About 155 resident physicians went on strike Monday at a New York hospital once called "the epicenter of the epicenter" of the nation's coronavirus pandemic, according to the residents' union.

Artificial intelligence (AI) is developing at a faster pace than laws can be drafted in response, an academic has warned. Although the technology has been around in some form for some time, the rate at which it is changing and improving is the new, key challenge, senators and TDs were told. The Oireachtas Enterprise Committee heard that AI can offer “profound opportunities” to help people, but can also be used to reduce white-collar employees’ salaries and even prompt diplomatic incidents. Professor of AI at Trinity College Dublin Gregory O’Hare cited cases including technology beating a world chess champion in 1997, as well as fake AI-generated images of Donald Trump being arrested and the Pope wearing a designer puffer jacket, as he outlined landmark moments in the development of the “disruptive technology”. He said there have been many previous “false dawns and unrealised promises” about the technology’s potential, and that ChatGPT has gathered 100 million users in two months and is the fastest-growing technology in history. He said white-collar professions like the law, academia, marketing, architecture, engineering, journalism and the creative industries will all be “profoundly affected”, and cited a recent study which estimated that two-thirds of all US occupations will be affected by AI. “In terms of the point around wages, I think there is certainly an opportunity for employers to reduce salaries,” he said. The Irish Congress of Trade Unions (ICTU) argued that unions should be involved at an early stage in any initiatives looking to address concerns around AI. Dr Laura Bambrick, of the ICTU, said the EU AI Act is not suitable to regulate AI and is “more than disappointing” from workers’ point of view, stating that the amendments tabled offer some comfort but “don’t go far enough”. “It only requires software providers to self-assess their own technology between low- and high-risk before putting it on the market, and did not include any rules on the use of AI in the workplace,” she said. The velocity of AI technology is, alas, fast exceeding the rate at which the law around AI can be framed Professor Gregory O'Hare, Trinity College Dubin Prof O’Hare said he believes the current legislative framework proposed to regulate AI is not “in a position to be able to respond with the speed that we need”. He added: “The velocity of AI technology is, alas, fast exceeding the rate at which the law around AI can be framed.” Cork East TD David Stanton said that statement is “quite scary”, and “science fiction is actually becoming science fact”. He suggested the topic is so serious and developing at such a pace that it could warrant setting up a dedicated Oireachtas committee to discuss it. During the session, committee chairman Maurice Quinlivan said he used ChatGPT to double-check that the three guests had not used ChatGPT to write their opening statements, with one TD remarking he was “using AI to check for AI”. Prof O’Hare said it is difficult to assess how AI comes to a particular conclusion, even for experts. “Not only is there typically not a set of algorithmic steps that one, even with a trained eye, could scrutinise, AI, and in particular deep AI, does not have an algorithmic basis. “So, even were it to be the case that someone like myself, a professor of artificial intelligence, were I to look at a particular AI application that was using deep learning, I would have great difficulty in being able to establish, on the surface, how it actually arrived at its deduction and its recommendation or conclusion.” It knows no political boundaries, it knows no geographic boundaries, no socio-economic boundaries. This is something that demands potentially a global position Professor Gregory O'Hare, Trinity College Dublin He added that, while it is crucial to engage with all stakeholders involved, it will take “some considerable time”, and the rate at which AI is developing “does not afford us that level of time”. Responding to the suggestion that the use of AI should be slowed down or halted to allow for consultation, he said: “We’re talking about something that knows no boundaries.” “It knows no political boundaries, it knows no geographic boundaries, no socio-economic boundaries. This is something that demands potentially a global position. So Ireland needs to find a way and a voice into that global discussion.” Ronan Lupton SC, of the Bar Council of Ireland, said that although AI has been around for some time, “where we’re moving to now, at the moment, is a sphere in an environment of extreme pace”, which is the “key challenge”. He said AI could help people with speech disabilities to communicate, but also warned of the dangers of misinformation. He said that newsrooms, instead of sending a draft article to a solicitor to check for defamation or other legal issues, are now using artificial intelligence technologies instead, which he said is “an interesting development”. Prof O’Hare agreed with the potential of AI to help people with disabilities and said it is “very important that we do not throw the baby out with the bathwater”. “This technology has profound opportunities, absolutely profound opportunities.” But he suggested that, because the technology has been put out “into the wild”, it could be used for “sinister” means which could have financial or political implications, such as boundary incursions – and even wars. “The question is will it always be used for good purpose, or is there a significant chance that it will be used for Machiavellian purposes?” he said. 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Saturday's transfer roundup includes news on where Harry Kane wants to go if he leaves Tottenham, Man Utd's plan to use Harry Maguire as a makeweight in a Mason Mount deal, Liverpool's Alexis Mac Allister chase and more.

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Fiona Phillips found herself to be the victim of a telephone scam following her Alzheimer’s diagnosis. The former breakfast TV presenter, 62, was told she had the condition 18 months ago after she experienced symptoms of anxiety and brain fog, and has since disclosed her diagnosis to the public. Phillips, who is currently taking part in a drug trial that scientists hope could revolutionise the treatment of the incurable illness, has spoken out about an experience where she was scammed over the phone. In a new interview with The Mirror, Phillips explained she was scammed by a person who called her and managed to take money out of her bank account. The publication reports that Phillips was scammed out of “thousands” of pounds but was refunded by her bank. The journalist, best known for presenting the ITV breakfast programme GMTV, told The Mirror that she was reluctant to tell her two sons, Nat, 24, and Mackenzie, 21 – who she shares with her husband, This Morning boss Martin Frizell – about her condition. “I just didn’t want to make a big thing out of it where we all sit down as a family and announce we’ve got something to tell them,” she said. “And I was worried they might be embarrassed in front of their friends or treat me in a different way. And it’s not like I’m doing anything out of character.” Symptoms of Alzheimer’s include memory problems, like forgetting about recent conversations or events or becoming increasingly disorganised. Others include language problems, changes in mood or spatial awareness. It is typical that family members, friends and work colleagues may notice these changes first, often before the person themselves. Phillips, who took part in BBC’s Strictly Come Dancing in 2005, shared that she and Frizell had blood tests to check whether their children could inherit the disease. “We wanted to know in case we needed to prepare the boys to make some difficult decisions later in life,” Frizell told the publication. “When the results came back as negative, it was a huge moment – such an enormous sense of relief. There’s no Alzheimer’s on my side of the family and thank goodness it seems the boys have not inherited from Fiona’s side of the family.” Read More Woman exits plane after tirade about passenger who is ‘not real’: ‘Final Destination vibes’ The Barbie press tour has finally rescued Margot Robbie’s red carpet reputation Fans mistake Jennifer Garner and Ben Affleck’s daughter Violet, 17, for her mother in new photos This is the lesser-known symptom of Alzheimer’s that could affect drivers The shared symptoms of menopause and young onset dementia Fiona Phillips Alzheimer’s diagnosis at 62: 7 ways to reduce your risk

Chelsea are confident that they've beaten Arsenal and Manchester City to the signing of Michael Olise.

MEMPHIS, Tenn.--(BUSINESS WIRE)--Sep 1, 2023--

As a child of the South, actor Cailee Spaeny grew up steeped in Graceland mythology, memorabilia and Elvis Presley tunes. Her mother loved Elvis and it wasn’t unusual for a trip to that famous house in Memphis, Tennessee, to count as a family vacation. Priscilla Presley was of course part of that. But Spaeny would find there was much more than she’d ever known when she got the opportunity to play her in Sofia Coppola ’s new film, “Priscilla,” now in theaters nationwide. “I had no idea about her side of the story and what her experience was growing up in Graceland,” Spaeny said in a recent interview. The film is based on Presley’s 1985 memoir “Elvis and Me,” a diary-like account of her years with the King. She recounts meeting him at 14 in Wiesbaden, Germany, and moving to Graceland not too long after, where she finished high school. She talks about her unconventional hours, staying up all night with Elvis and trying to stay awake in school the next day. She details how he dictated her look including her hair (black and big!), eye makeup (more!) and clothing choices (no prints!), their passion for one another, his volatility and her isolation. And perhaps most importantly how she, and everyone around him, just wanted to make him happy— even after she chose to leave. Spaeny got to spend some time with Presley before filming began, though she wasn’t entirely prepared to be as star-struck as she was. “I remember when I first met her, I had all these questions ready to go. I was so prepared. And then I just see her sort of walking my way and they all just leave you because she has such a presence about her,” Spaeny said. “The way she carries herself is really like no one else. I mean, she really is American royalty.” She was equally grateful that Presley did not hang around set during the shoot where she and Jacob Elordi, the rising Australian actor cast as Elvis, had only 30 days to tell this expansive but intimate story with hundreds of costume changes and quite a few wigs too. “You just don’t know what you’re getting into when someone is cast as your co-star,” Spaeny said. “And when you have that little time, you’re shooting massive scenes every single day. You don’t get a light day. So to be able to go into this project with someone who took it as seriously as he did and really took the time to find those nuances and to do the prep beforehand was such a relief.” Elordi said they quickly developed an “unspoken language” that helped carry them through. As an actor, he loved going deep into why Elvis behaved the way he did. “You have to establish a base where you can just fall into this immediate love,” he said. “We would sort of look each other in the eyes and it would just say, ‘You’re going to do this? I’m going to do this.’” The beehive hairdo, Spaeny laughed, took more getting used to. She found herself having to walk “like a doll” and sometimes she'd forget its height when getting into a car. But the wigs would be a grounding factor in a shoot that often had her playing very different ages in the same day. “You just got to do what you got to do,” Spaeny said. “It was just one of the many fun little challenges along the way. The hair, makeup and costumes were really essential in knowing what age she is and where she is emotionally. That was the thing that I held on to.” And it wasn't just a dress up extravaganza for Spaeny either. Elordi got to wear custom looks throughout. “It was kind of as cool as it sounds,” he said. "You know, for me personally, it was like, ‘Do you want to be Elvis Presley for 30 days and wear Valentino clothes that are tailored to your body?’ Yes. That’s awesome.” Though Spaeny might have less dialogue than Elordi, her performance has been making waves since its debut — a breakout that has already been recognized by the Venice Film Festival and is sure to garner more nominations as awards season picks up. “She can convey so much emotion with just her face,” Coppola said. “It’s mysterious but the camera can pick up on it. She’s so photogenic and some people just jump off the screen, but you can connect to them in an emotional way.” In one scene, where Elvis tells a very pregnant Priscilla that he wants her to move out and she calls his bluff, Coppola debated using narration. She’d loved what Presley had written about that moment and wanted to capture that, but she also wanted to have the film stay in the present. And Spaeny was up to the challenge. “I talked to Cailee and we did another take and she did some little shift,” Coppola said. “You see halfway down the hall, her face changes with resolution. It was so subtle. I don’t know how she did it. It’s a talent that some actresses can really just convey so much without saying anything.” And though things went quickly and sometimes it felt like Spaeny couldn’t feel her feet on the ground, she was grateful that her director kept a calm, focused set. It was, she said, the opposite of chaos. “I’ve never really worked with someone quite like her, and the way she handles herself on the set,” Spaeny said. “She knows when to take things seriously and when to have fun. Everyone just brings their A-game because of her. She just leads with kindness. She wants to be collaborative and she has a clear vision.” Though both Spaeny and Elordi have trouble watching themselves on screen, they are proud of “Priscilla.” Elordi said he felt honored to be “part of the way that she wants her story to be told." And both walked away with something tangible from whirlwind too. Elordi said he has a few "secret things.” Spaeny got something too, but it might be a bit much even for someone who grew up surrounded by Elvis stuff. “I have this really strange mural of myself as Priscilla. It was a beautiful painting, but it’s me as Priscilla that was hanging on the walls of Graceland. I just am like, what do I do with this? I can’t put it anywhere,” she laughed. “I think I’ve got to, like, ship it to my grandma. I think she’d love it.” Read More Jimmy Kimmel to host the Oscars for the fourth time The Israeli military has set its sights on southern Gaza. Problems loom in next phase of war Business lobby attacks as New York nears a noncompete ban, rare in the US A suspicious letter to the top elections agency in Kansas appears harmless, authorities say Mayorkas warns of dangers to the US if it loses tools to block terrorists from using drones and WMD Hospital director in Haiti says a gang stormed in and took hundreds of women and children hostage

Two top officials of the PGA Tour said the sport's governing body had no choice but to reach a truce in its yearlong battle with LIV Golf and try to reach a merger with the Saudi-funded tour.

As far back as 1998, Duane Keith Davis was telling a cable channel that he was a front-seat passenger in a car from which a fellow passenger fired the shots that killed Tupac Shakur.

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Many fans of Justin Timberlake have expressed curiosity over his height