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LeverX Hosts Annual Innovation Forum
MIAMI--(BUSINESS WIRE)--Sep 28, 2023--
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'He was playing pickleball yesterday': Jamie Foxx's daughter Corinne confirms dad is out of hospital for weeks and recuperating
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The anguish, emotion and the story of the Women’s World Cup in photos
The Women’s World Cup has concluded. After more than four weeks of dramatic action in Australia, Spain defeated England in the final on Sunday to reach the highest of peaks and, with it, footballing immortality. It’s not over the top to suggest it as such, either; some of the sport’s most iconic and memorable images down the years have come from this very tournament and that very match, both in the women’s and men’s games: Birgit Prinz’s joy in 2007, Lionel Messi lifting the trophy adorned in a bisht in Qatar, Brandi Chastain’s shirt-off shootout celebration, Pele carried off the Azteca pitch in 1970. Those images are as much a part of football history as the games and players themselves – yet the people who bring those moments, those stories to life are, by the very nature of being behind the camera, rarely as prominent. Over in Australia and New Zealand, Getty Images is one of the most prominent global photography organisations providing such reproductions and reflections of what’s going on in the 2023 edition, which makes Lead Photographer Catherine Ivill perhaps better-placed – literally as well as figuratively – than most to detail just how the emotions of the occasion can be captured for those not fortunate enough to have a watching brief. “What I like most about it is telling the story for people who aren’t in the stadium. What we see and hear is only one thing; if you’re not there you need it describing. It’s about the atmosphere, in the game but also until long after the final whistle,” she told The Independent. “A tournament like this has its challenges but these opportunities only come along every few years. The process doesn’t change, just the scale. We send a really strong, experienced team: we have 27 photographers and eight editors on the ground and we provide images across the world, just the same as at the men’s World Cup.” And so to the action, the images, the moments which live on. The 2023 tournament started back on 20 July and it’s fair to say the magic started then, too, as co-hosts New Zealand won their first-ever game at any World Cup, ever. “I was at the fan fest in Wellington during the opening game and the atmopshere was incredible,” Ivill explained. “That one goal changed everything for New Zealand football and people’s respect for it: that one goal has created a legacy for it in the country. It’s such an important moment, you see the subs, the smiling faces – it was a good day.” And yet, football has two sides to every coin. And when there is utter jubilation and euphoria at success on the biggest stage, so too must there be devastation, desperation, despair – as evidenced by Ivill capturing Italy crashing out at the group stage in heartbreaking, last-minute fashion. “Italy gave it away. The utter devastation they were feeling is clear. If [celebratory] stuff is going on at the other end then it’s not always a good photo – you always initially think about the celebration being the good photo but Italy were near me so I focused on how they were feeling, it tells the same story but from a different side.” Even in hard moments can come a softer side in sport though, a moment where rivals know what their beaten opponents are going through. “What I like most about the women’s game is the empathy,” Ivill says. “A lot of these players play together and it’s not always about the celebration at the final whistle. Nobody wants to feel that rubbish at the final whistle and they’re always very willing to go over and help the other team. “It was a hard-fought game and they’re picking her up off the floor – I really like the empathy and the strength that this type of picture gives you.” Sometimes the picture everyone wants to see isn’t necessarily a defining moment, but the players who matter most. One of the world’s finest players and one of the game’s most exciting young talents coming together briefly, for example. “It’s a bit of both luck and planning. Most is luck but of course you have the players in mind. Linda Caicedo has been one of the standouts of the tournament so she’d be someone I would be focusing on – and it just so happens Lucy Bronze comes along at the same time. One’s Real Madrid, one is Barcelona – on paper the rivalry is there too.” No matter how much planning and knowledge goes into proceedings, though, the surprising nature of football is what keeps people coming back – Japan thrashing Spain 4-0 in the group stage being a good example, as Ivill found out. “That game I was on my own and I was waiting to see if Alexia Putellas was starting. She was, so I thought it would be all Spain attack and took up my position behind the goal they’d be heading to...then it’s 3-0 to Japan at half-time and I’m sat at the other end, head in hands! Japan ran riot that game and all I can remember is sitting at the wrong end!” One interesting side note is the concept of taking photos she cannot actually see at the time – with England’s semi-final goal, scored by Lauren Hemp, providing a spectacular and unusual viewing angle. “We have a net cam and before the match we attach it to the goal. I’m firing the camera from a remote in my seat; it doesn’t work all the time as if the net gets hit it can swing or point the wrong way but it’s a great angle and only a few agencies do this, so it’s more of an exclusive image. “We don’t have a view of it in-game – I just have to hope it’s still in the place I left it! We set it up and then it either happens or it doesn’t.” As noted, Ivill remains in place long after the final whistle, long after fans have departed. Or most of them, anyway: the Japanese supporters have become much-admired for lingering later and tidying stadiums behind themselves and others. “They’re so well-known for cleaning up after matches. The players make origami figures and write thank you on the board in the changing rooms; the fans here have continued their tradition of going around after the game. “It doesn’t finish for me when the whistle blows and this shows that. I don’t finish until ages after everyone else has left the stadium.” The go-to, the standard, the expectations of match photos are the action shots: the goals, the saves, the moments people remember. But being in place for such a shot is more than luck and finger-on-the-trigger reflexes. There’s plenty of planning which goes into such an event, Ivill explains, whether from ensuring a team of three are focused on different groups or individuals in a penalty shoot-out, or to making sure potential occurrences are on their radar – such as Marta’s exit from her final World Cup appearance for Brazil. Meanwhile, there are in-the-moment issues and challenges to deal with, particularly around VAR in the modern game. Referees traipsing across the pitch to watch a monitor perhaps 40 yards away from the incident and the group of players can make a photo with context a “difficult” image to capture, with the digital screens a further complication as the LEDs are tricky to focus. Ultimately, though, everyone is at the football for one thing: winning. The celebrations which ensue – whether in the stands, in gatherings outside or right in the midst of the players themselves, are the ones which can linger longest in the memory. Naturally, the emotions which can explode at that point are in large part down to the circumstances of the match: the “unusual” moment of Sweden’s goalline technology-confirmed penalty shootout triumph over USA led to an incredibly up-close and intimate moment, where jubilation in the extreme was clear to see. Of course, Sweden’s adventure ended with a bronze medal as England reached the final with victory over the hosts. But the final chapter of this story saw Spain grasp their moment in the final. A moment which wasn’t the dream scenario for Ivill. one more chapter in this story to come, one more photo in particular to capture. And it’s fair to leave the final word on that to the person who’ll be taking it – and how pertinent that as football continues to catch up, a woman at the top of her profession will deservedly be in place to immortalise those who are celebrating. “I know I’m on the pitch and I’ll be bench-side for the final, so for the trophy lift, the longest-lasting photo, we’ll stand next to each other and have different lenses to capture different images,” she said before Sunday’s final. “My perfect one will be the Lionesses picking it up. That’s the picture for me.” Sometimes, the fairytale ending isn’t fulfilled. Read More Women’s World Cup 2023 LIVE: England head home after final heartbreak Women’s World Cup prize money: How much do the winners get? Lionesses receive surprise reception as they start journey back to England Mary Earps’ Golden Glove award isn’t enough to convince Nike to sell her shirt The two sides of the Women’s World Cup — and the truth about where power still lies England’s impact will last far longer than pain of World Cup final defeat
2023-08-21 18:40

Read Madeleine McCann suspect Christian Brueckner’s bombshell prison letters for the first time
Letters written by the prime suspect in the Madeleine McCann case, in which he protests his innocence and tries to claim he had nothing to do with her disappearance, have been revealed for the first time. Christian Brueckner, who is in jail for rape, penned a series of letters from his prison cell, attempting to distance himself from the unsolved case of the then-three-year-old, who vanished while on a family holiday from Praia da Luz, Portugal, in 2007. “You can never imagine how it is when the whole world believes you are a child murderer, and you are not,” he wrote in the string of neatly written letters unveiled by MailOnline. One of Brueckner’s letters was sent days before police carried out a search last week at the remote Barragem do Arade reservoir, around 35 miles from where she disappeared. The search was a major new development in investigations and the first hunt in nine years. According to MailOnline, he goes on to say there is no evidence linking him to the case. “I got told a long time ago that the prosecuter’s office was closing the Maddie case because there is not even the smallest evidence. There will never be a trial,” he wrote. “The prosecutors are not saying anything to the public because they must give the files to my lawyers - and they contain many (sic) material which confirms my innocence.” In one of his letters, written from jail in Germany, he reportedly sketched a long, dark corridor of a prison wing and claimed police and prosecuters are “attempting to create a monster”. Brueckner then writes about the psychological toll of the case. “The torture I'm going through is the best evidence I can have,” he reportedly wrote. In his latest letter, he signed off saying: "I'm writing this without self-pity and my self-confidence and self-control was never at a higher level. What doesn't kill you makes you stronger. Chin up! Better days are coming." Brueckner, 45, is currently halfway through a prison sentence for raping a 72-year-old American woman in the Algarve in 2005, a few miles away from where Ms McCann was last seen alive in 2007, days before her fourth birthday. He is also facing prosecution for allegedly raping another three adult women in Portugal as well as for indecently exposing himself to two girls, aged 10 and 11. Read More Madeleine McCann – latest news: ‘Shrine’ found at Algarve reservoir launched police search British couple ‘found Madeleine McCann shrine’ at Portugal reservoir searched by police Christian Brueckner: Madeleine McCann suspect injured while in custody Madeleine McCann ‘shrine’ found at Algarve reservoir launched new search – latest What happened to Madeleine McCann? How much has the Madeleine McCann investigation cost?
2023-05-29 16:20

McIlroy says Tiger influential as policy board eyes PGA-LIV deal
Tiger Woods is already making an impact in only two weeks on the PGA Tour policy board as it considers the PGA-LIV deal, fellow board...
2023-08-24 03:14

A closer look at the battle to beat the drop in the Premier League
Southampton have already been relegated from the Premier League, but the race to avoid joining them looks set to go down to the wire. Two of West Ham, Nottingham Forest, Everton, Leeds and Leicester will play alongside the Saints in the Championship next season. Here, the PA news agency takes a look at the relegation battle with two games to go. West Ham (Leeds H, Leicester A) Given their own plight and their opposition in the final two rounds of fixtures, West Ham will play a deciding role in who goes down. It will take an extraordinary set of results for them to be relegated as they are six points clear of Leeds with a significantly better goal difference, so would need to lose both games heavily and see a number of other results go against them. Their only concern will be how their European exertions affect them, with their match against Leeds coming days after a Europa Conference League semi-final second leg against AZ Alkmaar. Nottingham Forest (Arsenal H, Crystal Palace A) Seven points from the last four games has hauled Forest out of the bottom three and they now could stay up even if they lose their remaining fixtures. Safety will be assured if they draw with Arsenal at the City Ground and then Leeds lose at West Ham and Leicester fail to beat Newcastle. However, two defeats, including on the final day at Crystal Palace, and results going against them elsewhere would see them drop back into the Championship. Everton (Wolves A, Bournemouth H) Everton, on paper, have the kindest fixtures of those in the fight and they will fancy their chances of staying up, with their Bank Holiday win at Brighton last week looking pivotal. They will confirm their survival if they win at Wolves and then Leeds lose at West Ham and Leicester fail to beat Newcastle. Two defeats could be enough for Leeds to overtake them by drawing just one of their two games, although that will be dependent on a minor goal difference swing. Leeds (West Ham A, Tottenham H) Leeds are relying on other teams to lose, but they also have to do their own business under Sam Allardyce, with so many permutations still possible. The most worrying one is they will be sent back to the Championship if they lose at West Ham, Everton win at Wolves and Forest pick up a positive result against Arsenal. But, as mentioned, they could stay up by drawing just one game, if Everton and Leicester lose both of their matches. They will be hoping to take advantage of West Ham’s European distraction as Allardyce visits his old club on Sunday before a vital home game against Tottenham. Leicester (Newcastle A, West Ham H) Leicester, Premier League champions seven years ago, could be relegated if they fail to beat Newcastle on Monday night, Forest pick up a point against Arsenal and Everton beat Wolves. Defeat at St James’ Park would also mean Everton would only need two points from their final two games. To stay up, Leicester realistically need to win at least one of their remaining games at Newcastle or at home to West Ham, although it is possible two draws could be enough. Read More Charity boss speaks out over ‘traumatic’ encounter with royal aide Ukraine war’s heaviest fight rages in east - follow live Jofra Archer to miss Ashes summer with fresh stress fracture in his elbow Football rumours: Arsenal preparing £90million swoop for West Ham’s Declan Rice On this day in 2010: Dominant England beat Australia to win World Twenty20 final
2023-05-16 17:52
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