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It took Sarina Wiegman a moment to fully realise the enormity of what England now face in Australia. If a World Cup semi-final wasn’t big enough, the Lionesses will now play the hosts in Sydney for a place in the final. Amid the excitement of a fresh new chapter in this historic sporting rivalry, Wiegman admitted that coming up against Australia at this stage of the tournament is “going to be bigger than I imagined”. But the Dutch coach was also focused on what had just come before, rather than what awaits England next. A semi-final against Australia is the dream fixture that will take this enthralling World Cup to another level, but England could not afford to take anything for granted given the way their quarter-final against Colombia unfolded. The manner of England’s victory, though, will only add to their growing confidence when they play the hosts on Wednesday. Wiegman knew the significance of what her players had to overcome; for the first time at the World Cup, the Lionesses trailed. When England came from behind, they had to survive a late spell of Colombia pressure, withstanding the hostile atmosphere that faced them in Sydney. If it was a trial run for what England will be met with against Australia, then the Lionesses showed that the way in which they deal with adversity has become their defining characteristic at this World Cup. "I think the team again showed some resilience and a lot of togetherness,” Wiegman said after the 2-1 win. As England passed another test, their comeback win was built on the collective belief that they could come through it. That spirit has grown throughout the tournament, as England and Wiegman have had to change and adapt their plans to react to each new problem. That England are now only two games away from winning the World Cup will only strengthen that resolve. Wiegman spoke about resilience, but her players have bought into it as well. After the fraught penalty shootout win over Nigeria, there was the pressure of conceding first against Colombia, and the sort of freak opening goal that could have otherwise been the latest sign of a tournament that has never quite gone to plan. “You accept that sometimes things happen that you can’t control, but in your mind you stay controlled,” Wiegman said. The manager was speaking about how her side reacted to going behind, but she also could have easily been talking about England’s whole tournament. “One of the strengths of the team is that we do stay calm,” Wiegman continued. “How do you stick together, how do you execute your plan? We conceded, but you didn’t see any panic.” England reacted by sticking to their approach. As Colombia dropped deeper, Wiegman’s team sped the game up, playing sharp passing football when they could. The goals from Lauren Hemp and Alessia Russo were the rewards for their perseverance in continuing to play their way, showing patience in the build-up and finding the passes through the Colombia shape by using Georgia Stanway and Ella Toone. Once ahead, England had to hang on, but it’s a side of their play that now suits them. England owed much of their victory to their late defensive stand, with Millie Bright and Alex Greenwood continuing their excellent performances at the World Cup. It was another illustration of how England have found ways to get through difficult moments. Wiegman’s back three became a back five, and with Bright in the centre dealing with crosses, and Greenwood and Jess Carter so alert to the danger, winning their individual duels, England managed to see the game out. Bright is a defender who almost appears most comfortable when her back is against the wall. The England captain did not play any competitive football before the World Cup but has returned from four months out to be the player that the Lionesses can rely upon when defending the edge of their box. With England’s ideal setup so compromised by injuries, and now the suspension of Lauren James taking away their player of the tournament and creative heart, a resolute defence could win England the World Cup. England now believe in that resilience, and it has become their identity. Of the four teams through to the semi-finals, in England, Australia, Spain and Sweden, the European champions were the only team that needed to come from behind to win. Wiegman naturally disagreed when it was suggested that it could give her side an edge going into the final four, but could not deny that it now plays into England’s strength ahead of the semi-finals. “We’ve had lots of challenges and we’ve got through them,” Wiegman said. “The adversity shows the resilience of the team. We do our best to change situations into our advantage.” England, though, now face a team who will be buying in their own self-fulfilling narrative. Australia have now come through their own nerve-shredding contest in defeating France on penalties, in what was the longest ever shootout at a World Cup finals. With the hosts now gripped by World Cup fever and the TV figures shattering records, in what was the most watched sporting event in Australia since Cathy Freeman’s gold-medal winning run at the 2000 Olympics, the Lionesses now need to overcome a nation who feel that this home World Cup is theirs to win. England will be the away team in Wednesday’s semi-final, but they also defeated Colombia side who may as well have been at home at Stadium Australia. The Lionesses faced a wall of noise as the Colombia fans turned up in their numbers, whistling when England had possession, jeering when they stood over a free-kick. It will be doubled against Australia, as a home crowd of 80,000 stands against the Lionesses. “We look forward to it,” Wiegman replied. After all, it’s another challenge for England to embrace. Read More Who and when do England play next? Lionesses’ route to the World Cup final ahead of semi-final England set up old rivalry on new stage thanks to Alessia Russo magic Georgia Stanway brings fire and ice to show why this England are different Women’s World Cup LIVE: Latest news as England set up Australia semi-final How many games will Lauren James miss at Women’s World Cup after red card? Who and when do England play next? Route to the World Cup final

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Jourdan Dunn appeared on the runway during an emotional evening for London Fashion Week favourite Richard Quinn. The British supermodel wore a strapless tulle dress with yellow and blue floral embroidery, and a black bow at the waist, part of Quinn’s spring/summer collection. The designer was in tears when came out to embrace his mother at the end of the show, which was dedicated to his late father. “In times of great sadness and loss comes a sense of reflection and calm,” read the show notes, which were accompanied by a photo of Patrick Quinn, who died in June. A handwritten caption printed on the other side said. ‘This one’s for you Dad’. A performance by five ballet dancers that opened the show – held in a ballroom at the historic Andaz hotel in East London – was billed as a celebration of “a wonderful father, grandfather, brother and husband”. Quinn – who famously won the inaugural Queen Elizabeth II Award for British Design, presented by her late Majesty, in 2018 – has become known for his floral prints and almost couture-level of craftsmanship. The SS24 collection focused heavily on the latter, with a slew of stunning eveningwear ensembles. The first look was a ballerina-esque white full-skirted dress with sparkling embroidery, which was followed by a series of black and white outfits. Standout pieces included mesh dresses with embroidered boned skirts that looked like birdcages, and a lipstick red ruffled cape gown (one of the few brightly-coloured looks). Some column dresses were so heavily encrusted with sequins and beads, you could hear them rustle as models glided by, while other voluminous gowns appeared light as air. The contemplative mood was continued with the design of models’ make-up. “Slightly somber, slightly fragile, like a really beautiful Victorian portrait,” is how MAC make-up artist Terry Barber described the look. “It’s a shadowy grey eye, and I’m using a little metallic gold powder to do this very fine thread of liner. It almost looks like they’ve just cried and their eyes are a little bit wet.” Model ‘twins’ on the catwalk has become a signature of Quinn’s. This season, the chosen pair wore blue and white floral satin dresses embellished with white feathers and worn over matching tights, each carrying a large blue and white bouquet, They were followed by Canadian model Jessica Stam closing the show in a flowing white cape with puff sleeves worn over a silver beaded jumpsuit. After Quinn’s mother rose to greet her son, the audience joined her in giving the designer a standing ovation. Read More Charity boss speaks out over ‘traumatic’ encounter with royal aide Ukraine war’s heaviest fight rages in east - follow live Erin O’Connor and Vanessa Redgrave sit front row at Roksanda London Fashion Week show Action needed to protect women from birth trauma – MP Imagination and hard work in children trumps obedience – research finds

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