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A woman playing Kim Kardashian in a French gameshow skit had her breast kissed on live television. Not just without consent, but actively against her will. The incident took place on the popular French TV show TPMP (Touche pas à mon poste!) in 2016, as part of project 35heuresdebaba ('35 hours of Baba'), in which TV presenter Cyril Hanouna tried to break a national record by appearing on air for 35 hours straight. Ironically, touche pas translates as 'don't touch'. Sign up to our free Indy100 weekly newsletter Soraya was playing Kim Kardashian, in a parody of the Paris robbery. Game show host Jean-Michel Maire was playing the locksmith. When she was 'freed', Maire suggested that Soraya should kiss him as a form of compensation. She refused. They ignored her, and she continued to refuse. Explicitly. "No." "She said yes. She said yes." "I said no." And then they demanded that she justify her refusal. When she answered that people were watching, the presenters had a response ready. Well, we can do it backstage! Both men were laughing at 21-year-old Soraya, who was smiling uncomfortably and continued to pressure her for a kiss on the cheek. Eventually, Maire decided he would ignore her refusal, and go in for her cheek. When she turned her head away to avoid it, he ducked down and kissed her breast instead. The issue of consent issue is completely clear. There's no miscommunication or misinterpretation: no ambiguity. She said no. Twice. And turned her face away. The incident caused a slew of complaints at the time to the Conseil Superior d 'Audiovisual (CSA), the government body which regulates French TV and radio, which launched an investigation into the show. According to a spokesperson for network C8, which airs the 35-hour program, Hanouna asked Maire to apologise to her immediately after the incident, which Soraya says he did. French law defines sexual assault as 'any sexual act that involves violence, coercion, threat or surprise', and could incur a jail sentence of up to five years and a fine of 75,000 Euros. Representatives for TPMP declined to comment but told indy100 that there would be no press release or statement on social media.Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings.

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Connor Roberts insists it is naive to expect Wales to qualify for every major tournament. Wales have reached the last two European Championships and the 2022 World Cup after ending a 58-year wait to play at a major tournament. But making Euro 2024 in Germany next summer was seriously dented by qualifying defeats to Armenia and Turkey in June. Wales travel to Latvia on Monday knowing victory is essential to maintain hopes of automatic qualification, although being a top-tier team in the last edition of the Nations League will offer them the safety net of a play-off place. “I think there’s a bit of a determination to not feel like we did after those previous two games,” said Burnley wing-back Roberts, 27, who is set to win his 50th cap at Riga’s Skonto Stadium. “The only way to not feel like that is to win the game or to play well. It’s just remembering what got us to be performing well and to qualify for big competitions and to win games before. “That is hard work and dedication, but I think we would be naive to think that we’re going to qualify for every single tournament going forward and win loads of games. “We are still a small nation in the grand scheme of things. So we have to keep our feet on the ground and realise where we’ve come from.” Wales have had a difficult 12 months since qualifying for the World Cup by beating Ukraine in a play-off final. The talismanic Gareth Bale retired after the World Cup, other senior players left the international stage, and boss Rob Page has come under scrutiny after one win in 13 games – a 1-0 home victory against Latvia in March. There were some positive signs in Thursday’s goalless friendly against South Korea, but the sight of Cardiff City Stadium little more than a third full with an attendance of 13,668 underlined Wales’ current malaise. Roberts said: “We find ourselves in a difficult position, but we’re still in with a chance (of qualifying) and all you can do is try and win the next game. “If, come the end of the campaign, it’s not good enough then we just have to move on and progress as a country and as a footballing nation.” Roberts reaches his 50-cap milestone after being something of a late developer in the game. He did not make his debut for first club Swansea until he was 22 following loan spells with varying degrees of success at Yeovil, Bristol Rovers and Middlesbrough. Roberts said: “There was many a time at Middlesbrough and Bristol where I laid in my bed on my own miles away from my family thinking ‘maybe I ain’t good enough to be a footballer’. “Now I have nearly 50 caps for my country and no-one can ever take that away from me. “I’ve had some unbelievable experiences – a World Cup, a Euros, a couple of goals and a load of happy times in the Wales jersey. So hopefully that can continue for a couple of years at least.” Read More Charity boss speaks out over ‘traumatic’ encounter with royal aide Ukraine war’s heaviest fight rages in east - follow live Scott McTominay stars again as Scotland close on Euro 2024 spot with Cyprus win Jos Buttler says England not taking any risks over fitness after heavy defeat Gareth Southgate won’t be swayed by ‘external reaction’ over Jordan Henderson

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Colleen Ballinger’s legal team told Pop Crave that her apology song was not uploaded to iTunes and Apple Music by her or her team after social media continued to criticise the YouTube star. The video has now been removed from both iTunes and Apple Music. On Tuesday (July 11) Ethan Klein, host of the H3 Podcast, tweeted that Ballinger’s apology song had been uploaded to CD Baby under the name Toxic Gossip Train. Sign up to our free Indy100 weekly newsletter CD Baby is a website that allows people to monetise their music by independently uploading their songs to platforms like YouTube. Klein shared that he had received a copyright claim due to using less than a minute of the song in his video. Shortly after, many realised that the song had also been uploaded to Ballinger’s official profile on iTunes and Apple Music. The 10-minute ukulele song was being sold for $10. The initial discovery sparked further outrage on Twitter. Adam McIntyre who alleges he was groomed and manipulated by Ballinger called her a “f***ing joke”. McIntyre also took the opportunity to point out the irony in the moment, in her song Ballinger had accused the public of ‘monetising’ her demise. Other users were shocked at the idea of Ballinger copyrighting those who featured the apology in videos talking about the subject, as well as charging $10 for the song on iTunes: After Pop Crave updated the story, Klein responded saying that “she still has our podcast claimed”. Ballinger herself has not made any public comment. Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings.