Ohio State AD reveals the one key factor that led to Pac-12 demise
Ohio State athletic director Gene Smith explained why the Big Ten was eventually able to add Oregon and Washington, resulting in the hostile takeover and eventual death of the Pac-12.Mo money, mo problems...It was all a dream. I used to watch Pac-12 After Dark! Now we are left with a Pacific...
1970-01-01 08:00
MLB standings based on record since the All-Star break: Dodgers roll, Braves falter
MLB standings since the All-Star break have set the stage for the most important stretch of the season. Who is taking their chance and who has missed it?We're about a third of the way through the second half of the MLB season and rolling towards a dramatic September finish.With the All-...
1970-01-01 08:00
3 teams who still have a surprising chance at an MLB postseason spot
If you have given up on your MLB team's chances to make it to the postseason, maybe you can find a little hope in the most recent postseason odds posted by FanGraphs.Sure, you may look at the MLB standings, shake your head and dream about spring training. As someone who has seen plenty of C...
1970-01-01 08:00
Niners hoping to reboot career of former Chiefs high draft pick
The San Francisco 49ers are bringing in a former top draft pick by the Kansas City Chiefs for depth on the defensive line.The San Francisco 49ers in recent years have had one of the most vaunted defensive lines in the NFL. They have Nick Bosa, who won Defensive Player of the Year, and Arik Armst...
1970-01-01 08:00
Benjamin Cremaschi: 'Positive energy' within Inter Miami squad with Messi's arrival
Inter Miami's Benjamin Cremaschi explained how his new teammates have made a positive impact on the squad - on and off the field.
1970-01-01 08:00
Tottenham 2023/24 season preview: Key players, summer transfers, squad numbers & predictions
Previewing Tottenham's 2023/24 season with Ange Postecoglou installed as the club's new head coach.
1970-01-01 08:00
Ukraine: Volodymyr Zelensky launches military anti-corruption purge
The Ukrainian president calls bribery "high treason" after confirming mass dismissal of officials.
1970-01-01 08:00
Teen accused of fatally stabbing O’Shae Sibley pleads not guilty to murder as a hate crime
The 17-year-old boy charged with stabbing O’Shae Sibley to death at a gas station in Brooklyn has pleaded not guilty at his arraignment. Dmitriy Popov was previously indicted by a grand jury on murder in the second degree as a hate crime, among other charges. Mr Popov’s next court date is set for October, ABC 7 reported, adding that the teen faces a minimum of 20 years in jail and a maximum of 25 years to life. The outlet reported that Brooklyn District Attorney Eric Gonzalez underscored the importance of prosecuting this incident as a hate crime. “Many powerful people across this country have talked about this case and have been concerned that justice prevails,” said Mr Gonzalez. “I’m assuring the community that we are taking this case very seriously, that we’re going to make sure that justice prevails.” The 17-year-old is accused of killing Sibley, a gay 28-year-old professional dancer, who, reportedly just after 11pm on 29 July, was dancing to a Beyonce song with a friend at a Mobil gas station in Brooklyn. That’s when a separate group of young men allegedly began hurling homophobic insults saying that they didn’t like “gay dancing” in their neighbourhood, according to eyewitnesses. Sibley suffered “a stab wound to the torso. EMS responded and removed the victim to Maimonides Medical Center, where he was pronounced deceased,” a spokesperson for NYPD said. Mr Popov’s lawyer Mark Pollard previously told The Independent that his client was a “good Christian boy” who regularly attended church. “I have no idea where that came from. I just know he’s not Muslim. It’s very strange,” Mr Pollard told The Independent. The teenage suspect turned himself in to authorities after a week of trying to bring him in, although he was easily identified through video footage. “This is a city where you are free to express yourself, and that expression should never end with any form of violence,” Mayor Eric Adams said at a press conference last week. Read More 17-year-old suspect in the New York stabbing of a dancer is indicted on a hate-crime murder charge O’Shae Sibley was stabbed to death for the crime of being ‘Black, gay and dancing’ Teen accused of stabbing O’Shae Sibley in homophobic attack is a ‘good Christian boy’, lawyer says
1970-01-01 08:00
Trump gets a win in 2020 election case protective order battle as judge rules he can share some evidence
Donald Trump notched a win in the fight over a protective order in the 2020 election case as the judge ruled that some of the evidence that will be provided to him in the pre-trial discovery process won’t be restricted from dissemination if it’s not deemed “sensitive” by the government. US District Judge Tanya Chutkan on Friday that the protective order will only apply to sensitive materials such as grand jury transcripts, witness interview records, and other documents that could identify witnesses or be used to poison the pool of potential jurors who will be responsible for deciding the ex-president’s fate when he goes on trial next year. Special Counsel Jack Smith’s office had asked her to impose a more restrictive order which would have applied to any and all materials provided to Mr Trump’s defence team in discovery, while Mr Trump’s attorneys had asked for her to allow the former president leave to talk about non-sensitive materials, citing his ongoing campaign for the Republican nomination in next year’s presidential election. Prosecutors had made the request for a broad protective order with the aim of preventing Mr Trump from poisoning the jury pool ahead of his expected trial next year, citing statements by the ex-president’s legal team which they said indicated a desire to try the case “in the press”. But Judge Chutkan, a former defence attorney and a nine-year veteran of the federal bench who was nominated by then-president Barack Obama and confirmed by a unanimous Senate vote in 2014, rejected the prosecution’s preferred language on the grounds that Mr Trump’s conduct with regard to the non-sensitive discovery is still governed by his release conditions and the rules of the court. More follows...
1970-01-01 08:00
Alabama Senator Tommy Tuberville no longer owns property in the state he represents, report says
Alabama Republican SenatorTommy Tuberville no longer possesses any property in the state he represents, according to a report. The Washington Post reported that the lawmaker has sold the last of his properties in Alabama – Tiger Farms LLC, which sits in Macon and Tallapoosa counties just outside of Auburn – for just over $1m. Property records show that he has owned a $3m home in Santa Rosa Beach, Florida, for around 20 years. He also owns a condo in Washington that he and his wife purchased for $750,000 in 2021. The former Auburn University head coach recently sold one Florida condo for $850,000 and bought another for $825,000, the Post reported. The Independent has reached out to Mr Tuberville’s office for comment. Mr Tuberville’s office maintained to the Post that the senator’s primary residence is a home in Auburn. “Coach has purchased and invested in real estate for decades,” Mr Tuberville’s communications director told the outlet. “Coach has owned the property in Santa Rosa Beach for two decades – he bought it while he was coaching at Auburn. He goes there upon occasion if he has a free weekend. It is within driving distance of Auburn. I’m sure many senators have vacation homes.” The spokesperson said that the senator purchased his current Auburn residence for his son when his son was a student at Auburn. “After his son graduated, he moved out. After Coach retired from coaching, Coach moved into the Auburn house.” Despite this claim, the Tubervilles actually bought the house nine months after his son Tucker graduated from Auburn University in 2016, according to his LinkedIn profile. When Mr Tuberville served as the head coach of University of Cincinnati’s football team from 2013 through 2016, Tucker then worked for his father at the school from May through December 2016 after he graduated. Tuberville’s other son, Troy, did not start at Auburn until 2018 and graduated in 2021. After being presented with these details, Mr Tuberville’s communications director backtracked and told the Post that the house was purchased after Tucker graduated from college: “His son lived at the Auburn house briefly and then Coach moved there afterward.” “The Auburn property is his primary residence — although his job requires him to be in Washington four days a week when the Senate is in session,” the communications director added. Under the US constitution, a senator must live in the state they are elected to serve. “No Person shall be a Senator…who shall not, when elected, be an Inhabitant of that State for which he shall be chosen,” it states. Mr Tuberville isn’t the only member of Congress to face questions around their residency. Arizona Democratic Rep Ruben Gallego was under fire earlier this year after Politico exposed that he claimed both his DC property and his Arizona property as his primary residence. Similarly, Rep Ryan Zinke, the former Trump administration interior secretary, fell under scrutiny when he ran for congress in Montana in 2022 and his wife put her primary residence as California. Read More GOP senator holding up military promotions claims Ukraine ‘can’t win’ in war with Russia Pentagon warns of disruptions as Army, Marines both lack confirmed leaders for first time Manchin, Tuberville introduce college sports bill to standardize NIL rules, regulate collectives Pentagon warns of disruptions as Army, Marines both lack confirmed leaders for first time Who are Trump’s six alleged co-conspirators in the 2020 election probe case? Biden rejects Trump decision to move Space Force from Colorado to Alabama
1970-01-01 08:00
Yankees miserable trade deadline lowlighted by plummet in prospect pipeline
As if the New York Yankees' season couldn't be worse, their prospect pipeline took a dip in the MLB.com rankings.The New York Yankees were in a weird position. Even though they were playing bad baseball and sitting in last place in the AL East heading into the trade deadline, they were...
1970-01-01 08:00
Menswear has made women feel confident for centuries, but will the gendered separation ever cease to exist?
I remember the day I realised the embodiment of my persona was a long-sleeve ironed shirt with only the collar close-lipped. Initially, I gravitated toward the crisp button-down for function, as my former workplace tended to emit heaps of chilly air, but a spontaneous feeling compelled me to button the top, leaving the rest of the shirt open. It may have been, in part, my obsession with wanting to define my look outside of popular construction or how this new silhouette framed my figure. Regardless, the androgynous piece of clothing left me feeling more confident than ever before. A clothing rack full of these formal tops sits perpendicular to my bed now, and I wear them strategically closed with almost every outfit. I couldn’t tell you exactly what it is about them that makes me feel alluring and powerful, but my style hasn’t been the same since. Now more than ever, women are setting aside archival forms of womenswear for the structure of men’s clothing, assuming their most confident, authentic selves. Mini denim shorts, bodycon dresses, and micro skirts are being swapped for baggy jorts and boxers. Individuals are donning contrasting proportions, taking risks, and exuding self-assurance in items that have historically been deemed representative of masculine codes in Western fashion. In doing so, women are diminishing the gap between gendered collections. According to Hazel Clark, professor of fashion studies at Parsons School of Design, women initiated the crossover between menswear and womenswear in the early 19th century when they started working in coal mines and riding horses. A working-class of women deliberately assumed the male dress code, whether business or activity related, because womenswear constricted their necessary movement with tight bodices and corded petticoats. Here, function and ability took precedent over society’s expectation of femininity as more opted to dirty a pair of trousers instead of their voluptuous gowns. Heading into the Second World War and the 20th century, the design gap minimised further when women’s roles in society advanced. In the 1940s, men were forced to leave their factory jobs for war, leaving their female counterparts to fill their positions. For women to be respected in the workplace, they mirrored the male look and wore the classic pantsuit. Francesca Granata, professor of fashion theory and history at Parsons, identified the “power suit of the 1980s” as “a classic instance of women trying to access men’s power in the workplace by wearing an outfit which imitated menswear and with wife shoulders: the ideal male physique.” She noted: “Yet the wide-shouldered suit jacket was often rendered appropriately feminine by being paired with a skirt.” With this came an influx of women wearing these masculine codes outside of the workplace. Though my grey dress pants from the men’s section of a closet sale were welcomed into my weekly rotation almost immediately, it took a lot of courage and self-assurance back then for women to wear similar pairs, just like it did for them to wear miniskirts when both styles were socially unacceptable. The initial need for “businesswear” transformed into desired style even if it meant a woman could be labeled as “inappropriate” or be refused at the door of an establishment. Looks from men turned to public disapproval, but that didn’t stop the progression of women dressing in menswear at all. “Although baggy clothing has been acceptable for men for quite some time, especially in the US, unlike older appropriation of menswear which were often adapted to be more skintight or revealing or somewhat rendered ‘feminine’ baggy clothes question the old dictum that women’s bodies should be on display for the male gaze,” Professor Granata remarked. In other words, this “sense of power dressing” left the confines of the office environment alongside any lingering thought to the heteronormative gaze. Fast forward to the early 21st century, when the groundwork for this fashion fusion had been laid in terms of utility and preference. As society began to understand sexuality and gender fluidity, non-gendered collections became increasingly popular. Designers became more proactive about creating androgynous clothing that didn’t need to be separated into the two typical identifiers: women and men. “Fashion must get to a point where we don’t have to talk about gender,” designer and creative director of Loewe Jonathan Anderson wrote in Amelia Anderson’s “What We Can Do Better” in 2021, nine years after he introduced the first transgender collection for his eponymous brand. “Fashion can be a way to experiment with character or to work out your identity, and I believe that clothes can have a protective role on a more emotional level.” Anderson’s obsession with how queer individuals dressed contributed to his perception that fashion can be used to “break the rules”. To him, clothing is a marker of individuality and subculture, which is what motivates him to create designs for people to express themselves free from outdated norms. Between boxy, textured T-shirts, bouncy blouses, and tailored high-waisted pants, Anderson’s worked to incorporate rival style cues even in his gender-specific collections. “Clothing is full of paradoxes, but ultimately it can empower us - and in a world that has historically taken power away from queer people, that can be vital,” he proclaimed. “In a world that often expects certain things for certain people when it comes to clothes - where society wants men, say, to wear some things, and women to wear others - I sometimes question why I do menswear and womenswear shows. But for me, it’s not about classifying people, it’s about using these categories as ideas - ideas to borrow from.” As designers helped bridge the gap, celebrities like Hailey Bieber and Bella Hadid have been seen being more experimental in campaigns for big name brands as well as in their personal street style. The 26-year-old Rhode Skin founder has been a recognised ambassador for the French fashion house, Yves-Saint Laurent, a company which has irrevocably impacted womenswear since their 1966 creation of a menswear-motivated tuxedo for women called “Le Smoking.” Both Bieber and Hadid blend feminine and masculine codes in everyday wear, leading the craze for oversized jean shorts and lengthy vintage sportswear paired with dainty ballet flats and platform boots. Other brands, such as Uniqlo and Thom Browne, design collections labelled and distributed as menswear and womenswear, but the items are still being bought and worn interchangeably. “It’s hard to explain,” Marissa Petteruti, senior menswear designer at Rag & Bone, tells The Independent when asked why she feels more assured in men’s clothing over feminine-labelled pieces. “I’ve always just felt more comfortable in, you know, oversized men’s shirts and pants. I kind of always have gravitated toward men’s fashion. I remember when I was a kid, my parents used to tell me: ‘You have to wear a skirt one day a week.’ I never saw why I couldn’t wear whatever I wanted. So maybe part of it became going against what my parents wanted me to do.” Petteruti has cultivated a closet full of suit pants, designer shirts, and vintage bomber jackets in pursuit of the perfect capsule wardrobe and collection of exclusive ready-to-wear. Ever since she attended the Parsons School of Design, pressure and expectation were absent from her style. Here, Petteruti was drawn to the serenity of menswear, and she appreciated the simplicity of its form more than women’s clothing. Her eyes wandered to streetwear brands such as Supreme and Hood-by-Air because the concept of a lux T-shirt intrigued her, and oversized pieces were pleasing. When she started at Rag & Bone, she learned that men’s tailoring was more extensive, but even so, the trends were ephemeral - meaning the pieces were inherently timeless. Womenswear detailing such as peplum cuts, scallop or lace trimming, floral embellishments, and sheer fabrics tend to cycle through seasonal collections more frequently than the stylistic choices and material preferences within menswear. The classic button-down may be presented in a specific range of colours depending on whether it’s fall or spring, but the shape and design stay the same. In other words, womenswear is more likely to follow suit with trends. Industry leaders and A-listers embracing a more avant-garde mindset in ready-to-wear and street style begs the question of whether brands will ever officially scrap the formal separation of womenswear and menswear. “Why do they have to be called ‘men’s clothing’? Just ‘cause you put the buttons on one side of the shirt and the fly on one side of the shirt and the reverse. It’s, it’s silly to me,” Petteruti agreed when asked if she thought the division was necessary. “I mean, the interesting thing about fashion now is at any given moment, it’s so diverse. We don’t all wear the same things to be in fashion. If we wanted to be in fashion, I mean, regardless of our sort of age or gender, you know, they’re like lots of different choices we can make, depending on the kind of the group we associate with or who we follow,” Clark explained. But Clark doesn’t believe concrete separation is on the horizon, due to the sizing and proportional differences between a man versus a woman. “Men’s and women’s bodies are different. You know, I mean, that’s part of it. Size and physique will prevent womenswear and menswear from being entirely infused with one another,” she proclaimed. Petteruti would argue that there’s potential. Already, she’s seen Rag & Bone mix more feminine codes into their menswear designs with varying fabrics and silhouettes. Being that inspiration is often plucked from the demand and visibility of others who motivate obsessions, the runway no longer dictates style fads. This means it may be expensive on the backend for companies, but we could see collections move away from the label if consumers want more androgynous, unisex pieces. As for Granata, she interprets the division of womenswear and menswear as already having been “tenuous,” which is exactly why women found themselves gravitating toward masculine codes to begin with. Read More How hip-hop went from being shunned by big business to multimillion-dollar collabs Dior celebrates 5 years as designer in gender-fluid Paris men's show Womenswear leads the way as Ted Baker sales soar
1970-01-01 08:00
