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A United Nations-backed group that helps investors figure out whether corporate net zero claims are credible is reorganizing

In 1953, Gabrielle “Coco” Chanel reopened her couture house after a 14-year hiatus at the age of 70. “Why did I return?” the legendary fashion designer later posited in an interview with Life magazine. “One night at dinner, Christian Dior said a woman could never be a great couturier.” It’s a quote that perfectly captures everything Chanel represents to this day, more than a century after she opened her first millinery shop in Paris in 1910. It also happens to be nestled in the enormous boarded timeline of the designer’s life that greets visitors to Gabrielle Chanel: Fashion Manifesto, a major retrospective of the French couturière’s work, at the Victoria and Albert Museum in London. Marking the first time that a UK exhibition has been dedicated entirely to Chanel, it charts the designer’s humble beginnings in the Loire Valley of France through to the establishment of her eponymous brand and the evolution of her creations throughout the years. Incorporating gowns, suits, jewellery, fragrances and accessories, the exhibition features more than 50 of the designer’s famous tweed suits alongside several fragile pieces usually stored deep within the belly of the V&A’s archive. “We were very aware of the classic things people know about Coco Chanel,” says curator Connie Karol Burks, referencing the designer’s famous little black dresses, the 2.55 handbag and her tweed suits. “We really wanted to spotlight much more of what she contributed to fashion, and a bit more of her approach to designing clothes, like her need for comfort, simplicity and freedom of movement.” It’s a modality easily expressed from the start of the exhibition, the entrance to which is a subtle, black, perfume-like box on the ground floor (the museum’s usual rotunda-like fashion space is currently occupied by its Diva exhibition). When downstairs, visitors may be surprised to find flowing frocks fitted with bows and pockets from as early as the 1930s. “She was an active independent woman, primarily designing for herself,” explains Karol Burks. “These were practical and elegant clothes.” Practicality, as we soon learn, was an integral part of Chanel’s oeuvre. The exhibition celebrates the designer’s penchant for streamlined garments, clothes that rejected the stiff and restrictive aesthetics that had defined women’s wear just a few years earlier. It also includes details of her deep connection to Britain, including her friendships with figures from high society. While staying at the respective homes of Winston Churchill and the Duke of Westminster, Chanel embraced British sport, which is thought to be how the corresponding aesthetics of tweed and knitted jerseys found their way into her collections. Also included here is a sketch of Chanel painted by Churchill while the two were staying at the Duke of Westminster’s Scottish retreat in 1928. “Coco is here,” he wrote to his wife at the time. “She fishes from morn till night, & in two months has killed 50 salmon.” Elsewhere, highlights include the Chanel “Ford”, the name given to the designer’s little black dress that became a global staple for women everywhere. There are evening gowns aplenty, and an optic-white room entirely dedicated to the creation of the designer’s iconic perfume Chanel No 5, as well as an oval-shaped section devoted to Chanel’s tweed suits, with two rows of them spanning the curve of the room. As has already been reported, the exhibition also doesn’t shy away from Chanel’s controversial wartime activities. It features previously unseen documents illustrating evidence of her collusion with Nazis during the Second World War, while also, confoundingly, unearthing evidence that indicates she was a member of the French resistance. “It’s such a complex thing to get your head around,” says Karol Burks. “We felt it was important to have it in the exhibition and to display those original documents. But they almost give more questions than answers.” Unlike the V&A’s Dior exhibition, which charted the brand’s existence beyond the life of its founder, the Chanel retrospective ends with the designer’s death in 1971. Given the label’s extensive history in modern culture, perhaps this makes sense: there’s only so much you can squeeze into one show. But in many ways, it is a limitation that produces a lingering sense of intrigue around the designer herself. “Despite there being over 175 biographies [of Chanel], she’s still being written about and new information is still coming to light,” Karol Burks adds. “I don’t think anyone has quite pinned down who Gabrielle Chanel was. The more you learn about her, the less you know.” ‘Gabrielle Chanel: Fashion Manifesto’ runs from 16 September until 25 February at London’s Victoria & Albert Museum Read More Loved in triangles, dressed for liberation: The queer fashion secrets of Virginia Woolf and the Bloomsbury Group Young people not snowflakes or wasters, says curator of rebellious fashion exhibition Pharrell Williams designed his first collection for Louis Vuitton for himself

NFL legend Dan Marino once battled his way back from a torn Achilles. Now, he's offering words of wisdom to New York Jets star Aaron Rodgers.

(Reuters) -German premium footwear brand Birkenstock on Tuesday filed for an initial public offering in the United States, underscoring a

It's early in the college football season, but there are some teams that need to make a major change happen quickly, at quarterback specifically.

A former HSBC Holdings Plc US investment banking associate sued the bank, claiming he faced discrimination over his

Gareth Southgate says he has never seen a player treated like Harry Maguire as the furious England manager labelled the unrelenting criticism of him “ridiculous” and “a joke”. Little more than two years on from being named in the European Championship team of the tournament, the 30-year-old is now the butt of jokes to many. Maguire’s struggle for form and game-time at Manchester United have increased the spotlight on a player that has remained an integral part of Southgate’s England squad. The centre-back made his first start of the season in Saturday’s 1-1 Euro 2024 qualifying draw against Ukraine and was mocked mercilessly when brought on at half-time against Scotland three days later. Maguire went on to score an unfortunate own goal but enjoyed the last laugh at Hampden Park as the Auld Enemy ran out 3-1 victors – something the travelling hordes were quick to celebrate with the under-fire defender. “From a Scotland fan’s point of view, I get it and I have absolutely no complaints with what they did,” the England boss said. “It is a consequence of ridiculous treatment of him for a long period of time, frankly. “I think our fans recognised ‘OK, there might be a bit of heat from our own supporters but we’re not going to have it from others getting into him’. “But it’s a joke. I’ve never known a player treated the way he is – not by the Scottish fans, by our own commentators, pundits, whatever it is. “They’ve created something that’s beyond anything I’ve ever seen. “He’s been an absolute stalwart for us in the second most successful England team for decades. He’s been an absolutely key part of that. “I’ve talked about the importance of our senior players. He’s been crucial amongst that. “Every time he goes on the field, the resilience he shows, the balls he shows is absolutely incredible. “He’s a top player and we’re all with him and our fans were brilliant with him tonight.” England fans chanted his name throughout the second half, including bellowing out ‘Harry Maguire, he’s winning 3-1’ after Harry Kane added to Phil Foden and Jude Bellingham’s first half goals. Asked how he is after the so-called friendly, Southgate said of Maguire: “He’s good, he’s great. We’ve had a good win, he’s been a big part of that. “He’s gone and spoken with the media because that’s the sort of lad he is. “He’s fronted up as he always does, so again enormous credit to his character.” Southgate said the own goal was “just unfortunate” on a night when Bellingham shone and England produced an impressive performance. “Really pleased with the performance,” Southgate said after the 116th meeting of international football’s oldest foes. “We wanted to give a performance that was controlled with the ball. “We knew that would be the best way of trying to quieten the crowd, which was a fantastic atmosphere. “I thought we showed great composure, we had good control of possession deeper and we had a real threat with our runs in behind and our forward running and forward passing. “The team worked incredibly hard without the ball because Scotland’s system can cause you a lot of problems. “So, I was so happy with all of the starting XI, all of the subs. “They’ve done a fantastic job and in the end, a really strong performance with an excellent result.” On Bellingham, the England boss added: “We want all our players to have that freedom and, contrary to what people seem to think most of the time, I think they do have that. “Tonight, different system they were playing against, different areas where the spaces were open. “What was key for Jude, the timing of his forward runs. You know, he’s got that ability to slip through challenges and he’s just a brilliant competitor. “He’s not concerned about the environment.” Read More Charity boss speaks out over ‘traumatic’ encounter with royal aide Ukraine war’s heaviest fight rages in east - follow live Steve Clarke insists Scotland remain in positive mood despite England defeat Luis Rubiales refuses to apologise to Jenni Hermoso over ‘consensual’ kiss Dane Vilas and Luke Wells put Lancashire in front heading into final day

As much as $135 billion in fraudulent Covid-19 pandemic unemployment insurance claims were likely paid out, according to a report released Tuesday by the US Government Accountability Office.

The 2023 MTV Video Music Awards (VMAs) have arrived, and the stars are pulling out all the fashion stops. The VMAs take place on Tuesday 12 September, as fans and fellow performers celebrate the best music videos and artists of the year. The official ceremony is scheduled to air live from the Prudential Center in Newark, New Jersey, beginning at 5pm PST/ 8pm EST. Returning as the VMA host for the second year in a row is Nicki Minaj, who will also be performing. Cardi B and Megan Thee Stallion are also set to perform, along with Demi Lovato, Olivia Rodrigo, Doja Cat, Fall Out Boy, Karol G, Kelsea Ballerini, Måneskin, Reneé Rapp, Shakira, Sabrina Carpenter and Future. Taylor Swift is also set to make an appearance, as she leads this year’s nominees with eight nods. While many viewers are looking forward to show-stopping performances from their favourite artists, the VMAs has also been known for pulling out some memorable fashion moments, such as Lady Gaga’s iconic meat dress. Here’s all the best dressed artists on the 2023 MTV VMAs red carpet. Olivia Rodrigo Olivia Rodrigo dazzled in a low-cut silver column dress. She styled her long hair brown straight, with a center part. Doja Cat Doja Cat wore a barely-there, white Apocene dress that closely resembled spider webs. The look featured sparse, white fabric draped across her body, with a pair of nude underwear hidden underneath the ensemble. She paired her red carpet fashion with see-through heels, diamond drop earrings, and silver bracelets. Read More What time does the 2023 MTV VMAs start and how to watch? Taylor Swift and SZA lead 2023 MTV Video Music Award nominations MTV Video Music Awards return Tuesday, with an all-female artist of the year category Pro-gamer Jukeyz ‘died for two minutes’ after cardiac arrest which left him ‘scared to sleep’ Fashion executive and breast cancer survivor uses her NYFW show to raise awareness Blake Lively fans wowed by Seventies-inspired gold jumpsuit at New York Fashion Week

The New York Jets have reportedly inquired about a Kansas City Chiefs fan-favorite to bring in to fill out the quarterback depth chart with Aaron Rodgers out for the season.

The U.S. government is looking to offload nearly $13 billion of mortgage bonds it amassed from Silicon Valley

The Golden State Warriors selected Jonathan Kuminga with the No. 7 pick in the 2021 NBA Draft. In hindsight, it wasn't the best use of that pick.