Human rights must be a key consideration in selecting the hosts of the 2030 World Cup, according to a new survey. Fifty-three per cent of the 17,477 people from 15 countries who took part in a YouGov poll commissioned by Amnesty International said human rights considerations were vital in choosing the host of the World Cup and other major sporting events, rising to 60 per cent among UK respondents. Saudi Arabia has been linked with a joint bid alongside Greece and Egypt to host the 2030 or 2034 World Cup, while the Middle East state has already been selected to host the Club World Cup in December. Representatives of more than 200 national associations will vote on who should host the 2030 finals at a FIFA Congress next year. FIFA made human rights criteria part of the bidding process for the 2026 finals, which were awarded to the United States, Canada and Mexico, following the decision by the governing body’s now-defunct executive committee to award the 2018 and 2022 finals to Russia and Qatar respectively back in 2010. However, organisations such as Amnesty and Kick It Out remain concerned that not enough importance is being attached to human rights in future decision-making processes. The poll showed that, after safety and security (57 per cent), human rights was the most commonly-chosen consideration for determining tournament hosts. This was the top consideration in seven of the countries surveyed and highest in Switzerland (68 per cent), where FIFA is based. More than four times as many people chose human rights as a key factor over “commercial revenues for sports bodies” – just 13 per cent. Amnesty’s head of economic and social justice Steve Cockburn said: “It is clear that the public wants human rights to be a high priority so that the World Cup is a celebration of the game they love and never provides a platform for exploitation, repression or discrimination. “FIFA must rigorously apply the highest human rights standards in evaluating all bids to host its flagship tournament, demand clear human rights action plans and reject any bid that fails to credibly show how serious human rights risks would be prevented, independently monitored and remedied if abuses occur.” It is critical that FIFA puts human rights front and centre when choosing the host for the 2030 men's World Cup Director of the Sports and Rights Alliance Andrea Florence Andrea Florence, the director of the Sports and Rights Alliance, added: “Since 2017, FIFA has made important progress in recognising its human rights responsibilities. But human rights assessments and considerations have not been applied systematically when awarding FIFA tournaments. “To demonstrate they are serious about their own policies and statutes, it is critical that FIFA puts human rights front and centre when choosing the host for the 2030 men’s World Cup.” FIFA has been approached for comment. Read More Charity boss speaks out over ‘traumatic’ encounter with royal aide Ukraine war’s heaviest fight rages in east - follow live Ben Johnson believes Ashley Cole can help England U21s to Euro 2023 glory Leading figures summoned to Senate hearing over shock PGA Tour-LIV Golf merger Southampton choose Russell Martin as their new manager

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Elle Fanning has detailed how her body has “creepily formed and shifted” so that she is now more comfortable wearing corsets while filming The Great. The 25-year-old, who plays Catherine the Great in the popular Hulu period series, said she has “got used to” wearing the restrictive garments. Fanning is currently starring in the third season of the satirical show alongside Nicholas Hoult, who plays Peter III of Russia, and Gillian Anderson, who plays her mother, Joanna Elisabeth. In a new interview with Insider, she was asked whether wearing corsets gets any easier as many of her costumes involve them. “It actually does, I will say. It does get more bearable,” she told the publication. “I have got used to them now.” Fanning added that at the start of filming for each season, she has to readjust to wearing the elaborate, confining undergarments that are designed to cinch the waist. “And then your body creepily forms and shifts and it becomes easier,” she continued. “Sometimes, yeah, they’re not the most comfortable.” Nevertheless, the Maleficent star has adapted to wearing corsets so well that she can “do anything in a corset”, she said. The elaborate outfits, hair and makeup showcased in The Great won the series an Emmy for outstanding period costumes in 2022. Costume designer Sharon Long previously detailed the fashion choices for Fanning’s character, which often exaggerate her figure. Speaking to IndieWire last year, Long said: “The size of [Catherine’s] skirt was an interesting device to use. We kept her as tiny and tight at the top as possible and her skirts as large as we could go, and she moves through the set and takes up space.” Fanning recently spoke out about the negative feedback she once received after she was rejected from a big franchise film. “I didn’t get a part once for something big because – it might not have just been this reason, but this was the feedback that I heard – was because I didn’t have enough Instagram followers at the time,” she told Josh Horowitz on his podcast Happy Sad Confused. “That’s something I firmly don’t believe in, for not getting a part. Fanning is the younger sister of child star Dakota Fanning. She has starred in hit films such as Super 8 and We Bought a Zoo, as well as the TV series The Girl From Plainville. Read More Elle Fanning says she was rejected from big franchise film over Instagram follower count Rebel Wilson shares first pictures of baby Royce’s face to mark first Mother’s Day TikTok Tattoogate: Award-winning tattoo artist vows to ‘fix the wrongs’ for woman at centre of scandal Fans defend Kyla Pratt for dressing casually to The Little Mermaid premiere 11 lightweight SPFs your skin will love Beyonce kicks of Renaissance tour in string of glamorous outfits

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