched this aggressive whirlwind of a forward thunder around the pitch. “I think patience is key and understanding that you are going to lose games, you’re not going to win every game and staying calm in them situations,” he said ahead of managing the MLS All-Stars against Arsenal at Audi Field. “I think that’s something that’s really a strength of mine is understanding that. “I’ve picked two difficult jobs to take, to be fair, but I really believe that they’ll help me in the future. I know I am not where I want to be as a finished article, but these next few years are really important in terms of me getting to grips and getting the best out of myself. Wayne Rooney “When DC came in I felt it was a great opportunity to come out and keep developing. “A difficult job in terms of where the club was at, so I had to try to improve the club first of all and get them up the table. “And really just seeing different challenges, different things – obviously languages, culture, religion – and understanding all them different scenarios which could happen if you manage at the top level, which you will have to deal with.” Rooney’s knowledge and experiences have clearly made him an empathetic, considered coach, who is focused on developing himself as well as his players at DC United. “I think it’s a place where I’m coming to work and to learn and develop,” he said. “Of course, after games you can get frustrated and you are always thinking of how the game has gone but I think it’s the right place now, in this moment in time, for me to develop.” With his family back in the UK, Rooney says he lives a “quite boring” existence Stateside around a 45-minute drive from downtown Washington DC. He stays with his fellow coaches and the relaxed environment is allowing the football obsessive to try new things. “If you would have asked me a year ago if I would play with a back five I would have said no,” Rooney said. “Then I’ve gone to a back five quite a few times this season because of probably the quality of the players and it suited the squad more with the players I had. “So, there are small things like that which it has allowed me to learn and develop tactically with different formations. “It’s a great experience for me to come here and work and I think it will really help me moving forward.” Rooney has never shied away from his ambitions to one day manage at the top level, previously saying he would “love” to coach Manchester United or boyhood club Everton. But right now it is DC United that holds his full focus in a competition that feels like it is about to take a giant leap forward. Lionel Messi’s stunning move to Inter Miami certainly has the potential to take football in North America to new heights, while Rooney believes MLS’ true quality has long been underestimated. “I think it’s surprised a lot of people,” he said. “Still now I get agents phoning me up and saying there’s a striker in League Two and he’s ready now to come to the MLS. “I’m like: ‘He’s nowhere near good enough to come and play in the MLS!’ “I think that’s a lack of understanding of the league maybe and there’s maybe a little bit of disrespect towards the league from that point of view. “There are some really quality players in this league who can play at a high level. “There’s different challenges, there’s technically some great players in this league, athletically there’s some really fit players in the league. “It’s a league which I feel is still improving and can get better, but I think it’s really got to a very good level.” Read More Charity boss speaks out over ‘traumatic’ encounter with royal aide Ukraine war’s heaviest fight rages in east - follow live Wayne Rooney backs Declan Rice to be ‘leader’ for Arsenal Jamie Smith century puts Surrey in control against Middlesex Stuart Broad reveals addiction to Test cricket after taking 600th wicket

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Paintings aren’t always what they seem on the surface, as one team of restorers proved recently in surprising circumstances. In fact, many famous artworks feature layers and layers of paint as artists worked and re-worked their compositions in search of perfection. Now, a piece of art has been restored 230 years after it was first painted to reveal a spooky, hidden demonic figure hiding in the background. The painting in question is the 1789 work by English artist Joshua Reynolds titled ‘The Death of Cardinal Beaufort’. It’s been restored by the National Trust, and the work the team have done has revealed a very unusual new feature. The painting features a scene from the Shakespeare play Henry VI, Part 2. Henry says “O! beat away the busy meddling fiend” in the scene, as he begs for a merciful death for Cardinal Beaufort. At the time, Reynolds painted a demon in the background of the painting to reference the “busy meddling fiend” referenced in the dialogue. However, the painting wasn’t well received at the time and that was at least partly due to the depiction of the demon in the background. Three years after it was painted, people attempted to cover up the demon but left a blur on the canvas. Now, the cover up job has been removed and the painting presents as the artist originally intended to mark what would have been Reynolds’ 300th birthday. It wasn’t the easiest of tasks, with several layers of paint and six layers of varnish to uncover. The National Trust’s senior national curator for pictures and sculpture, John Chu, said: “It didn’t fit in with some of the artistic rules of the times to have a poetic figure of speech represented so literally in this monstrous figure. “When it was first shown at the Shakespeare Gallery in 1789 it generated more controversy than any other work on show.” Sign up for our free Indy100 weekly newsletter How to join the indy100's free WhatsApp channel Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings

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