Geraldo Rivera is out at Fox News, here's a look at some of his career highlights.

Aymeric Laporte has completed his move from Manchester City to Saudi Arabian side Al-Nassr, the Premier League champions have announced. The Saudi Pro League outfit are understood to have paid a fee of £23.5million for the 29-year-old Spain defender, who has spent the past five-and-a-half years at the Etihad Stadium. Laporte follows former City team-mate Riyad Mahrez to the Middle East country after the Algerian joined Al-Ahli earlier in the summer transfer window. Laporte told City’s website, www.mancity.com: “I am proud to have represented Manchester City over the last six seasons. “When I first joined, I was excited about the prospect of winning trophies. However, I could not have imagined the success we would go on to achieve together. “I would like to thank the coaches, my team-mates and of course the brilliant City fans for all of their support throughout my time in Manchester. “I will always be a City fan and I look forward to seeing you all again.” Laporte, who joined City from Athletic Bilbao in a £57million deal in January 2018, won five Premier League titles, the Champions League and five domestic cups as a member of Pep Guardiola’s squad. However, he had fallen down the pecking order at City over the past year and the recent arrival of Josko Gvardiol had pushed him further to the fringes. City director of football Txiki Begiristain said: “Aymeric has been an excellent player for Manchester City during a great time for the club. “He fitted into the team seamlessly upon arrival in 2018 and played a key role in many of our successes over the years that have followed. “The form of the other defenders in the squad made it hard for him to find sufficient game time in 2022-23 and we respect his decision to seek a move elsewhere. “I look forward to following his career from afar.” Laporte joins an increasingly star-studded squad at Riyadh-based Al-Nassr, where his team-mates will include Cristiano Ronaldo, Sadio Mane and Marcelo Brozovic.

Dominic Solanke’s late equaliser denied West Ham an opening-day win as Bournemouth hit back for a 1-1 draw. Jarrod Bowen had fired the Hammers into the lead early in the second half with a spectacular curler from the edge of the box. But Bournemouth, playing under new boss Andoni Iraola for the first time, were good value for the point they earned when Solanke rounded Alphonse Areola with eight minutes remaining. It has been a troubled summer for West Ham following their Europa Conference League success last season with the departure of Declan Rice, Manchester City’s attempt to lure Lucas Paqueta away and a lack of new signings coming through the doors at the London Stadium. They arrived on the south coast with essentially last season’s team, minus Rice, and not much in the way of optimism. Yet they almost went ahead early on when Said Benrahma fed Tomas Soucek, whose effort bounced back off the inside of the far post and into the grateful arms of Bournemouth keeper Neto. The Cherries were relieved again when Michail Antonio’s flick from a corner was cleared from underneath the crossbar by Philip Billing. But Bournemouth had their chances too as the first half wore on, with Solanke slipping in David Brooks who fired just wide. Solanke then chased a long ball over the top only to be denied by the long leg of Hammers defender Kurt Zouma, before Areola beat away another Brooks drive. The second half almost began with a bang for Bournemouth with Brooks letting fly on the volley from 20 yards, forcing Areola into an acrobatic save. But it was the Hammers who broke the deadlock moments later after Pablo Fornals, trying to fill a Rice-shaped hole in the West Ham midfield, won possession 30 yards out. Bowen’s last kick of the previous campaign was the late goal which secured the Europa Conference League trophy against Fiorentina 66 days ago. This time he collected the ball off Soucek 20 yards out, cut onto his left foot and buried a superb, curling effort beyond the dive of Neto. Bournemouth, playing their new brand of easy-on-the-eye, expansive football, tried to hit back and Areola saved from Solanke before Joe Rothwell’s shot clipped the crossbar. Their dominance told in the 82nd minute when Antoine Semenyo’s wayward shot fell at the feet of Solanke, who showed tremendous composure to slip round Areola and tap into an empty net. Read More Charity boss speaks out over ‘traumatic’ encounter with royal aide Ukraine war’s heaviest fight rages in east - follow live Odsonne Edouard hands dominant Crystal Palace win over Sheffield United Mikel Arteta says Eddie Nketiah forced his way into Arsenal team in training Today at the World Cup: England through and Australia prevail on penalties

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REDMOND, Wash.--(BUSINESS WIRE)--Sep 14, 2023--

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As a child of the South, actor Cailee Spaeny grew up steeped in Graceland mythology, memorabilia and Elvis Presley tunes. Her mother loved Elvis and it wasn’t unusual for a trip to that famous house in Memphis, Tennessee, to count as a family vacation. Priscilla Presley was of course part of that. But Spaeny would find there was much more than she’d ever known when she got the opportunity to play her in Sofia Coppola ’s new film, “Priscilla,” now in theaters nationwide. “I had no idea about her side of the story and what her experience was growing up in Graceland,” Spaeny said in a recent interview. The film is based on Presley’s 1985 memoir “Elvis and Me,” a diary-like account of her years with the King. She recounts meeting him at 14 in Wiesbaden, Germany, and moving to Graceland not too long after, where she finished high school. She talks about her unconventional hours, staying up all night with Elvis and trying to stay awake in school the next day. She details how he dictated her look including her hair (black and big!), eye makeup (more!) and clothing choices (no prints!), their passion for one another, his volatility and her isolation. And perhaps most importantly how she, and everyone around him, just wanted to make him happy— even after she chose to leave. Spaeny got to spend some time with Presley before filming began, though she wasn’t entirely prepared to be as star-struck as she was. “I remember when I first met her, I had all these questions ready to go. I was so prepared. And then I just see her sort of walking my way and they all just leave you because she has such a presence about her,” Spaeny said. “The way she carries herself is really like no one else. I mean, she really is American royalty.” She was equally grateful that Presley did not hang around set during the shoot where she and Jacob Elordi, the rising Australian actor cast as Elvis, had only 30 days to tell this expansive but intimate story with hundreds of costume changes and quite a few wigs too. “You just don’t know what you’re getting into when someone is cast as your co-star,” Spaeny said. “And when you have that little time, you’re shooting massive scenes every single day. You don’t get a light day. So to be able to go into this project with someone who took it as seriously as he did and really took the time to find those nuances and to do the prep beforehand was such a relief.” Elordi said they quickly developed an “unspoken language” that helped carry them through. As an actor, he loved going deep into why Elvis behaved the way he did. “You have to establish a base where you can just fall into this immediate love,” he said. “We would sort of look each other in the eyes and it would just say, ‘You’re going to do this? I’m going to do this.’” The beehive hairdo, Spaeny laughed, took more getting used to. She found herself having to walk “like a doll” and sometimes she'd forget its height when getting into a car. But the wigs would be a grounding factor in a shoot that often had her playing very different ages in the same day. “You just got to do what you got to do,” Spaeny said. “It was just one of the many fun little challenges along the way. The hair, makeup and costumes were really essential in knowing what age she is and where she is emotionally. That was the thing that I held on to.” And it wasn't just a dress up extravaganza for Spaeny either. Elordi got to wear custom looks throughout. “It was kind of as cool as it sounds,” he said. "You know, for me personally, it was like, ‘Do you want to be Elvis Presley for 30 days and wear Valentino clothes that are tailored to your body?’ Yes. That’s awesome.” Though Spaeny might have less dialogue than Elordi, her performance has been making waves since its debut — a breakout that has already been recognized by the Venice Film Festival and is sure to garner more nominations as awards season picks up. “She can convey so much emotion with just her face,” Coppola said. “It’s mysterious but the camera can pick up on it. She’s so photogenic and some people just jump off the screen, but you can connect to them in an emotional way.” In one scene, where Elvis tells a very pregnant Priscilla that he wants her to move out and she calls his bluff, Coppola debated using narration. She’d loved what Presley had written about that moment and wanted to capture that, but she also wanted to have the film stay in the present. And Spaeny was up to the challenge. “I talked to Cailee and we did another take and she did some little shift,” Coppola said. “You see halfway down the hall, her face changes with resolution. It was so subtle. I don’t know how she did it. It’s a talent that some actresses can really just convey so much without saying anything.” And though things went quickly and sometimes it felt like Spaeny couldn’t feel her feet on the ground, she was grateful that her director kept a calm, focused set. It was, she said, the opposite of chaos. “I’ve never really worked with someone quite like her, and the way she handles herself on the set,” Spaeny said. “She knows when to take things seriously and when to have fun. Everyone just brings their A-game because of her. She just leads with kindness. She wants to be collaborative and she has a clear vision.” Though both Spaeny and Elordi have trouble watching themselves on screen, they are proud of “Priscilla.” Elordi said he felt honored to be “part of the way that she wants her story to be told." And both walked away with something tangible from whirlwind too. Elordi said he has a few "secret things.” Spaeny got something too, but it might be a bit much even for someone who grew up surrounded by Elvis stuff. “I have this really strange mural of myself as Priscilla. It was a beautiful painting, but it’s me as Priscilla that was hanging on the walls of Graceland. I just am like, what do I do with this? I can’t put it anywhere,” she laughed. “I think I’ve got to, like, ship it to my grandma. I think she’d love it.” Read More Jimmy Kimmel to host the Oscars for the fourth time The Israeli military has set its sights on southern Gaza. 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