Manchester City assistant Juanma Lillo says Erling Haaland’s mentality helps set him apart from most other goalscorers. Haaland missed a first-half penalty and several other chances in Sunday’s 2-1 Premier League win at Sheffield United before finally breaking the hosts’ stubborn resistance at Bramall Lane. The Norway striker headed City into a second-half lead and after substitute Jayden Bogle fired a late Blades equaliser, Rodri smashed home City’s winner to send them top of the table with three straight wins. Lillo, who took on the head coach’s role as Pep Guardiola recovers from back surgery, said: “Today would have been difficult for any striker, how it played out in the first half. “Of course there was the situation with the penalty, which is frustrating for anyone, but that could happen to any striker, not just Erling. “What it does show is that, and not just because he scored, because he came close on a couple of other occasions as well, came really close with (another) header, that it really shows his mental fortitude to keep going and keep going. “That’s something that’s really difficult to find and he showed it throughout. “He’s a very young lad and his mindset is so good that, OK he’s missed a penalty, but he’s come back now and he wants to keep going and keep trying to score these goals.” The Blades’ central back three of captain John Egan, Jack Robinson and Anel Ahmedhodzic were key to their side’s disciplined rearguard action, which stifled Haaland for large parts of the game. Blades boss Paul Heckingbottom, who could not hide his disappointment at failing to hold on for a point, said: “I’m not going to tell you the plan because we may do it again next time. “The central defenders enjoyed that challenge. Haaland enjoyed that challenge and got really wound up. “He was really pleased with his goal obviously. He’s a big, big threat.” The Blades introduced latest signing Cameron Archer to the Bramall Lane faithful before kick-off and Heckingbottom expects more transfer activity between now and midnight on Friday when the window closes. “We’ve lost players but that’s changed our resources, so we’re doing as much as we possibly can to come out of the window in the best possible shape,” he added. “I’ve been pleased with the signings and pleased with them as characters, as people and buying into what we’re about. “You can see in the performance. The reason I’m so disappointed about not having a point is for the players and the fans. “You could see the reaction, everyone’s together on it, everyone knows what we’re trying to do. “That’s the reason I’m really upset about the point. How crucial it will be at the end of the season, who knows?” Read More Charity boss speaks out over ‘traumatic’ encounter with royal aide Ukraine war’s heaviest fight rages in east - follow live Tom Moody expects Gus Atkinson to show what he can do on the world stage The sporting weekend in pictures Police investigate after brick attack on Aston Villa bus after win at Burnley

History buffs on Facebook were left convinced of time travel after a black and white photograph originating from World War II appeared to show a man speaking on a mobile phone. In the image, the conspicuous figure could be seen leaning against a shop front on a crowded pavement amongst locals as well as US army soldiers deployed there. According to The Sun, the image was taken in Iceland’s capital of Reykjavík in 1943 – long before the invention of the portable telephone devices. The first mobile phone, the Motorola DynaTAC 8000X, was sold in 1973. The man who appeared to be holding a device to his ear was dressed in a light-coloured coat, wore a flat cap and was looking in the direction of the camera that captured the image. The picture which has sparked conspiracy theories of time travel was shared by its owner Kristján Hoffman on the Facebook group Gamlar ljósmyndir, which translates to “Old Photographs”. Hoffman wrote on Facebook: “The American army is taking over Icelandic splendour, as you can see. “One thing that draws attention to this beautiful picture is that above the window, in the corner in the middle of the picture, a man is leaning and is on a cell phone.” The post sparked a lot of debate online as people gave their different theories. One person suggested the man was simply scratching his ear, while another said he was holding his watch up to see if it was working since the man is standing outside a watch shop in the image. But Hoffman stuck to his own beliefs, saying: “He's in a stupor, standing alone and wearing a different headdress than the others and a scarf and acting like we would do today. “He has an overview of the square and nothing like having a conversation with someone on a smartphone.” Another person in the comments joked that Icelanders had “already invented the mobile phone way before anyone else!” Sign up to our new free Indy100 weekly newsletter Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings.

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Six inmates at the downtown St. Louis jail are facing charges related to the abduction last week of a 73-year-old jail guard. Charging documents released Monday by the St. Louis Circuit Attorney's Office offered insight into how the guard was taken hostage around 6 a.m. on Aug. 22. He was freed by a police SWAT team more than two hours later and treated at a hospital for minor injuries. Two inmates jailed on first-degree murder charges, Eric Williams and Anthony Newberry, were outside their cells helping the guard deliver breakfast trays to other inmates, charging documents stated. Williams allegedly began punching the guard, knocking him to the ground. The document said Newberry joined in the attack and the men pulled the guard to a shower area. Newberry allegedly took the guard's cell keys and began unlocking “all the cells in the pod,” charging documents stated. Dozens of inmates left their cells. Inmates Paul Mondaine and Earnest Lyons moved the guard to a table inside the pod, where he was handcuffed and had his legs shackled, documents stated. Newberry and Richard Bolden III smashed televisions, and inmates used pieces taken from the TVs, along with broom and mop handles, to make weapons, according to the documents. Mondaine allegedly used one of the handmade weapons, held it near the guard, and told him, “I’ll cut your throat if they come in here.” SWAT officers were able to free the guard shortly after 8 a.m., more than two hours after the abduction began. The motive behind the abduction remains under investigation but Corrections Director Jennifer Clemons-Abdullah said at a news conference Aug. 22 that one inmate demanded pizza. Interim Public Safety Director Chris Coyle said “less-than-lethal ammunition” was used on the inmates, but he did not elaborate. Coyle said two inmates suffered minor injuries inflicted by other inmates during the hostage situation. Five of the inmates are charged with first-degree kidnapping: Williams, 20; Newberry, 29; Mondaine, 29; Lyons, 21; and Cleveland Washington Jr. 21. Bolden, Newberry and Washington are charged with damaging the jail. Williams and Newberry also face assault charges. Mondaine also is charged with unlawful use of a weapon. The inmates do not yet have listed attorneys, according to Missouri's online court records. All are being held without bond. The abduction was the latest of several acts of violence inside the jail, known as the City Justice Center, which holds nearly 700 inmates. Advocates for inmates have long complained about conditions at the jail. It was the site of three uprisings among inmates between late 2020 and early 2021. In February 2021, inmates set fires, caused flooding, broke out fourth-floor windows and tossed chairs and other items through the broken glass. A guard also was attacked. Inmates again broke windows and set a fire during another riot in April 2021. A month later, Dale Glass, the embattled director of the jail, resigned.

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Ties between Wimbledon and the royal family go back a long way. To 1907, to be precise, the first year that the Prince and Princess of Wales (who would become King George V and Queen Mary) attended the famous Championships. King George V later became patron of the All England Lawn Tennis and Croquet Club, a role now held by the current Princess of Wales. Kate’s outfits are pored over almost as much as the action on court, and looking back at royal appearances at the tournament we can see how fashion has evolved throughout the decades. As the iconic Championships begins on July 3, a fashion expert talks through some key looks and what they tell us about the style of the era… King George V and Queen Mary During the first Wimbledon Championships after a four-year hiatus due to World War I, the 1919 women’s final was attended by King George V – who was known to dislike contemporary fashion – and Queen Mary. “When George arrived at Wimbledon, the hub of fashion inspiration for trendy Brits going into the Twenties and Thirties, he stood out like a sore thumb,” says Rosie Harte, author of The Royal Wardrobe. Queen Mary wore a fringed dress with a loose coat, hat and gloves, and carried an umbrella. “She, like other members of the royal family, felt pressure to fall in line with George’s conservative fashion preference,” Harte continues. “And so appears here dressed in a slightly dated, soft and cluttered outfit at odds with the trim tailoring and sleek silhouettes beginning to emerge in women’s fashion.” Queen Elizabeth II Queen Elizabeth II became patron of the All England Club in 1952, but only visited the Championships a handful of times. The first was in 1957 when she attended the women’s singles final, wearing a floral midi dress with white accessories. “Unlike the celebrities of their day, the most dutiful of Wimbledon-bound royals have often avoided pandering to the tennis aesthetic when styling themselves for an appearance,” says Harte. “Even as a young Queen at Wimbledon, Elizabeth was always more fond of an outfit that read homely British romance rather than the wardrobe of the modern woman.” The monarch returned to the tournament in 1977, donning a pink coat dress and hat, and in 2010, wearing a similar ensemble in aqua blue. “Each appearance followed the rubric of the Queen’s royal uniform which, as the years went on, became more and more regimented,” Harte says. “Whether she was on the green or sat in a sea of spectators, the eye needed to be drawn to the Queen through the use of vibrant colours that do not typically feature in the Wimbledon setting.” Diana, Princess of Wales Tennis fan Diana attended Wimbledon more than a dozen times during the Eighties and Nineties, during which time her personal style evolved considerably. “Going into the Nineties, the Princess of Wales was under no illusion that her marriage was the fairytale it had initially been framed as,” suggests Harte. “Consequently, the frothy, fairytale elements of her wardrobe, inspired by the traditional looks of more senior royals, began to disappear.” Floral frocks and roomy sailor dresses made way for more structured and tailored looks. Harte says: “Her white pleated skirt in 1991 embodied an elevated tennis skirt, and in 1995, her pale suit jacket with sunglasses folded over the collar set her apart as a sleek modern woman.” The Princess of Wales Another big tennis fan, Kate has been snapped in the audience at Wimbledon as far back as 2007, but her first memorable fashion look came in 2012, a year after she married the Prince of Wales. Kate donned a seemingly tennis-inspired knitted dress from Alexander McQueen (the label that made her wedding dress) with a drop-waist and blue accented cuffs and hem. “She radiated the essence of the iconic pre-war tennis star – an aesthetic largely rejected by the royal family,” says Harte. Taking over from the late Queen as patron in 2016, Kate has continued to reference tennis colours over the years with green and white dresses, and in 2022 opted for vintage-inspired looks. “Last year saw her attending Wimbledon in various outfits that used cut, colour and accessories to reference the fashions of the daring, modern woman who emerged in the 1920s and Thirties,” says Harte. “Her bright yellow Roksanda Ilinčić frock was the most subtle of these, but the vibrant colour was uncompromising, making her an unavoidable figure at the event.”

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