Northern Ireland had a stoppage-time equaliser ruled out by VAR as a battling display went unrewarded in a 1-0 Euro 2024 qualifying loss to Denmark. Jonas Wind’s goal early in the second half made the difference in Copenhagen as debutant Callum Marshall saw a dream goal ruled out for offside after a review which took almost five minutes. The West Ham youngster flicked the ball in after Jonny Evans headed on a free-kick, but there was despair when referee Daniel Stefanski eventually signalled for offside after his colleague Tomasz Kwiatkowski took an age to review the footage. Michael O’Neill’s men defended doggedly away to the top seeds in Group H, but a mistake just two minutes after the break proved decisive as Denmark bounced back from March’s shock defeat to Kazakhstan and put the pressure on Northern Ireland to deliver when the Kazakhs visit Windsor Park on Monday. Wind pounced when Ciaron Brown got it all wrong trying to deal with Joakim Maehle’s short cross in from the left, slamming the ball home from close range. But O’Neill will take encouragement from how a youthful line-up dealt with the hardest fixture in Group H. Before kick-off came news that Craig Cathcart had suffered a back injury, taking the number of first-team regulars missing to 10, a figure threatening to derail this qualifying campaign even before the halfway stage. Trai Hume made his first start at left wing-back, with Evans between Brown and Paddy McNair at the back. Also making his first start was Isaac Price, one of three teenagers in the side along with Conor Bradley and Shea Charles. O’Neill was well aware of what he was asking of such inexperienced players in the raucous atmosphere of the Parken Stadium, and watched on as they soaked up huge amounts of pressure before the break as Denmark grew frustrated. Andreas Skov Olsen’s early cross was slightly behind Pierre-Emile Hojbjerg, who twisted acrobatically to make contact but could not find the target. Christian Eriksen sent a free-kick from long range wide, while the clearest chance came to Crystal Palace defender Joachim Andersen just before the half hour as space opened up in front of him, but his powerful shot was straight at Bailey Peacock-Farrell. Shayne Lavery, selected ahead of Dion Charles in attack, worked tirelessly to offer an outlet as he and the slender figure of Price, asked to play in an advanced role, faced up to Denmark’s imposing back three of Simon Kjaer, Andreas Christensen and Andersen. It was Lavery who had Northern Ireland’s only first-half opportunity when Price laid the ball off on the edge of the area. Lavery looked up to see three defenders closing in, but got off a deflected strike which Kasper Schmeichel was able to gather. But after all that hard work in the first half, Denmark needed only two minutes of the second to find the breakthrough thanks to a mistake at the back. Northern Ireland did not recover their shape after Bradley lost the ball, and when Brown stumbled to the floor, Wind accepted the gift. A set-piece offered Northern Ireland an opportunity but Price and Lavery got their wires crossed trying to play it short and Denmark broke, with Peacock-Farrell saving smartly from the in-demand Rasmus Hojlund, scorer of five goals in the first two qualifiers. Quick distribution from Peacock-Farrell set Price free down the right as the hour mark approached, but with no support the teenager had to test Schmeichel from a tight angle, forcing a corner. It looked as though there was a late twist when Marshall, on for Ali McCann with five minutes left, turned the ball home from close range, but VAR would kill the celebrations. Just three games into the qualifying campaign, it feels as though Northern Ireland must now deliver a result at home on Monday to keep themselves in the mix. Read More Trent Alexander-Arnold experiment means England may have found their ‘quarterback’ John Greig thanks Rangers after becoming CBE Wales suffer humiliating defeat to damage Euro 2024 qualification hopes Trent Alexander-Arnold experiment means England may have found their ‘quarterback’ John Greig thanks Rangers after becoming CBE Wales suffer humiliating defeat to damage Euro 2024 qualification hopes

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Cindy Crawford has explained why she posed nude for Playboy magazine in 1988, even after her agents told her not to. The supermodel, 57, reflected on the early days of her career in the new Apple TV+ docuseries, The Super Models, which she appears in alongside fashion icons Naomi Campbell, Linda Evangelista and Christy Turlington. During the second episode of the show, Crawford noted that, after becoming the face of Revlon in the 80s, “things started really happening,” as she was “doing the right campaigns”. However, she claimed that when she was asked to appear on the cover of Playboy in 1988, some of her peers and agents advised her against it. “Everyone in my life at the time thought I shouldn’t do Playboy,” she said. “My modelling agency didn’t feel that that fit into the types of jobs I should be doing. I think the brand still had a connotation to it that maybe scared some people off.” Crawford said she knew why her agency was hesitant about on the gig, given how different it was from jobs she’d had before. “I understood the platform of Playboy and what that symbolised,” she explained. “It was definitely outside the normal trajectory for a Vogue model at the time.” She went on to specify that a famous fashion photographer, the late Herb Ritts, was the one who reached out to her about the project. After she recalled that she and Ritts were “really good friends” and that she “worked with” him a lot and previously “stayed at his house,” she shared another reason why she wanted to pose for Playboy. “I don’t know, there was just something about it that intrigued me. So against the advice of my agents, I said ‘yes,’” Crawford said, before describing the conditions she brought up to the maagazine when taking on the job. “But I said: ‘You don’t need to pay me a lot of money. As long as I can have control of the images, and I wanted the right to kill the story if I don’t like it,’” she recalled telling the publication. Crawford noted that when she did the photoshoot for Playboy, she and Ritts “combined it with another trip that [they] were doing for French Vogue to Hawaii”. And, according to the supermodel, the two photoshoots weren’t all that different from each other. “We’d shoot a picture for French Vogue and then we’d shoot a picture for Playboy,” she said. “I mean, you almost couldn’t tell which pictures were for French Vogue and which pictures were for Playboy, it was very organic and I loved them.” The actor concluded by noting that, despite what other people may think, it was ultimately her decision to pose for Playboy, and she did not feel pressured into it. “That’s the whole thing for me is, even if I make choices that other people disagree with or don’t like, if they’re my decisions and I have control of it, that’s empowering to me,” she said. “Even if it’s doing Playboy. I never felt like a victim of that decision.” This isn’t Crawford’s first time opening up about posing for the magazine. During an interview with Net-a-Porter’s PorterEdit in 2019, she acknowledged that she didn’t have any regrets about being photographed nude for the publication twice, as she also appeared in a 1998 Playboy spread. “I look back at some of my old Playboy pictures and I think: ‘Why wasn’t I walking around naked all the time?’” she said. “I’m not getting younger. So I want to celebrate who I am today.” She also opened up about posing nude in her fifties, and shared the candid reason why she did so in photographer Russell James’ book, Angels. “Part of the reason I wanted to do it was that I thought, at what age is being naked not beautiful anymore? Is there a sell-by date on us?” the model said. “I don’t look the same as I did at 20, 30 or even 40. If we take care of ourselves, why not? Am I frolicking on the beach in a string bikini? No.” Crawford continued to explain how, to her, posing nude showcases a type of beauty that isn’t typically shown in her other photoshoots. “But there is a place where I want to feel beautiful naked, in my private life, with my husband. [Russell] was tapping into that real place – not high heels, not a lot of makeup, not coy, just a real woman who doesn’t have clothes on,” she said. Read More Cindy Crawford candidly speaks about her marriage to Richard Gere 30 years later Voguewashing London Fashion Week won’t pay the wages of Britain’s young fashion designers Groping, abuse and racism: 10 of the most shocking revelations from The Super Models TV show

DUBAI, United Arab Emirates--(BUSINESS WIRE)--Sep 28, 2023--

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