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When the Apple Watch first launched back in 2015, there were 10 Watch faces. Now, there are more than 50. The newest among these is the Snoopy Watch face, designed in conjunction with the Charles Schulz Studio. The Independent sat down to talk to Gary Butcher, human interface designer at Apple, Eric Charles from Apple Watch product marketing and Paige Braddock, chief creative officer at Charles M Schulz Creative Associates to discover everything about the new Watch face. This is not the first time Snoopy has been on watches and he’s even appeared on high-end models like the Omega Speedmaster. As Eric Charles explains, “There’s a deep horological legacy of Snoopy appearing on watch faces from his early as the 1950s, and on Apple Watch, we’ve been able to bring Snoopy to life in whole new ways.” There 148 different animations for the Watch, which would run for 12 minutes if you played them one after the other; it’s tempting to try. They were all developed from an intense brainstorming session. Braddock, who was hired back in 1999 by Charles Schulz himself to work as an illustrator at the studio, reveals the creative dynamic: “Both Apple and peanuts have strong identities and a strong desire to connect in an authentic way with fans. “At the Schulz studio, we wanted to be authentic to Snoopy’s DNA and simultaneously explore the Apple Watch technology. Everyone knows that Peanuts is a comic strip that exists in a different decade: there are no smart phones or iPads in the comic strip. “But with mutual respect, it is possible to coexist as a modern tech company and a comic strip with a rich historic legacy. I always feel like a true collaboration is not one thing eclipsing the other, it’s finding a balance and working with contributors’ strengths.” As Braddock points out, there’s something about Snoopy for the Watch that’s a great fit. “If you look at a comic strip like this, it’s basically a four-panel storyboard. Even the aspect ratio from the comic to the watch face is almost the same. We sourced numerous animated sequences directly from Schulz’s original comic strips.” Snoopy’s look has evolved over the decades, from the fifties when he walked on all fours, to the sixties when he discovered he could do it on two legs. The shape of his canine head also changed. The collaborators had to decide whether the animation should be two-dimensional like the comic strip or 3D like the Snoopy Show. This led to a style that looks anything but electronic. Braddock again: “Ultimately, we chose to keep the watch animations as close as possible to the original Schulz drawings. Charles Schulz had a very specific and rare pin nib that he used. It was a nib that you had to dip in the ink bottle each time to fill it with ink and it meant he could create a varied line from thin to thick. “This sort of active drawing gives the character life. It’s obvious when you see these drawings that they’re handmade and not digital, and this is the feel that we wanted to preserve in the Watch animations.” But then Apple’s engineering kicks in. When you look at Snoopy on the Watch face, there’s a level of subtlety that you only notice after a while. Sometimes his activity is based on the weather, sometimes on what you’re doing. For instance, when you go swimming, so does Snoopy. Sometimes he even interacts with the Watch face itself, specifically with the minute hand. Gary Butcher expands on this: “One of the things we were especially excited to do is to have Snoopy and Woodstock interact with the minute hand of the watch. He can lean on it, He can throw things that bounce off of it. He can kick it when he wants to be fed. And he can jump up on it to wave to Woodstock on the other side.” This is one of the things that might mean you find yourself checking the time more than you actually need to. One time, he’ll peep out from behind the minute hand, his body magically hidden. Next, he’ll be skating and bounce off the minute hand because it’s in just the wrong place. Another time, a flying Woodstock will drop a bone for a recumbent Snoopy, which will bounce off the minute hand into his mouth. Then… look, you’re going to have to discover these things for yourself. On your birthday, Snoopy will celebrate. He’ll decorate his dog house for Christmas, or dress up for Halloween. In the creative process, they realised that with a little ingenuity, they could make these animations appear at different times. “To maximise the chances you’ll see those animations,” Butcher says, “we figured out we could simply rotate certain animations. I say simply rotate but under the hood is a really sophisticated scene layout engine being driven by an equally sophisticated decision engine.” Sometimes the rotation only needs to affect certain frames of the animation. If Snoopy is standing on the minute hand, he’s affected only when he’s up top, and his free fall into leaves below is unchanged and he falls naturally downwards, otherwise he’d shoot off sideways. “Each animation is only five seconds long, but by looping the whole animation or even just a few frames at the end, We’re able to keep certain scenes alive for much longer,” Butcher says. There’s more detail yet. Look closely and you’ll see the backgrounds are made up of dots – just the way it used to look in newsprint. Monday to Saturday has a half-tone dot background, but then bursts into colour for Sundays, again, just like it appeared in newspapers. This is called the Sunday Surprise. Eric Charles comments, “What I love about the way we’ve designed this watch face is that you may never see all of them. Because I live in California, I may not see the winter animations. I may never see the icy ones. I hopefully will never see the stormy ones either.” The team wanted to surprise and delight. Charles goes on to explain that they sought to find more and more content, all day long: “Those two words, surprise and delight, were basically the mantra of how we looked at this project. A certain animation can show up at 10.09 but when you raise your wrist again and it is still 10.09, what else can we serve you? What else can we present to you?” The mission to present Snoopy to the world was key to the endeavour, it seems. Paige Braddock says, “I don’t want the generation that uses modern devices to miss out on this really fantastic character. And I think Apple Watch is a bridge for some of those fans to discover – or rediscover – Snoopy.” Read More The Apple Watch has a major issue but Apple is working on a fix Don’t believe your eyes: how tech is changing photography forever Police to trial use of drones as first responders to emergencies Don’t believe your eyes: how tech is changing photography forever Police to trial use of drones as first responders to emergencies SpaceX launches world’s most powerful rocket – and then it disappears

MCKINNEY, Texas--(BUSINESS WIRE)--Sep 5, 2023--

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A Tunisian man who the Justice Department accused of working with members of Al Qaeda, including Osama bin Laden, to plot a suicide bomb attack against Americans in Europe was acquitted Friday by a Washington, DC, jury of all charges he faced -- a rarity in a terror trial.

There’s something magical, even romantic, about the idea of finding a message in a bottle. It evokes dreams of far-off shipwrecks and intimate capsules from the past. But, in fact, the reality of finding such a missive can be a lot more prosaic – and even downright disturbing – as one couple discovered last week. The pair, named Rick and Crystal, were enjoying a seaside stroll on a beach in North Queensland, Australia, when they spotted a mysterious bottle in the waves. Filming their find for TikTok, Rick grabbed the clear, glass container, which contained a piece of paper along with what looked like sand, and handed it to his partner to open up. Realising the neck was too narrow for her fingers, they tipped it upside down, sending the dusty-looking contents pouring out. Crystal was still unable to pull out the note, but she managed to read it through the murky glass. “Here lies the ashes of Geoffrey,” she said, before blurting out “argh” with horror. Continuing, she read: “If found, please throw the bottle in the outgoing tide so I can continue my journey.” Realising that they had just chucked away the cremated remains of a man and ruined his final wish, Rick replied awkwardly: Oops.” @auslapourway This was not a set up, it was a total accident. #FNQGeoffrey#ashes#ooops#soz#gatheredGeoffbackbinbottle#thrownbackout Their video racked up more than 1.8 million views and 234,000 likes in just five days, as thousands of fellow TikTokers shared their morbid glee at the alleged mishap. “Looks like his journey has ended twice” wrote one commentator. “Well anyways welcome to Australia Geoff,” joked another. “Omg that’s my dad,” wrote a third, along with a grimacing emoji. “Okay but why would you put a message in a bottle and not think someone would open it?” mused a fourth. A fifth suggested that the couple may not have been the first to may the mistake. “Wonder how full the bottle was originally,” they wrote, to which Rick replied: “Haha yer we thought that.” A sixth recommended that the pair “just put some sand back in there and chuck it back in”. “No one will ever know,” they added. “That’s exactly what I did,” Rick admitted in response. “Tried to get all of him back in there. Felt bad bro.” Well, even if Geoff’s physical journey ended there, at least he’s now travelled the world through social media. Sign up for our free Indy100 weekly newsletter Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings

Alex Stepney was stood in the shadow of the statue of his three most celebrated teammates. Manchester United’s ‘Holy Trinity’ have been separated, with only Denis Law still able to visit the Theatre of Dreams, but they are immortalised in bronze outside it. Yet while the statue of George Best, Bobby Charlton and Law – each of such a stature that he was voted European Footballer of the Year – was placed outside Old Trafford, only one had a stand at one of the iconic stadia named after him. The South Stand is the Sir Bobby Charlton Stand. It has been since 2016 and on Sunday, it will have an added poignancy, in the first Manchester derby since Charlton died. A week of mourning has shown what Charlton meant: to United, to England, to football. “He’d be very humbled and say, ‘I don’t deserve it’,” Stepney said. “That’s Bobby Charlton.” But as both the statue and the stand show, the tributes began long before Charlton’s life ended. His innate modesty meant that the man widely described as England’s greatest footballer retained his humility. He was, though aware of his importance to so many while downplaying his own significance. “He never showed it,” Stepney said. “He didn’t want to show it because that wasn’t him. When they opened the stand, it was the Everton game, I was with him and he had to go on the pitch with [his wife] Norma and he had a tear in his eye. He said, ‘I don’t deserve this’. I said, ‘Bob, you deserve everything, you deserve everything you get, throughout your life for the way you have done the game, played the game and inspired supporters all around the world’.” Decades on, Charlton’s story has, if anything, appeared still more remarkable. Barely out of his teens when he climbed, concussed, from the wreckage of a plane in Munich, a crash claiming the lives of eight of his teammates and destroying a team that felt destined for greatness, he nevertheless became a World Cup and European Cup winner. His tragic past had an intimidatory capacity: certainly to Stepney when he joined from Chelsea in 1966, a month after Charlton’s elegant running and fierce shooting had propelled England to the World Cup. Should he mention Munich? “That was my main concern when Matt Busby signed me,” the goalkeeper said. “I had to come to Manchester and I met the players at the training ground the following day. Matt took me around and directly when I went in he introduced me to each and every player and I knew then: you don’t talk about it. It wasn’t until 50 years later that Bobby actually spoke about it.” If it was a generation when things went unsaid, it framed United’s eventual European Cup victory. But for Munich, Roger Byrne, and not Charlton, may have been the first United captain to lift the trophy; Tommy Taylor, and not him, the goalscoring No 9 to find the net in the final; Duncan Edwards, and not him, the personification of the club. Stepney felt Charlton won it for them, for his friend Eddie Colman, for Geoff Bent, Mark Jones, David Pegg and Liam Whelan, for the fallen eight. “I think when you reach the heights of getting to the European Cup final 10 years after Munich and for him to be captain and score two goals, that was unbelievable,” added Stepney. “I believe he did it for those lads who passed away in ‘58. He always said he thought about them every day and he did: he would go off and have a little think and come back and off we go.” His own part in the 4-1 win at Wembley should not be overlooked: his save from Eusebio ranks among the most celebrated in United’s history. Stepney is a United great in his own right: his total of 539 games as a goalkeeper was a club record until David de Gea passed it a few months ago. He was, remarkably, United’s joint top scorer at Christmas in the 1973-74 season, courtesy of two penalties. He was the only member of the 1968 side who was also part of the 1977 FA Cup-winning team. He has outlasted his friends again. He treasures memories of Charlton, of playing cards and quizzes on tour. He may be the standard bearer for a generation now, just as Charlton long was. At 81, Stepney joined manager Erik ten Hag and Under-19 captain Dan Gore to lay a wreath in the centre circle before Tuesday’s win over FC Copenhagen. Old Trafford, the ground Charlton first graced on his debut 67 years ago, will applaud on Sunday. “Look at the stadium now,” Stepney said. “This is what Bobby envisaged. This is what he wanted. Nobody would have dreamt when he retired that he would become a director. He put the cogs in motion with Sir Alex [Ferguson] right through to get this as it is now.” But if Charlton’s legacy is in bricks and mortar, it is also in image and memories, in Manchester United. Read More Andre Onana’s moment of magic can be catalyst to reverse more than one difficult recent run Sir Bobby Charlton: England’s greatest ever player and the artist of 1966 Sir Bobby Charlton turned tragedy into triumph with unique style and perseverance Kyle Walker says Manchester City will be wary of Marcus Rashford in derby Wolves v Chelsea on Christmas Eve means ‘unhappy wife’ for Mauricio Pochettino Pep Guardiola condemns Man City fans who sang offensive Sir Bobby Charlton chant