The claims came to light in a viral interview with Brother Bilaal, who identified himself as Will Smith's ex-personal assistant

Ahead of the highly anticipated meeting on Wednesday between U.S. President Joe Biden and Chinese leader Xi Jinping, Chinese state media have taken a new tone toward the U.S. with less negative coverage, calls for a return to warmer ties and stories of Americans with positive connections to the country

The UK's highest court says the plan leaves people at risk of being sent back to unsafe countries.

Halsey broke her silence over the Israel-Palestine war and affirmed her stance in a statement

Sagging badly in opinion polls, with voters angry about housing and inflation, Justin Trudeau is facing calls to

To reach Ukrainian soil from Russia, teacher Olena Yevdokiyenko had to lug suitcases and push her mother's wheelchair for two...

Tristan Tate recently slammed his outfit consultant who no longer wished to be associated with him

Will Smith's former aide Brother Bilaal claims he found the actor in a compromising position with Duane Martin

UK inflation tumbled to the lowest level in two years, firming up bets that the Bank of England

Will Smith was admittedly in an open marriage with Jada Pinkett Smith

Paintings aren’t always what they seem on the surface, as one team of restorers proved recently in surprising circumstances. In fact, many famous artworks feature layers and layers of paint as artists worked and re-worked their compositions in search of perfection. Now, a piece of art has been restored 230 years after it was first painted to reveal a spooky, hidden demonic figure hiding in the background. The painting in question is the 1789 work by English artist Joshua Reynolds titled ‘The Death of Cardinal Beaufort’. It’s been restored by the National Trust, and the work the team have done has revealed a very unusual new feature. The painting features a scene from the Shakespeare play Henry VI, Part 2. Henry says “O! beat away the busy meddling fiend” in the scene, as he begs for a merciful death for Cardinal Beaufort. At the time, Reynolds painted a demon in the background of the painting to reference the “busy meddling fiend” referenced in the dialogue. However, the painting wasn’t well received at the time and that was at least partly due to the depiction of the demon in the background. Three years after it was painted, people attempted to cover up the demon but left a blur on the canvas. Now, the cover up job has been removed and the painting presents as the artist originally intended to mark what would have been Reynolds’ 300th birthday. It wasn’t the easiest of tasks, with several layers of paint and six layers of varnish to uncover. The National Trust’s senior national curator for pictures and sculpture, John Chu, said: “It didn’t fit in with some of the artistic rules of the times to have a poetic figure of speech represented so literally in this monstrous figure. “When it was first shown at the Shakespeare Gallery in 1789 it generated more controversy than any other work on show.” Sign up for our free Indy100 weekly newsletter How to join the indy100's free WhatsApp channel Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings

Courteney Cox wrote, 'I am so grateful for every moment I had with you Matty, and I miss you every day,' paying tribute to Matthew Perry