Autumn is once again here, bringing crisp air and fresh perspectives. As if on cue, the breezy space of Olympia London has been buzzing with brand-new launches and impressive displays at the annual interior design fair, Decorex. Between 8-11 October, this highly anticipated exhibition welcomed designers and makers to come together to celebrate fresh ideas and inspiration for the year ahead. After scouring the stands, here’s what to expect for our homes in 2024 from the best in design at Decorex. Ban the bland This year’s show has unveiled that bland interiors are certainly falling out of favour for more cheerful hues – even if they just appear as accents. I caught up with the co-founder of YesColours, Emma Bestley, who revealed that Electric Blue is their best-selling shade right now. Think the colour of Dory in Finding Nemo, a purple emperor butterfly, and a lapis lazuli stone. The brand likes to pair this with olive green and fresh peach hues. If you’re not ready to commit to a full ultramarine space, Bestley recommends adding a dash to your window recesses and sills, or to an otherwise unappreciated small space, like a downstairs loo. I imagine Electric Blue would make for a captivating front door colour, sitting prettily against stucco or red brick. Supersized seating The industry’s best and brightest seem to agree that bigger is indeed better – currently gravitating towards deep, U-shaped wall-to-wall sofas and cavernous armchairs that you can really curl up into. Joanna Hauptman, managing director of bespoke furniture maker, Hyde House explains: “Comfort has surged to the forefront of seating design and having larger-scale pieces helps support sociable arrangements. We’re seeing an increasing trend for cinema-style twin seats, corner suite sofas, and curved-edged chairs right now to accommodate at-home entertaining and bigger gatherings, especially ahead of the festive season.” Hyde House exhibited its Miami capsule collection with sink-in boucle seating that embraces graceful curves and soft edges. If you’re enticed by this supersized aesthetic, also look to Belgian designer, Mublo, whose modular Benedicte sofa is reminiscent of ultra-plump, loose cushions lying against each other. Florals, for winter? Groundbreaking It’s no secret that flora and fauna have long been beloved springtime motifs. House of Hackney, the British interiors and lifestyle brand known for reworking traditional design for a new generation, encourages us to embrace florals even as the weather gets chillier and nights get longer. The brand revealed its dark and decadent Gothic Garden range at Decorex, featuring rambling blooms against backdrops of jacquard and velvet. Le Boudoir D’ecorexxx – this year’s unapologetically lusty VIP lounge bar designed by Brian Woulfe – was decked with Gothic Garden textiles. In jewel-like greens and blacks with pops of amber, dusty blush, and periwinkle blue, the collection’s theme is moody mysticism meets medievalism with touches of Art Nouveau and country garden influences. Say goodbye to grey grounds It’s no secret the materials used underfoot can set the tone of a room. Christoph Wellekotter, head of product management at German flooring brand Parador – which officially introduced its expertise to the UK’s design audience this Decorex – shares, “Grey tones are losing popularity as we’re rejecting anything clinical or cold in pursuit of warmer, cosy palettes. Beiges, medium browns, and dark chocolatey woods will reign for our floors in the coming year.” He finishes, “In 2024, parquet, a flooring style which originated in the chateaux of France in the 16th century, will reign again. The elegant chevron pattern adds texture and interest to space whilst remaining neutral.” Read More Daylight saving time 2023: When do the clocks go back in US? From collars to gloomy garments: How to dress like Wednesday Addams for Halloween Don’t be a scaredy-cat: Can pets see ghosts? Daylight saving time 2023: When do the clocks go back in US? From collars to gloomy garments: How to dress like Wednesday Addams for Halloween Don’t be a scaredy-cat: Can pets see ghosts?

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With so much still unsaid around this Spain team, three statements over the last 48 hours stood out all the more, that illustrate much of the story of their Women’s World Cup run. One was Tere Abelleira immediately after the semi-final victory over Sweden in Auckland. “Now we can talk about a ferocious team spirit,” she said. It was as the midfielder was saying this in the Eden Park mixed zone that Jenni Hermoso was striding behind and shouting: “Come on! We’re in the final of the f***ing World Cup!” That is now the most important fact of all. It was amid this mood of jubilation, however, that the abrasive Spanish federation boss Luis Rubiales came out with something that was much more open to dispute. “What we have endured is a lot,” said Rubiales. “That questions have been asked of Jorge Vilda, who is a hard-working man, a world-class coach, who has turned down other federations that have offered more money and stayed with Spain. We have stuck with those who have always wanted to be here, that have valued the great work that he has done to grow, and we have forgotten the people with resentments. He has continued working with his people and not paid attention to those who wanted to destroy him.” It was the first time at this World Cup that anyone in the camp has publicly raised the squad mutiny that has shaped Spain’s entire run, since most of it has been set aside in an uneasy truce. The description of “people with resentments” sounds like the most cavalier way to blow all this up, especially as the biggest game of all remains. While that “ferocious team spirit” should be more than enough to keep Spain together through the build-up, there is still the possibility for a huge fall-out if this team is defeated by England on Sunday. Rubiales’ words only add another edge to a situation that is already hugely complicated, both in terms of how it came to this and how everyone is dealing with it. It is not just about Vilda, although he is the most public face, visibly ignored by some players in victory but embraced by others. The 15 players who last year sent the email resigning from the national team – with the tacit support of Alexia Putellas, Jenni and Irene Paredes – had several complaints. Most focused on how oppressively disciplinarian Vilda’s managerial regime was but they were also unhappy about how outdated the entire international set-up seemed. Some of the arrangements, like travelling long distances on bus or not having staff in certain key roles, fell well below their club standards. They did not feel any of this gave them the best possible chance of fulfilling a generation of talent. Unsaid but undeniably perceived by so many around the situation is that some of the players do not think Vilda is a good enough manager. There is at least a fair argument to this, even as Rubiales protested he is “a world-class coach”. Many would certainly dispute that. That Vilda has such a strong relationship with Rubiales is just another complication. With the federation risking the chance of a generation, and some players realising the same, overtures were made. Hermoso and Paredes returned, opening a way back. The federation’s director of women’s soccer, Ana Alvarez, met with every single player individually over May and June. All complaints were heard. Only some players were accepted back, and that involved having to send an email declaring their willingness to be called up again. They were Ona Batlle, Mariona Caldentey and – above all – Aitana Bonmati, perhaps the best player in the world right now. Vilda decided to stick with the players involved in preparation for this World Cup, just as Rubiales decided to stick with him. It has resulted in a squad that is partly made up of rebels and replacements. Some have set aside grievances for the greater good. Others are grateful to Vilda for persisting with them. All have overlooked this for the time being, which was why Rubiales so abrasively addressing it before the final is such a risk. It has only complicated already conflicted feelings around this Spain team. A growing view at this World Cup and back home in Spain has been that most support the players but do not want the national team to win because that is a vindication for the federation and Vilda. It doesn’t help Rubiales that he is not a popular figure, commonly seen as one of the most divisive in Spanish sport. There is also some inevitable backlash against the players, since there is the constant threat of the issue getting subsumed into the usual culture wars, but this is where the general public parking of the mutiny has at least offered something like a positive. One figure with insight into the situation spoke of how there can be internal conflict for some players, too. They want to do the best for themselves, but know that every success makes the federation and the manager look good. For the moment, at least, it has been a more unusual example of the classic dynamic of adversity creating success. There has also been compromises and common ground. Vilda’s staff have softened some approaches. The federation has listened and acted on other concerns, such as the willingness to move camp when the players were bored out of their minds in Palmerstown North. Some of Vilda’s calls have worked, such as bringing teenage sensation Salma Paralluelo on as a substitute to break games. Others would say that’s just an obvious move. There is also a more obvious fact here. In a historic football shift that long preceded Rubiales, and greatly influenced the English Football Association, Spain were one of the first wealthy western European football cultures to implement the kind of coaching revolutions that has characterised the modern game. The country industrialised talent production, while going further than most similar federations in underpinning it with a defined football identity. While that has almost come back on itself in the men’s game, creating this self-repeating and now almost self-defeating cycle of the ball endlessly getting circulated, the more developmental stage of women’s football means it can be much more effective. Spain are one of the few teams at this World Cup with such an ingrained style, made in Barcelona, that goes much deeper than any coaching decision. The wider national coaching structure has meanwhile honed the natural talent of stars like Putellas and Bonmati, producing elite athletes that also have that resilience that has been so apparent at this World Cup. The likelihood is that this supersedes any of Vilda's decisions. The squad’s mentality has helped, which is why they didn’t buckle after the collapse against Japan during the group stage. In a strange way, that 4-0 defeat might even have served them, helping to solve further tactical issues. Bonmati even said at the time “this is going to unite us more than ever”. It could mean Spain become the only world champions in either men’s or women’s football to have also lost by more than three goals in the same competition, other than West Germany 1954. Japan 2011 are the only previous Women’s World Cup winners to have even lost a game, adding one other little twist. There is then one final layer. It was the frustration at a defeat to England in the Euro 2022 quarter-finals that brought all this to a head. It is now an even bigger game against England that might fully illustrate how they have adapted. A lot may remain unsaid after Sunday but, to use an old Spanish football saying, some of the truth will be on the pitch. 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