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YouTube’s UK and Ireland boss has insisted there will always be a future for long-form videos despite increasing competition from the likes of TikTok. Alison Lomax, who took on the post in January this year, told the PA news agency that YouTube is committed to a multi-format proposition, through its traditional longer videos as well as Shorts, launched in 2021 to draw back some of the audiences that had switched to short-form rivals such as TikTok. She said YouTube Music is rolling out its new podcast feature in response to increasing demand for podcasts from younger viewers, who she stressed are not turning their backs on longer-form content. Having launched in the US in April, it is now set to be unveiled in the UK by the end of the year, according to Ms Lomax. But it comes as TikTok continues to enjoy exponential growth, with mobile phone usage driving consumers towards short-form video. Speaking on the launch of YouTube’s latest UK impact report, Ms Lomax said: “Generation Z have really embraced the podcast, but they’re not 60 seconds.” She said in the future “there will still be a world for multi-format and you see that with creators”. “Just because you can create short form content, does not mean that they do. “People experiment with different formats.” (AI) is the buzz word of the year, but it's been part of what we are doing for many years Alison Lomax, YouTube UK and Ireland managing director The group, owned by Google parent Alphabet, said in its impact report that more than 45,000 full-time jobs were created among its creator economy in 2022, while its “creative ecosystem” contributed over £2 billion to wider UK economic output last year. The research, conducted by Oxford Economics, found that more than 65,000 creators and partners in the UK receive income linked to their YouTube presence, with over a third of British creators who earn money from YouTube saying it was their main source of revenue. Ms Lomax said recent developments in artificial intelligence (AI) were also presenting “real opportunities” for its creators. The group has been working with Google DeepMind, which is headquartered in Britain, to design AI solutions to create performance improvements on the platform for creators and viewers. Ms Lomax said YouTube has been using AI since 2017, including to help develop content moderation in the battle against misinformation, something that is becoming increasingly important in the area of health and in particular ahead of upcoming elections in the US and UK. She said: “(AI) is the buzz word of the year, but it’s been part of what we are doing for many years.” Echoing recent comments from YouTube chief executive Neal Mohan, she said the industry is “at a critical inflection point” with AI. “We need to boldly embrace it, but also by being mindful about responsibility.” YouTube recently announced an initiative that will see it partner with the music industry as artists face increasing challenges from the rise of AI technology. It has launched YouTube’s Music AI Incubator to help inform its approach to the technology, look at how it can enhance creativity and address issues. “We’re aware of the big opportunity but also we are aware of the downsides… we want to be part of the solution and the opportunity,” said Ms Lomax. The music initiative is the first of a number of YouTube announcements in the AI arena this year, she said, adding it is “something we’re thinking about very deeply for the ecosystem”. Read More Charity boss speaks out over ‘traumatic’ encounter with royal aide Ukraine war’s heaviest fight rages in east - follow live Robotic dog brought into survey historic Cold War weapons testing facilities Period and fertility tracking apps scrutinised over data security concerns Russian cyber-attacks ‘relentless’ as threat of WW3 grows, expert warns

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A Gothic artist has dedicated an entire room in her house into a "shrine" for her "creepy doll" collection, as she believes it “makes life so much more interesting and fun”. Victoria Grossman, 53, began collecting Barbie dolls in her 20s, and since watching the horror film Annabelle she “became fascinated with creepy dolls,” so began collecting and creating them – she has sold more than 400 of her handmade dolls. Victoria has spent a staggering £19,000 on her collection, which includes over 300 dolls made from “porcelain with Gothic painted features”, which she hopes people think are “haunted” – her favourite frightening figurine is a hand-painted Wednesday Addams. Victoria’s dolls typically have “mysterious eyes”, Victorian style clothes and “menacing expressions”, and despite their scary appearance her loved ones are “big fans” of her collection. Sign up for our free Indy100 weekly newsletter Victoria’s creations have been featured in a movie, Dementia 13, after a producer approached her at a doll convention and bought three dolls. Victoria said it was “amazing to see them on screen”. “Collecting just makes life so much more interesting and fun – I could not see a life without collecting,” Victoria told PA Real Life. “I love the hunt and love displaying them – I want to see my stuff, I want people to see them and get inspired, and maybe start a collection of whatever turns them on.” Victoria began collecting Barbie dolls in her 20s, building a collection of more than 200 figurines, but this eventually turned into a fascination with creepy dolls. She said: “One day, I saw this Gothic doll on the television, and I thought it was so different and, being an artist, I wanted to recreate the doll – so, I did, and it was great, but I didn’t think much of it. “It wasn’t until I saw Annabelle, the horror movie, in 2014, that I became fascinated with creepy dolls. “I decided to recreate her, and I put her up on eBay, and it sold for like 120 dollars to someone in Las Vegas, and then I started to collect creepy dolls.” Over time, Victoria has accumulated over 300 horrifying dolls worth approximately £19,000 ($25,000) and keeps the majority of them on display in her studio. She said: “I’m not into anything gory – I like them to look artistically creepy as if you have found them in an attic, and I want people to think they’re haunted dolls. “Most of them are porcelain with Gothic painted features like mysterious eyes, Victorian style clothes, menacing expressions.” Victoria’s loved ones are very supportive of her unusual collection, she said: “My son has grown up with it, so he doesn’t think much of it, but he loves them; he thinks they are really cool. “When people come to the house, they instantly want to see the doll room or doll shrine, and my family always want to bring their friends over to show them off. “They all love to take pictures of them, they’re big fans – it’s the same at conventions. As well as frightening dolls, Victoria also has a collection of celebrity memorabilia worth more than £78,000 ($100,000). She said: “I have Barbra Streisand’s vanity, which is gigantic and beautiful. “One of my prized possessions is Madonna’s jewellery which she wore on the Like A Virgin album cover – I have the pin that’s on her bustier and the bracelet from the inside cover. “I used to go to Sotheby’s and Christie’s auction houses in New York for celebrity items in my twenties and thirties.” Alongside collecting, Victoria continued making dolls, which she sells for £118 ($150) apiece online and at conventions. She explained the process: “So the base is a regular porcelain doll, and you put a base paint on them, maybe some crackling on their face to make it look old and weathered. “I often paint on top of their eyes, especially when I’m making it into a character, like Pennywise from the movie It. “I make the clothes by hand – for example, when I made Wednesday Addams, which is my favourite doll that I own, I handmade all of her clothes and stockings, braided her hair, and painted on make-up.” Victoria has sold more than 400 dolls to date and has customers all over the world. She said: “I had no idea it was such a popular thing – I started taking them to conventions, and they did really well, I made the equivalent of £500. “One of my clients has around 40 of my dolls – it’s addictive, you can’t just have one. “Most of my customers buy the dolls for their Halloween display and end up adding to their collection and become full-on collectors.” Victoria’s dolls have even been featured in a movie – she explained: “When I was at a convention, a producer came up to me and said, ‘I love your dolls, I would love to put them in a movie’, and I just thought he was kidding. “But, they later came to the house, and they bought three dolls – they starred in a movie called Dementia 13 in 2017, it was amazing to see them on screen.” Looking to the future, Victoria is hoping to extend her collection to reborn dolls – dolls which are hyperrealistic portrayals of babies. She said: “To buy reborn realistic dolls is usually over $1,000, but I’d love to sculpt one and make an entire doll out of clay – I wouldn’t treat it like a baby like some people do, though.” Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings.