Latin America’s longest-serving central bank chief has just stepped into a heated debate about the future of Argentina’s

Oil headed for a fourth weekly gain amid tentative signs that global markets are tightening. Brent futures advanced

Former NFL player Sergio Brown is missing, and his mother was found dead Saturday near a creek in a Chicago suburb, according to police.

Katy Perry’s chilling nickname for former husband Russell Brand has been revealed amid accusations of sexual assault against him. Last week, a joint investigation by The Times, The Sunday Times, and Channel 4’s Dispatches revealed that accusations of sexual assault and rape have been raised by four separate women against Brand. The comedian took to his YouTube channel to deny the accusations before they were made public and claimed that all of his relationships were “consensual”. Musician Perry and comedian Brand married in 2010 before officially divorcing two years later in 2012. Now, Piers Morgan has revealed the nickname Perry used to call him during their relationship. In his The Sun column, Morgan said in 2013 he asked Perry if she wanted to sit down and talk about her divorce, which she declined, saying that she was “not ready yet”. Morgan claims Perry added: “Because you’ll get the truth out of me, and ‘I’m just not ready to tell you the truth! In fact, I’m not sure I’m ready to admit the truth to myself.” In the column, he also claimed that Perry used to call Brand “Rasputin” after Siberian man Grigori Rasputin, who was known for seducing women and befriending the imperial family of Tsar Nicholas II to gain influence. Morgan alleged Perry explained: “You Brits are all the same, so damn confident… Trouble is, I find that irresistible. I love Brits… Well, not all of them – not Rasputin, obviously.” Morgan said that he went on to tell Brand who reportedly said: “He was a pretty powerful bloke, he could manipulate folk with his eyes. “I like Rasputin... he was all right, wasn’t he... a mad monk with magical, mystical powers, having it off with everyone, drinking and getting into fights.” Though their divorce was finalised in 2012, it is alleged that 14 months into their marriage in October 2010, Brand sent Perry a text message saying he had filed for divorce. Sign up to our free Indy100 weekly newsletter Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings.

Ilya Sorokin stopped 43 shots, Julien Gauthier scored early in the third period and the New York Islanders beat the Florida Panthers 4-3

More than 800 people have been rescued over the past two days from severe floods in Greece, local officials said, after extreme rainfall turned streets into deadly rivers, tore down buildings and bridges and left whole villages submerged.

Multiple students were hospitalized Thursday afternoon after a school bus collided with a tanker truck in Lexington County, South Carolina, officials said.

Brentford manager Thomas Frank has expressed his hope that star striker Ivan Toney will not leave the club during the January transfer window, despite interest from Arsenal and Chelsea.

In 1953, Gabrielle “Coco” Chanel reopened her couture house after a 14-year hiatus at the age of 70. “Why did I return?” the legendary fashion designer later posited in an interview with Life magazine. “One night at dinner, Christian Dior said a woman could never be a great couturier.” It’s a quote that perfectly captures everything Chanel represents to this day, more than a century after she opened her first millinery shop in Paris in 1910. It also happens to be nestled in the enormous boarded timeline of the designer’s life that greets visitors to Gabrielle Chanel: Fashion Manifesto, a major retrospective of the French couturière’s work, at the Victoria and Albert Museum in London. Marking the first time that a UK exhibition has been dedicated entirely to Chanel, it charts the designer’s humble beginnings in the Loire Valley of France through to the establishment of her eponymous brand and the evolution of her creations throughout the years. Incorporating gowns, suits, jewellery, fragrances and accessories, the exhibition features more than 50 of the designer’s famous tweed suits alongside several fragile pieces usually stored deep within the belly of the V&A’s archive. “We were very aware of the classic things people know about Coco Chanel,” says curator Connie Karol Burks, referencing the designer’s famous little black dresses, the 2.55 handbag and her tweed suits. “We really wanted to spotlight much more of what she contributed to fashion, and a bit more of her approach to designing clothes, like her need for comfort, simplicity and freedom of movement.” It’s a modality easily expressed from the start of the exhibition, the entrance to which is a subtle, black, perfume-like box on the ground floor (the museum’s usual rotunda-like fashion space is currently occupied by its Diva exhibition). When downstairs, visitors may be surprised to find flowing frocks fitted with bows and pockets from as early as the 1930s. “She was an active independent woman, primarily designing for herself,” explains Karol Burks. “These were practical and elegant clothes.” Practicality, as we soon learn, was an integral part of Chanel’s oeuvre. The exhibition celebrates the designer’s penchant for streamlined garments, clothes that rejected the stiff and restrictive aesthetics that had defined women’s wear just a few years earlier. It also includes details of her deep connection to Britain, including her friendships with figures from high society. While staying at the respective homes of Winston Churchill and the Duke of Westminster, Chanel embraced British sport, which is thought to be how the corresponding aesthetics of tweed and knitted jerseys found their way into her collections. Also included here is a sketch of Chanel painted by Churchill while the two were staying at the Duke of Westminster’s Scottish retreat in 1928. “Coco is here,” he wrote to his wife at the time. “She fishes from morn till night, & in two months has killed 50 salmon.” Elsewhere, highlights include the Chanel “Ford”, the name given to the designer’s little black dress that became a global staple for women everywhere. There are evening gowns aplenty, and an optic-white room entirely dedicated to the creation of the designer’s iconic perfume Chanel No 5, as well as an oval-shaped section devoted to Chanel’s tweed suits, with two rows of them spanning the curve of the room. As has already been reported, the exhibition also doesn’t shy away from Chanel’s controversial wartime activities. It features previously unseen documents illustrating evidence of her collusion with Nazis during the Second World War, while also, confoundingly, unearthing evidence that indicates she was a member of the French resistance. “It’s such a complex thing to get your head around,” says Karol Burks. “We felt it was important to have it in the exhibition and to display those original documents. But they almost give more questions than answers.” Unlike the V&A’s Dior exhibition, which charted the brand’s existence beyond the life of its founder, the Chanel retrospective ends with the designer’s death in 1971. Given the label’s extensive history in modern culture, perhaps this makes sense: there’s only so much you can squeeze into one show. But in many ways, it is a limitation that produces a lingering sense of intrigue around the designer herself. “Despite there being over 175 biographies [of Chanel], she’s still being written about and new information is still coming to light,” Karol Burks adds. “I don’t think anyone has quite pinned down who Gabrielle Chanel was. The more you learn about her, the less you know.” ‘Gabrielle Chanel: Fashion Manifesto’ runs from 16 September until 25 February at London’s Victoria & Albert Museum Read More Loved in triangles, dressed for liberation: The queer fashion secrets of Virginia Woolf and the Bloomsbury Group Young people not snowflakes or wasters, says curator of rebellious fashion exhibition Pharrell Williams designed his first collection for Louis Vuitton for himself

Business conditions Saudi Arabia and the United Arab Emirates improved in June, even as cost pressures increased. Accelerating

Manchester United manager Erik ten Hag is keen for his side to win their first home game after the passing of Sir Bobby Charlton and believes Tuesday's visit of Kobenhavn will be an 'emotional' one. Charlton passed away on Saturday aged 86.

A photo of Elon Musk kissing a female humanoid robot has gone viral, but everything is not as it seems. Billionaire Musk is known for being at the forefront of modern technology, with his ventures including industries such as space travel and electric vehicles. Following new footage that reveals Tesla’s integrated robot Optimus can walk, navigate and pick things up, AI-generated images of Musk kissing female-looking humanoids have gone viral. They emerged alongside a tweet by Twitter user Daniel Marven, in which he claimed the Tesla and Twitter CEO is designing a robot “that has been manufactured specifically designed with artificial intelligence with the personality and the characteristics of the female that he dreams of”. Sign up to our free Indy100 weekly newsletter Accompanying the tweet were four AI-generated images of Musk kissing three different “wife” robots and dancing with one other. Unlike the real Tesla robots, the AI-generated ones have distinctive human-like facial features. The images possess some of the current tell-tale signs that an image has been created by AI – for example, the hand on one of the robots possess too many fingers, while the hands on other robots in the images are distorted. Some of the viral images appear to have been created by the same user who was behind the viral image of Pope Francis wearing a puffer jacket, Pablo Xavier. On Instagram, one user joked: “Elon finally found his soulmate(s).” Someone on Twitter said: “iRobot is about to be reality.” While the images are fake, many are impressed with the advancements that Tesla has made with its real robot, Optimus. Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings.