Michael Schumacher’s family lawyer Felix Damm has revealed the reason no “final report” has been publicised on the F1 star’s health: “It’s all about protecting private things.” The seven-time Formula 1 world champion has not been seen publicly since suffering a near-fatal brain injury while skiing in December 2013 in Meribel, France. His wife Corinna has insisted on protecting Schumacher’s privacy in the near 10 years since, with his medical condition shrouded in secrecy as he continues to recover at home in Switzerland. Damm, who acts as a representative for the Schumacher family, has now given more detail as to why those close to the Ferrari icon don’t want to publicise details about his health. “It was always about protecting private things,” Damm told German outlet LTO. “We considered whether a final report about Michael’s health could be the right way to do this. “But that wouldn’t have been the end of it and there would have had to be constantly updated ‘water level reports’ and it would not have been up to the family when the media interest in the story stopped.” The lawyer also emphasised how the precedent of “voluntary self-disclosure” would have made the past 10 years even more difficult for the Schumacher family should intricate health details be made public. Damm added: “They [the media] could pick up on such a report again and again and as ‘and what does it look like now?’ one, two, three months or years after the message. If we then wanted to take action against this reporting, we would have to deal with the argument of voluntary self-disclosure. “If it is not the person concerned himself but friends or acquaintances who disclose private information, it is not a case of ‘voluntary self-disclosure’ of privacy. “Therefore, the data subject can defend himself against disclosure of private circumstances even if the information comes from an acquaintance.” Former Ferrari boss Jean Todt has a close relationship with the Schumacher family, revealing last year he has seen the German three times a week on some occasions – adding that the 54-year-old is in the “best of hands… surrounded by people who love him.” Todt also said as recently as last July that he still watches F1 races with Schumacher despite the German’s unknown medical state. “I don’t miss Michael, I see him,” Todt told German broadcaster RTL. “Yes, it’s true, I watch grand prix with Michael. But sure, I guess what I miss is what we used to do together.” Schumacher’s son Mick lost his F1 race seat at Haas last year and is now a reserve driver at Mercedes, who Michael drove for from 2010-2012. Todt is a close friend of Schumacher’s since their time working together during a successful era at Ferrari, when the German won five of his seven world titles from 2000-2004. In April, an editor of a German magazine was sacked after the Die Aktuelle publication used artificial intelligence to produce fake quotes from Schumacher. The magazine was labelled “disgraceful” by fans online for depicting the AI responses as an “exclusive interview” on their 15 April front cover. In a Netflix documentary which aired in 2021 titled Schumacher, Corinna detailed how his family have dealt with the situation and continue to “get on with their lives.” “Michael is here. Different, but he’s here, and that gives us strength, I find,” Corinna said. “We’re together. We live together at home. We do therapy. We do everything we can to make Michael better and to make sure he’s comfortable. And to simply make him feel our family, our bond. And no matter what, I will do everything I can. We all will. “We’re trying to carry on as a family, the way Michael liked it and still does. And we are getting on with our lives. ‘Private is private’, as he always said. “It’s very important to me that he can continue to enjoy his private life as much as possible. Michael always protected us and now we are protecting Michael.” Corinna was in attendance to collect an award last July on behalf of husband Michael, with daughter Gina and Todt joining her to collect the State Prize of North Rhine-Westphalia - the highest civilian honour available to those born within the region. Schumacher holds the joint-record for the most Formula 1 world titles with Lewis Hamilton. Read More Fernando Alonso, Aston Martin and a ‘miserable’ decline which could have consequences Max Verstappen gives blunt verdict on Sergio Perez’s Mexican Grand Prix crash Christian Horner drops Daniel Ricciardo hint as pressure mounts on Sergio Perez Kevin Magnussen’s car catches fire after high-speed crash in Mexico F1 fan banned for life after attacking Ferrari supporters in Mexico Sergio Perez lasts just 14 seconds in home race as Max Verstappen wins in Mexico

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The Mona Lisa has been the subject of awe and fascination for centuries, with experts from around the world desperate to solve the mystery behind her iconic, enigmatic smile. Now, thanks to X-ray technology, scientists have begun to uncover the secrets of Leonardo da Vinci’s legendary portrait, and explain how he was able to create something so mind-bending with just a few strokes of a brush. The research, published in the Journal of the American Chemical Society on Wednesday, suggests that the Italian Renaissance master may have been in a particularly inventive mood when set about crafting the piece in the early 16th century. "He was someone who loved to experiment, and each of his paintings is completely different technically," Victor Gonzalez, the study's lead author, told the Associated Press.. Gonzalez, who has studied the chemical compositions of dozens of works by Leonardo and other artists, discovered that there was something special about the paint used for the Mona Lisa. Specifically, the researchers found a rare compound, called plumbonacrite, in Leonardo's first layer of paint. The discovery confirmed that Leonardo most likely used lead oxide powder to thicken and help dry his paint as he began working on the portrait. He is thought to have dried the powder, which has an orange colour, in linseed or walnut oil by heating the mixture to make a thicker, faster-drying paste. "What you will obtain is an oil that has a very nice golden colour," Gonzalez said. "It flows more like honey." Carmen Bambach, a specialist in Italian art and curator at New York's Metropolitan Museum of Art, who was not involved in the study, called the research "very exciting". She emphasised that any scientifically proven new insights into Leonardo's painting techniques are "extremely important news for the art world and our larger global society." Finding plumbonacrite in the Mona Lisa attests "to Leonardo's spirit of passionate and constant experimentation as a painter—it is what renders him timeless and modern," Bambach said. The paint fragment Gonzalez and his team analysed for their study was taken from the base layer of the painting and was barely visible to the naked eye. It was no larger than the diameter of a human hair, and came from the top right-hand edge of the picture that now takes pride of place in Paris’s Louvre Museum. The scientists peered into the sample’s atomic structure using X-rays in a synchrotron – a large machine that accelerates particles to almost the speed of light. This allowed them to unravel the speck's chemical makeup and detect the plumbonacrite. The compound is a byproduct of lead oxide, allowing the researchers to say with more certainty that Leonardo likely used the powder in his paint recipe. "Plumbonacrite is really a fingerprint of his recipe," Gonzalez said. "It's the first time we can actually chemically confirm it." After Leonardo, Dutch master Rembrandt may have used a similar recipe when he was painting in the 17th century; Gonzalez and other researchers have previously found plumbonacrite in his work, too. "It tells us also that those recipes were passed on for centuries," Gonzalez said. "It was a very good recipe." Still, the ‘Mona Lisa’—said by the Louvre to be a portrait of Lisa Gherardini, the wife of a Florentine silk merchant—and other works by Leonardo still have other secrets to tell. "There are plenty, plenty more things to discover, for sure,” Gonzalez said. “We are barely scratching the surface.” Sign up for our free Indy100 weekly newsletter Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings.

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