NACON and studio Spiders have announced the arrival of the next installment in the GreedFall franchise, GreedFall 2: The Dying World.

The premiere of the highly anticipated Barbie movie, directed by Greta Gerwig, premiered in London on Wednesday evening (12 July), and the pink carpet did not disappoint. Fans queued for hours for the premiere at Cineworld Leicester Square, awaiting the chance to see their favourite celebrities bring their Barbie best to the star-studded event. There were high expectations for Margot Robbie, who plays the lead doll, to up the ante on her outfit for the night. The star has been praised for all of her Barbie-inspired looks during the global press tour, as she became known for recreating some of the world’s most famous doll’s iconic outfits. Other cast members who dazzled on the pink carpet included Ryan Gosling, who plays Ken, America Ferrera, Dua Lipa, Ncuti Gatwa, Emma Mackey, and Sharon Rooney. A flurry of UK celebrities also appeared at the premiere, including former Love Island winners Ekin-Su and Davide, who recently broke up, and Liberty Poole. Presenters including Rylan Clark and Amelia Dimoldenberg were also in attendance, with the latter replicating a truly iconic (and apt) Barbie look for her role as host on the pink carpet. Here are our favourite looks from the Barbie premiere in London. Margot Robbie The Australian actor floored fans when she stepped onto the pink carpet in a pale pink custom Vivienne Westwood gown with a white trimmed neckline and opera gloves. The look replicated that of the 1960 Enchanted Evening Barbie, continuing Robbie’s streak of emulating the doll’s most famous outfits during the film’s press tour. She accessorised with a pearl choker and barely-there glittery heels, and swept her hair in an elegant updo. Amelia Dimoldenberg The Chicken Shop Date presenter, who was hosting the pink carpet, took a leaf out of Robbie’s book and replicated another Barbie look. Dimoldenberg arrived dressed as I Can Be… News Anchor Barbie, complete with a pink tweed jacket with black trim, a satin skirt with a ruffle hem and a blonde wig with a side-swept fringe that looked exactly like the doll’s. Sharing her look, Dimoldenberg tweeted: “Never do anything by halves.” America Ferrera The Ugly Betty star looked stunning in a plunging black Roland Mouret dress encrusted in rhinestones, with sheer black opera globes and a black clutch. She completed the look with heels from Giuseppe Zanotti. Sharing her look, as well as some fun selfies with the rest of the cast, on Instagram, Ferrera said: “London Barbie premiere [black heart emoji] [disco ball emoji] Fun with some faves.” Nicola Coughlan Derry Girls star Coughlan was dripping in sparkle when she stepped onto the pink carpet in a stunning custom Wiederhoeft dress, featuring a square neckline and finger loop sleeves that created a dramatic effect. Her red hair was kept off her face and styled with low-key, but classic waves, and she wore silver heels to top off the look. Dua Lipa The “One Kiss” singer wore a colourful Versace chainmail gown from the label’s La Vacanza collection, which Lipa co-designed. The slinky dress featured a neon butterfly and floral print and gold chain straps. She continued the garden theme by accessorising with ladybug charms and butterfly brooches, as well as silver stilettos with butterfly appliques. Hari Nef The actor went against the grain on the pink carpet by appearing in a more goth-inspired look. Nef, who plays a Barbie in the film, wore a black dress by Dilara Findikoglu with a high neck and cap sleeves, and covered in… cutlery? Silver butter knives created an unusual silhouette for Nef, who completed the stand-out look with nude heels and short red hair. Simu Liu Kens aren’t meant to stand out in Barbie’s universe, but Simu Liu tossed that rule out the window with his all-black Fendi ensemble at the premiere. At first glance, his outfit might appear monotonous, but a closer look reveals a halter neck top and trousers with delicate floral embroidery and a black jumper tied casually around his shoulders. Liu also wore platform boots, a Ben Baller gold chain and an Audemars Piguet watch. Ncuti Gatwa Did someone say “hotpants”? Sex Education star Gatwa certainly heard the call, as he turned up on the pink carpet in a custom Valentino look, featuring a dramatic white cape, a very low-cut, long-sleeved top and super-short sparkly silver shorts. Never one to blend into the background, he capped off the eye-popping look with a white hat and chunky black shoes, as well as a silver necklace from Tiffany & Co. Greta Gerwig The film’s director joined the event in a Barbiecore pale pink Erdem gown and matching cape. The cape’s neckline was encrusted with silver rhinestones and she carried a small silver clutch from Jimmy Choo to match. This is only the second time Gerwig has worn pink on the Barbie press tour, with the first being a vibrant pink Valentino dress with a matching blazer, bag and studded pumps. Read More I keep forgetting my dog’s birthday – could a luxury pet party make it up to him? Fans applaud Florence Pugh’s response to Emily Blunt’s red carpet wardrobe malfunction Maya Jama reflects on 2019 breakup with Stormzy: “I used to think that sexism was dying out”

If you’ve grown up in France, Bernard Tapie is one of those people you’ve always been aware of, without being able to remember when you first heard about them, or what they’re currently famous for. In Tapie’s case, the answer varied throughout the years: at times, he was famous for his career as a businessman; at others, for his career in the world of sports. There was also politics, show business, and legal scandals, depending on when you asked. Only one constant remained: from his rise to fame in the 1980s to his death in 2021, Tapie was notorious. A new Netflix series dramatizes 30 years of his life, charting his humble beginnings, his not-so-humble early successes, and the biggest legal controversy of his life—for fixing a soccer game in favour of Olympique de Marseille, Marseille’s soccer team, which he then owned. In France, the show is simply called Tapie—a name known to virtually anyone. In the US, it’s titled Class Act, an apparent wordplay to nod both to Tapie’s exceptional destiny and to his status as what sociologist Pierre Bourdieu called a “transfuge de classe”—someone who moves from one social milieu to another. The show, comprising seven episodes, is a fascinating examination not just of the man himself, but of the country that allowed his ascent. It casts an eye back on the lionized men of the 1980s and asks: at what cost did we create them? And what are we meant to do with them now? “In the same way that there was Trump in the US, Berlusconi in Italy, there was Tapie in France,” Tristan Séguéla, who directed and co-wrote the series, tells The Independent in a video call. “The 1980s had a strong mythology around these characters who could embody everything, and who were very rich, very famous, and very powerful all at once.” Bernard Tapie was born in 1943 in Paris. His father was a laborer, his mother a nurse’s aide. He first sought fame as a performer, then in business. In the 1960s, he won a televised singing contest under the name Bernard Tapy—a much more American-seeming spelling of his last name. But that success was short-lived, and Tapie soon transitioned to selling televisions for a living. In the late 1970s and through the 1980s, he became known for purchasing companies on the verge of bankruptcy and reselling them for considerable profit. In the 1990s, he entered politics, as a member of President François Mitterrand’s government and as a Congressman. That same decade, he bought and sold the athletic apparel brand Adidas. The 1990s also saw Tapie’s biggest legal controversy: in 1995, Tapie was sentenced to eight months in prison for bribing members of the opposite team to ensure Marseille’s victory in a final match against Valenciennes. (Tapie had become the president of the Marseille team in 1986.) All of those events are depicted in Tapie. In real life, the story goes on, with more legal troubles (Tapie was sentenced to six months in prison for tax fraud in 1996) and more reinventions. To go through Tapie’s biography is to go through the story of a man who never retreated into anonymity and never stopped believing that the system would, in one way or another, bail him out. In the late 1990s and 2000s, he turned to acting and TV host gigs. In the 2010s, he became the owner of a media company. Tapie was diagnosed with stomach and esophagus cancer in 2017. He died of the disease in October 2021, aged 78. The actor Laurent Lafitte, who brilliantly portrays Tapie in the Netflix series and developed it with Séguéla, has spent time pondering Tapie’s story and what it represents. Tapie, he says in a phone call, was “a kid from the suburbs” raised in part by a Communist father. He views Tapie in that way in opposition to Trump, who long claimed to have received a “small” $1m loan from his father, “as if that were $10”, Lafitte says. Not only that, but that number is substantially false; Fred Trump’s financial support of his sum extended far beyond that sum. Tapie “did not have the same starting point as Trump at all”, Lafitte says, which, in his view, renders Tapie’s boundless ambition more palatable. But he is clear about Tapie’s “ultra liberalism”, and the way capitalism enabled his ascent: Tapie “bought failing companies and brought them back to financial health without concerning himself for the employees’ social wellbeing,” he says. Back in the 1980s, Tapie’s open ambition was considered “novel in France, where we have a rather discreet, reserved rapport with success, and especially with money.” In Tapie, Lafitte says, “we had someone who brandished material success as an absolute accomplishment.” The French language sometimes borrows words from English wholesale, not bothering to come up with a translation. “Fun”, for example, does not have a French equivalent. French people simply say “fun” with a French accent and carry on as usual. “Weekend” is another example. The words used to describe Tapie at various points in his career, Lafitte points out, do not have equivalents in French—there is no French word for “tycoon”, “self-made man”, or even “success story” (if one chooses to see Tapie that way). “These are English words that represent a kind of ultra liberal success that wouldn’t have been shocking for Americans, nor perhaps for some British people, back in the days,” Lafitte says. “But in France, it was really new.” Each episode of Tapie, the series, opens with a disclaimer that states the show is “inspired by real facts”, namely the big parts of Tapie’s life that were already known to the public. The show then takes liberties, imagining various scenes, giving viewers an interpretation of Tapie’s life rather than a date-by-date account. “Fiction worked [in the show] in the service of reality,” says screenwrite Olivier Demangel in a video call. He cites the German philosopher Theodor W Adorno, who, in reference to the works of Honoré de Balzac, wrote about “realism by way of losing reality.” “To me, that’s exactly it,” Demangel says. “[Adorno] was talking about Balzac, but we’ve always thought that Tapie had something of a Balzac character.” Not that the show is entirely disconnected from reality. To research the show, the team read around 40 books, Demangel says, and dug into television archives. “We really worked on the idea that Tapie was kind of the embodiment of television,” Demangel says. “Like a TV salesman who wanted to get inside the machine, and who sort of became television. We realized that he went through every television format, and that he had his downfall at the same time the world moved on to the internet. It’s as though the internet killed the world and Tapie.” Séguéla brought another real-world perspective: his father, Jacques Séguéla, was a prominent French publicist, and a friend of Tapie’s. The younger Séguéla has childhood memories of Tapie spending part of his vacations at the Séguélas’ house. “I remember someone who attracted attention,” he says. “And [Tapie] had one quality—I think it’s the same way with the friends of everyone’s parents: There are those who pay attention to kids, and those who don’t notice them. [Tapie] treated everyone equally, adults and children. I liked that, especially since he was already a media monster by the time he came by. I’d see him on TV, and then I’d see him make paella for everyone. And sometimes, we’d quarrel, too. He would argue with me about a bit of the Tour de France, or soccer teams. I liked that too.” Despite this personal connection, Tapie, before his death, had voiced his opposition to the series. More recently, his family voiced their objections, too. But that was never a problem for Séguéla, nor Lafitte, nor Demangel. They were determined to write the show, and they didn’t particularly want Tapie or his relatives to contribute to the writing. Years ago, Séguéla made it clear to Tapie that he wasn’t seeking his permission to go ahead, Tapie “left him alone” and let him work in peace, Séguéla says. “It would have annoyed me if he’d felt hurt by the show, if he’d found it insulting or defamatory,” Lafitte says. “But I was comforted by the fact that our work was mainly impartial.” Despite the differences between Trump and Tapie, the team too had Trump on the mind while crafting the show. “I would even say that Tapie must have had Trump on his mind during his own rise to fame,” Séguéla says. Tapie, Séguéla points out, published a nonfiction book called Gagner (“to win”), a cross between a memoir and a book of business tips. Tapie’s book came out in 1986. Trump’s own book, The Art of the Deal, came out in 1987—three years after Trump appeared on the cover of GQ. The 1984 cover story was titled: “Success: How Sweet It Is. Men Who Take Risks and Make Millions.” Now, Lafitte struggles to imagine France’s other wealthy men, such as businessmen François-Henri Pinault or Bernard Arnault sing on TV or host a show—both things Tapie did. Still, Tapie’s story as told in the Netflix series seems inseparable from France itself. In Tapie’s tale, Lafitte sees “all the contradictions” of the country’s attitudes to success. “In France, we always tend to be wary of people who succeed materially,” he says. “[Tapie’s story] is the story of a time when the line became a bit more blurry, between [the traditional French mindset] and a more American mindset. He understood that very quickly.” Read More Like Harry, they wrote brutally honest memoirs about their families. What happened next? From Harry Styles to Emma Roberts: How celebrity readers became the book influencers we didn’t know we needed Slim Aarons started out photographing war – but his greatest assignment was in the trenches of fashion Hurricane Nigel expected to ‘rapidly intensify’ by Tuesday - latest Trump says he doesn’t worry about jail risk as he refuses to rule out self-pardon Front door of home where Sharon Tate was murdered sells for $127k

Investors have much on their minds these days, but there's one thing seemingly staying under the radar.

By Lucy Craymer WELLINGTON The centre-right National Party led by Christopher Luxon held a strong lead in New

Even as the Golden Knights, Raiders, Aces and even Formula One have captured most of the attention in the local sporting scene this year, Las Vegas has quietly reasserted itself as the boxing capital of the world

Paris Hilton has hit back at people on the internet who mocked the physical appearance of her baby boy, Phoenix. The reality television stalwart had posted a picture of the child, who is nine months old, on Instagram, saying it was her “precious angel baby’s” first time in New York. But some commenters picked up on the size of Phoenix’s head. One person joked: “Y’all he’s just got a lot on his mind leave the kid alone.” Others speculated whether or not Phoenix’s large head was a result of a medical condition. Hotel heiress Hilton responded in the comments section: “There are some sick people in this world. “My angel is perfectly healthy. And yes, of course he has been to a doctor, he just has a large brain.” Hilton and her husband, businessman Carter Reum, welcomed Phoenix on 16 January. They married in 2021. After he was born, she told People magazine: “It’s always been my dream to be a mother, and I’m so happy that Carter and I found each other. “We are so excited to start our family together, and our hearts are exploding with love for our baby boy.” Her post featuring the child is the latest example of a celebrity posting a picture of their young children online, also known as sharenting, which has become an increasingly controversial practice. Some experts say parents should avoid posting pictures of their children until they are old enough to give consent. Earlier this year, politicians in France even put forward a bill which would stop mums and dads from making money by posting photos and videos of their kids. Nonetheless, commenters’ jibes on Hilton’s Instagram seem particularly cruel, given Phoenix has no way of defending himself. The negativity surrounding the post even made its way as far as TikTok, where one user posted a video defending the child. They said: “I think Phoenix is adorable... You know he just has a big head because he has a small body and he’s gonna grow into it. “And I also wanna bet that he’s a much cuter baby than most of these people in the comments were when they were babies... Leave Phoenix alone.” How to join the indy100's free WhatsApp channel Sign up to our free Indy100 weekly newsletter Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings.

Save $50: As of July 12, the Fitbit Charge 5 fitness tracker and watch is

By Manoj Kumar NEW DELHI The Indian government's open e-commerce network ONDC has expanded its operations into 236

Prosecutors have rested, setting the stage for Sam Bankman-Fried to tell a jury at a New York criminal trial his version of how his multibillion dollar cryptocurrency empire collapsed, causing billions of dollars in losses that the government blames on him

Ray Dalio believes the United States is going to have a debt crisis and is closely watching the

With a John Travolta tattoo, trademark playing glasses and bonding with Virat Kohli over being meat-free, Australia leg-spinner Adam Zampa has become one of the standout...