Beyond the engineering, the athleticism, the speed, the luxury, fans love the sound of Formula One

By Valerie Insinna WASHINGTON Boeing must deliver 70 narrowbody 737s and 14 widebody 787 Dreamliners in November and

Disney has released a study showing its economic impact in Florida at $40.3 billion, directly and indirectly through its supply chain and employee spending

The European Central Bank on Tuesday threatened to impose financial penalties on banks who are slow to minimise climate change-related...

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Find out our favorite player props and Sleeper fantasy basketball picks for tonight's action-packed NBA slate, plus see how to claim a 100% deposit match with Sleeper Picks!

SANTA CLARA, Calif.--(BUSINESS WIRE)--Nov 14, 2023--

There are plenty of actors and actresses who end up making films and TV shows that they don’t like – but few actually admit as much. One person who has is Jacob Elordi. The Australian actor revealed that he thinks his 2018 film The Kissing Booth is “ridiculous” and said that he never wanted to make the movie or its sequels. The 26-year-old is known for his roles in Euphoria, as well as the three films in the Kissing Booth series. He also stars as Elvis Presley in the new Sophia Coppola film Priscilla. However, the actor was asked about his experiences making the romcoms earlier on in his career, where he played the protagonist Noah Flynn. The film has a rating of just 15 per cent on Rotten Tomatoes - and Elordi is a little sheepish about starring in them. Speaking to GQ, Elordi said he “didn't [actually] want to make those movies before [he] made those movies” Branding the films “ridiculous”, he said: "They're not universal. They're an escape." He went on to discuss the balance actors and actresses in Hollywood often choose to take, balancing making ‘one for them’ and then one film for themselves as a performer. "It can become 15 for them, none for you. You have no original ideas and you’re dead inside. So it’s a fine dance,” he said. Elordi admitted that he “felt very corny” after making The Kissing Booth. "I felt like I had to prove to everyone that I was a serious actor. I felt terribly misunderstood." Sign up for our free Indy100 weekly newsletter How to join the indy100's free WhatsApp channel Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings

Jesmyn Ward’s slave narrative “Let Us Descend” and Jake Bittle’s exploration of climate change’s impact “The Great Displacement” are among the finalists for the Andrew Carnegie Medals for Excellence in fiction and nonfiction

SANTA ROSA, Calif.--(BUSINESS WIRE)--Nov 14, 2023--