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Mitch McConnell froze and briefly appeared to be unable to continue speaking during a Senate Republican press conference. He was led away by colleagues and returned not much later, stating that he was “fine”. This is not the first time that the 81-year-old has had a health scare. The scene occurred on Wednesday as Republicans held their last weekly press briefing before the August recess, and discussed remaining business including the chamber’s effort to pass a defence spending bill before the holiday begins. Mr McConnell was seen freezing at the podium for several seconds before a number of senators, including Joni Ernst of Iowa, approached him and encouraged him to step away. He did so, only to come back a few minutes later. He refused to elaborate on what had just occurred. “Can you address what happened here at the start of the press conference? Was it related to your injury from earlier this year when you suffered a concussion?” asked CNN’s Manu Raju. “I’m fine,” responded the senator. “You’re fine? You’re fully able to do your job?” Raju asked in response, to which the minority leader replied: “Yeah.” Mr McConnell entered the Senate in 1985 and has been the top Republican since 2007. Mr McConnell’s freezing at the press conference is likely to be looked at with scrutiny given the renewed interest in the issues presented by the increasingly advanced ages of many of the members of the upper chamber of Congress. Senator Dianne Feinstein of California, in particular, has been the subject of intense criticism on the matter as many have argued that the 90-year-old, who has sometimes appeared confused in interactions with reporters and staff, is no longer up to serving. This is a rundown of Mr McConnell’s previous health issues: Childhood polio He continues to walk with a limp, a residual issue caused by his battle with polio at a young age. When Mr McConnell was two years old in 1944, his upper left leg was paralyzed by polio and he was treated at the Warm Springs Institute in Georgia established by Democratic World War II President Franklin Delano Roosevelt for his own struggle with the same disease. “When I was a child and my dad was in World War II, I got polio. I recovered, but my family almost went broke,” Mr McConnell said in a 1990 re-election ad. “Today, too many families can’t get decent, affordable health care. That’s why I’ve introduced a bill to make sure healthcare is available to all Kentucky families, hold down skyrocketing costs, and provide long-term care.” Since that ad, Mr McConnell has been criticized by his political opponents for working against affordable healthcare. In 2020, as the Covid-19 pandemic was underway, Mr McConnell told the AP that it reminded him of having polio as a child. “Why does this current pandemic remind me of that? I think number one is the fear,” he said. “And the uncertainty you have when there’s no pathway forward on either treatment or a vaccine and that was the situation largely in polio before 1954.” At the time of the AP interview, only 16,000 people in the US had died of Covid-19. As of today, more than 1.1 million have died in the US as a result of the pandemic, according to the WHO. “There’s hope that we’re going to get on top of this disease within a year, year and a half,” Mr McConnell told the AP in 2020. Speaking about his childhood polio, Mr McConnell grew emotional as he said he was “lucky” to have a mother “who was determined to see me walk again”. “Tenacity, hard work and not giving up – my mother instilled all that in me before I was four years old and I think it’s been a guiding principle in how I lead my life,” he added. Asked how his mother could afford his polio treatment, Mr Connell told the AP: “Honestly, I don’t know the answer to that.” He recalled the relief at the arrival of the polio vaccine. “I’ve had a normal life, but I’ve been acutely aware of the disease that I had and the relief that the country had when they found the vaccine,” he said in 2020, months ahead of the Covid-19 vaccine’s arrival. “We’re going to get that relief.” Triple heart bypass surgery Mr McConnell had a triple heart bypass surgery in February 2003 in connection to blocked arteries. The procedure was conducted at the National Naval Medical Center in Bethesda, Maryland, just outside Washington, DC. A fall that caused a concussion The 81-year-old Mr McConnell returned to the Senate in March of this year after suffering a fall that caused a concussion. “Leader McConnell tripped at a dinner event,” communications director David Popp said at the time, adding that Mr McConnell would be in hospital for “a few days of observation and treatment”. The event was at the Waldorf Astoria DC – previously the Trump International Hotel from 2012 to 2022. One of the colleagues at Mr McConnell’s side guiding him away after he froze on Wednesday, Senator John Barrasso of Wyoming, a physician by training, said at the time that he expected that Mr McConnell would make a full recovery. Mr McConnell also fell at his home in Louisville, Kentucky in August 2019, suffering a shoulder fracture. Read More Mitch McConnell leaves press conference abruptly after appearing unable to speak Kevin McCarthy denies he made any deal with Trump to try to expunge his impeachments Kentucky attorney general can’t explain why he hasn’t used key to his office in three years Mitch McConnell recently ‘fell in airport and was using wheelchair’ before blackout Trump wants to see Biden impeached, and other Republicans are quick to pile on Mitch McConnell’s health history reveals previous issues after briefing freeze

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There are still three weeks to go before anyone gets to actually see Greta Gerwig’s Barbie movie, but it’s already completely monopolised pop culture, from music to fashion to furniture. Google “Barbiecore” and you’ll find the film’s pink-plastic aesthetic infiltrating everything you can imagine, with TikTok clips offering detailed outfit suggestions to viral Twitter threads praising individual looks from the film’s characters. But nothing is getting quite as much attention as Barbie herself. Or, more specifically, the red carpet wardrobe of the actor playing her. Across social media, Margot Robbie has been the subject of endless posts, threads and reels as a result of her chosen ensembles. “Margot Robbie had the chance to do the greatest fashion press tour ever and lord did she take it,” reads one tweet. “Margot Robbie just absolutely slaying all her Barbie press tour looks,” adds another. Meanwhile, British Vogue recently described her as an “unstoppable fashion force”. In typical Hollywood, none of this would be particularly remarkable. Robbie is, after all, an A-list star with an entire entourage of people whose job it is to make sure she looks her best all of the time. The fact that she keeps knocking it out of the park on the Barbie press tour, then, should just be par for the course. But, for Robbie, this carries special significance. Rewind just a few months, and Robbie’s red carpet presence had become something of a political issue. In January, social media was alight with derision for her red carpet wardrobe, mostly due to her long-standing partnership with Chanel. According to Robbie’s fans, the actor’s sense of personal style had been neutered by the luxury Franch conglomerates, with many insisting – albeit without any real evidence – that she was being forced into wearing garments she didn’t actually like. Celebrity stylist Elliot Garnaut labelled Robbie the “worst-dressed” celebrity in Hollywood, adding that someone at Chanel “obviously hates her”. Of course, nobody knew how true or false such claims were. But fans noticed a marked difference in Robbie’s demeanour whenever she stepped out in a designer ensemble that wasn’t Chanel. There was an entire Bottega Veneta phase, for example, where photos of the actor went viral alongside speculation that she was entering her “new fashion era”, finally unshackled from Chanel’s chains. What all of this taught us was that people quite clearly care quite a lot about what Robbie wears. Now it seems they care more than ever. The actor truly hasn’t missed a beat with her press tour wardrobe, tapping into cult vintage looks and recreating actual Barbie doll outfits. As is expected, there is a lot of pink. But it’s not just happening on the red carpet. Remember the iconic tweed blazer originally worn by Claudia Schiffer on the spring/summer Chanel 1996 runway? Robbie was spotted wearing it with jeans and a white crop top when she landed at Sydney airport last month. Her luggage was also pink, naturally. Another Chanel moment came via a sunshine-yellow tweed suit that looked like it had been plucked straight out of Cher Horowitz’s wardrobe. Speaking of co-ords, we’ve seen plenty. There was the pink gingham Prada set Robbie wore to CinemaCon 2023, and the bespoke Bottega Veneta pleated skirt and crop top that the label made especially for the press tour (the exact shade of pink matches that of Barbie’s car). Elsewhere, we’ve seen Robbie wearing the iconic pink polo neck and metallic skirt by Versace from its autumn/winter 1994 collection – fashion fans will remember photos of Kate Moss wearing this on the runway. She paired the look with white platform sandals and lilac socks: a perfect way to accessorise like a doll. Another standout vintage Versace look from the same collection came at a Barbie event in Sydney, where the star wore a pink sequin minidress complete with a corseted bodice. But the undisputed highlight has been the moments in which Robbie directly references Barbie herself, with looks taken from 1950s dolls. At a press conference in Seoul, Robbie dressed in a pink sparkling skirt suit covered in crystal studs, complete with a heart-shaped bag and a pillbox hat. Then there was the “day to night” doll look from 1985 that Robbie recreated – courtesy of Versace – in a pink pencil skirt suit with white lapels and matching high heels. The actor referenced another look worn by the same doll later that night, in a tulle Versace dress complete with a sparkling bodysuit. Over in Sydney, we saw the actor don a striped bodycon minidress by Hervé Léger that paid homage to a swimsuit worn by a Barbie doll from 1959. And at a photocall in LA, Robbie wore a pink polka dot cutout dress from Valentino that referenced a similar frock worn by another original Barbie doll. And in a double whammy of references, it was also a remake of a similar gown worn by Karen Mulder on the brand’s spring 1993 runway. All of this has been the work of celebrity styling mastermind Andrew Mukamal, who has worked with everyone from Zoe Kravitz and Billie Eilish to Kieran Culkin and Irina Shayk. “We’re always thinking about risks to take,” Mukami once told Vogue of his long-standing partnership with Kravitz. “We want to make an impact and create iconic moments that people will remember and be drawn to.” It seems he’s taken this exact modus operandi and applied it to Robbie, too. And thank goodness, because Barbie is nothing if not defined by what she wears. In 2023, that might sound reductive. But given Gerwig’s esteemed reputation and what we know about the film so far, we have every reason to believe that fashion, much like everything else, will prove to be an important and meaningful platform in the script. Robbie’s archival wardrobe also marks the latest sign that red carpet fashion is leaning increasingly backwards. The only outfits that matter are those that we’ve seen before. At least, that’s how it seems when you consider the fanfare surrounding celebrities any time they get their hands on a cult vintage look. This taps into the sartorial zeitgeist of shunning fast fashion in favour of sustainable alternatives. But it also suggests a slightly less exciting prospect that fashion is running out of new ideas. Even at the Met Gala, fashion’s greatest global stage, some of the most talked-about looks were vintage. Is this the death knell for originality? And what of Robbie’s own style progression? Once the Barbie press tour is over, will she go back to grinning weakly in Chanel pastels? Nodding to fashion history is a worthwhile cause. But it’s something the Queen of fashion herself, Vogue’s Anna Wintour, famously despises: “Fashion’s not about looking back. It’s always about looking forward,” she once said. Try as she might, Robbie can’t dress like a doll for the rest of her life. So perhaps this marks the start of a new costume-orientated era for the actor, one where fashion will be taken more seriously than ever before. Funnily enough, it’s a modus operandi that puts her more in sync with Barbie than anyone could have anticipated. ‘Barbie’ is in cinemas from 21 July Read More Hostage to fashion: Margot Robbie’s Chanel problem speaks to a wider red carpet crisis Walk this way... but not like that: How men’s walks became sexualised Plastic fantastic: Barbiecore is the fashion movement turning hyper-femininity on its head

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