List of All Articles with Tag 'beau'

For many of us, the only way we can justify buying luxury fashion pieces is if it’s on major sale. The main issue is that those sales events don’t come around as frequently as we’d like. But what if we told you there’s a shopping destination hiding in plain sight where the deals are not only abundant, but most of what you can buy is up to 70% off? For fashion insiders, Gilt is the wink-wink, IYKYK retailer that has been secretly doling out the trendiest style pieces at generous discounts. Ever since its launch in 2007, the site’s mission has been (and continues) to be “the most engaging, off-price style destination, connecting world-class brands to the next-generation shopper.”

When Walmart approached Gay Pride Apparel founders Sergio Aragon and Jesus Gutierrez to launch an exclusive Pride Month collection this June, it felt like a “full circle” moment for the first-generation Mexican Americans, who have been shopping at the discount big-box store their entire lives. “My family grew up low-income and Walmart was all we had,” Gutierrez tells The Independent. “If I would’ve seen a Pride display at age nine, it would’ve been so special.” Little did the founders of Gay Pride Apparel – whose mission is to celebrate and empower the LGBT+ community through clothing and accessories – know that they would soon be on the receiving end of “violent threats” from protestors, angry over the Pride Month merchandise. They’re not alone. This month, both queer designers and customers have faced numerous attacks from anti-LGBT+ groups over Pride Month collections. Target was infamously at the centre of significant backlash over its wide-ranging Pride merchandise. The outrage began after conservative media outlets falsely claimed Target was selling “tuck-friendly” bathing suits in the children’s department. Rather, the “tuck-friendly” swimsuits were designed for trans women who have not had gender-affirming surgery, but the misinformation didn’t stop there. Erik Carnell, a gay trans man based in the United Kingdom, received “hundreds upon hundreds of hate messages” for his queer inclusive brand Abprallen, which was also featured in Target’s Pride collection. While the retailer sold three of his designs in its stores, it was his items using occult imagery that received conservative backlash, despite not being sold in Target stores at all. In Montana, a transgender couple was harassed by a far-right extremist who destroyed a Pride display at a Target in Missoula, telling the couple to “enjoy [the merchandise] while you can.” Several videos also showed anti-LGBT+ protesters harassing Target employees, destroying Pride Month displays, and shouting “Your kids can’t be gay!” inside stores. In response, Target announced it was pulling some of its Pride Month merchandise after several employees experienced “confrontational behaviour” from angry customers. “Since introducing this year’s collection, we’ve experienced threats impacting our team members’ sense of safety and well-being while at work,” the retailer said in a statement. “Given these volatile circumstances, we are making adjustments to our plans, including removing items that have been at the centre of the most significant confrontational behaviour. Our focus now is on moving forward with our continuing commitment to the LGBTQIA+ community and standing with them as we celebrate Pride Month and throughout the year.” Target wasn’t the only major retailer to face conservative outrage and boycotts from anti-LGBT+ groups. Kohl’s, Adidas, The North Face, and Starbucks have all been criticised for their Pride Month campaigns and collections. And most notable of all was Anheuser-Busch, which featured trans influencer Dylan Mulvaney in a social media promotional post for Bud Light back in April. From parades, to demonstrations, to even marketing, LGBT+ empowerment has dominated the month of June for more than 50 years. But this year’s Pride comes amidst an unsettling time for the queer community, as America’s largest LGBT+ civil rights group issues a “state of emergency” for LGBT+ people living in the United States. Hundreds of bills have been introduced in state legislatures impacting the queer community, specifically targeting trans and nonbinary people. Out of 220 bills, more than 75 have been signed into law, and at least 19 states have enacted policies banning gender affirming healthcare for young trans people. This Pride Month, it seems as though the minority of Americans (more than 70 per cent of people in the US support same-sex marriage) are speaking the loudest. It may be because conservative legislation, largely targeting trans Americans, has emboldened anti-LGBT+ individuals to feel comfortable attacking the queer community in public spaces. However, many LGBT+ business owners believe it’s the increasing visibility and popularity of queer-inclusive fashion that has angered protesters. In fact, queer-owned businesses have generated more than $1.7 trillion in economic impact, according to the National LGBT Chamber of Commerce. The purchasing power of the queer community is without question, hence the age-old trend of corporations “rainbow-washing” during the month of June – slapping a rainbow on their products or logos to signal themselves as “gay-friendly,” rather than holding themselves accountable in their support for the LGBT+ community. Queer-owned businesses have existed for decades, and the ongoing attacks against retailers supporting them during Pride has only made them feel more empowered. TomboyX is a queer-founded fashion brand that designs gender-neutral undergarments for people of all sizes and across the gender spectrum. In 2012, co-founders Fran Dunaway and Naomi Gonzalez set out to make the perfect gender-neutral boxer brief after recognising a gap in the market for inclusive underwear. Today, TomboyX’s underwear and loungewear can be found in major US retailers like Nordstrom. “From the very beginning, we always recognised that there was this white space in fashion that was very much gendered,” Gonzalez tells The Independent. Her wife, Dunaway, added: “I think that for us it was just really important to be inclusive because we’re part of the LGBTQ+ community. We’re a married couple and so we really felt what it was like to not be seen and represented in fashion.” While TomboyX may have started the conversation on queer-inclusive fashion more than a decade ago, it’s continued to be a part of it. “There’s a sense of pride in just having more queer, non-binary designers out in the world, expressing themselves in all the ways that they see fit and having accessibility to the broader audience that way too,” Gonzalez says. “I think this isn’t about, you know, just one brand or anything like that. This is very much a movement. It’s very much an expression of the importance of being yourself.” The movement for non-gendered clothing has made headway in recent years, having much to do with the growing number of young Americans who self-identify as members of the LGBT+ community. In fact, the number has almost doubled, with a record one in five Gen Z adults identifying as LGBTQ. “In the past four or five years that we’ve been in this industry as a company, we definitely notice an increase of people coming to us asking not just for gender-inclusive clothing, but for non-binary related items,” says Gutierrez. While the demand for gender-inclusive fashion has grown in popularity, public backlash from right-wing media has forced companies to finally take a stance on LGBT+ rights. For Target, it responded by removing some of its Pride merchandise from stores, much to the dismay of its queer customers and LGBT+ allies. “It’s terribly disappointing that Target is caving in to threats of violence from anti-LGBTQ bigots by removing Pride Month displays,” tweeted Jon Cooper, Democratic majority leader of New York’s Suffolk County. “If these extremists decide to attack displays celebrating Black History Month next, will Target remove those as well?” “Target should not be responding so easily to criticism and threats from the likes of the Proud Boys,” said Human Rights Campaign President Kelley Robinson in a statement. “Target should put the products back on the shelves and ensure [its] Pride displays are visible on the floors, not pushed into the proverbial closet. That’s what the bullies want. Target must be better.” The backlash has shown real financial consequences for companies too. Weeks after Anheuser-Busch received pushback from conservative public figures over its partnership with trans influencer Dylan Mulvaney – notably Kid Rock, who posted a video of himself shooting cases of (purchased) Bud Light – the company released an underwhelming statement that it “never intended to be part of a discussion that divides people”. However, Anheuser-Busch made no mention of Mulvaney, nor the transphobic rhetoric perpetuated during the backlash. Not only did Bud Light’s retail sales in the US drop 24 per cent in early June, but the Human Rights Campaign has rescinded the company’s benchmark equality and inclusion rating. Emma McIlroy is the co-founder of Wildfang, a clothing brand based in Portland, Oregon, with the mission to rethink gender norms in fashion. For McIlroy, the recent financial results from companies like Anheuser-Busch are “terrifying” because it influences how brands will support the LGBT+ community in the future. “I think we live in a space right now where we’ve built a forum for divisiveness, and that’s what we’ve leaned into. None of it’s particularly shocking,” McIlroy says. “Once financial results take a complete beating, as a result of some of those decisions, that’s terrifying for me because I think you’re gonna see a lot of brands make different decisions, and that’s tough. It’s going to be very hard for other public CEOs to stand up for what they want to stand up for.” For others, they were disappointed to see Target facing such conservative backlash, considering the brand has largely been known as a leader in providing inclusive clothing during Pride Month. Unlike other major companies, the retailer has gone so far as to source small, queer business owners to join its Pride campaigns. JZD, a queer-owned, family-operated small business based in Texas, spent an entire year designing custom pieces for Target’s national Pride campaign. Ashley Molesso and Chess Needham, a queer and trans couple based in upstate New York, were asked to have items from their small gift and stationery company – Ash + Chess – featured in Target stores too. “Lots of companies have done a much better job of moving away from private labels, being inclusive of queer designers and queer brands,” says Rob Smith, CEO and founder of The Phluid Project. “I’ve seen that, this year, really come to light. I think Target is actually one of the companies that did it best, really creating much more space for queer brands.” While Target may have been setting an example for retailers during Pride Month, perhaps it’s when we look to major corporations to take a stance on social issues that we run into problems. Has the public outrage towards Pride collections become a turning point for corporate allyship? “I think every corporation really needs to decide where they’re going to stand in terms of who they think is their market,” says Sophie Bjork-James, an assistant professor of anthropology at Vanderbilt University. “Is it going to be a vocal minority or is it going to be everybody? I think that what we’ve seen, with some of the recent decisions by corporations, is that they are not completely sure what their stance is.” McIlroy thinks it’s a “non-starter” that companies should be prepared to support the communities that they “commercialise,” saying: “To do one without the other, it means you stand for nothing and it means you stand for no one.” It could be argued that Target did indeed take a stance on LGBT+ issues when it removed merchandise from its Pride Month collection. Some critics believe that, by rescinding its gender-inclusive items, Target “encouraged further acts of violent intimidation from the far-right”. Others may believe that none of this is Target’s fault, and that the company simply stood by its responsibility to protect employees. “I think a lot of companies are being reflective and thinking, where are we right now? Are we a company that’s grounded in culture, grounded in community? If you are, then yeah, go have a great Pride campaign,” says Smith. “But I don’t think it’s time to pull away. I do think it’s time to lean in. I think stepping away all together, for fear, would be really disappointing.” Despite the pushback from a small, but vocal minority opposing Pride Month, many queer designers believe the right-wing outrage actually draws more attention (and money) to small queer-owned brands, as well as the issues facing the LGBT+ community. However, showing support during Pride Month does not mean simply purchasing a T-shirt with a nondescript rainbow printed on it from your local big-box chain store. In fact, amplifying queer voices that often go unheard should happen year-round. “In the middle of this chaos, it just shows how much progress there’s been – that both of the largest retailers did have a collection for Pride,” says Gutierrez. “That’s why there was backlash, because it’s so big and in your face, that I want to take that as the winning moment. Like, look at that. We’re talking about queer rights now because you guys decided to come for us.” Read More Kohl’s threatened with boycott over Pride-themed clothes after Target forced to remove collection over threats Trans designer behind Target’s Pride collection flooded with orders as he responds to backlash Starbucks denies claims that it's banning Pride displays but union organizers are skeptical Rihanna steps down as CEO of Savage X Fenty Glastonbury 2023: All the best fashion at the biggest UK festival of the year Sarah Jessica Parker rewears iconic Vivienne Westwood wedding dress in And Just Like That

In 2013, the beauty industry could have never anticipated the meteoric rise of a then-newcomer skin-care brand called The Ordinary. However, with minimalist, flat-lay-friendly packaging and too-good-to-be-true prices, it's no surprise that the products quickly took off among beauty novices and die-hards alike — and the rest is history.

First came the Big Red Boots, a cartoonish pair of shoes that invoked a lot

Sarah Jessica Parker showed the power of upcycling outfits in the season two premiere of And Just Like That. In this reboot of classic series Sex And The City, Parker – who plays newspaper columnist-turned-podcaster Carrie Bradshaw – rewears one of her most iconic outfits: an opulent Vivienne Westwood wedding dress. Bradshaw wore this gown in the first Sex And The City movie, when she was left at the altar by Mr Big (played by Chris Noth). In the premiere episode of the new season, the characters are getting ready for fashion’s biggest night out: the Met Gala. Bradshaw enlists up-and-coming designer Smoke to make her outfit – the theme of the night is ‘Veiled Beauty’ – but due to various blunders, the outfit she plans on wearing doesn’t fit. So, she decides to look in her extensive wardrobe for a backup option – and what could be more fitting for the veil theme than a wedding dress? Bradshaw says in the episode: “I may have something. I’ve only worn it once. It’s not the best memory.” She wears the voluminous Vivienne Westwood strapless gown with the original blue feathered headpiece, a veil, and a turquoise cape made by Smoke. Parker, 58, told People about the “complicated” process of getting the iconic dress back. “We weren’t entirely certain that we could get the dress back,” she said. “It was in London and unearthing it was complicated — getting it through customs in time and then making sure was this, in fact, the original dress? The colour looked different.” In the first series of And Just Like That, Bradshaw ended up married to Mr Big, who later died suddenly. Parker wondered how they could bring the dress into the modern era, and told People: “How would we layer it and give it a new life, and have it feel modern and change the poetry that surrounded that dress from a lot of really painful but important memories that I don’t think Carrie really wanted to let go of, especially given this loss?” She even said it was “terrifying” to put the dress on 15 years after the first movie – but it still fits. And Just Like That follows the lives and loves of three characters from the original Sex And The City series: Carrie, Charlotte (played by Kristin Davis) and Miranda (Cynthia Nixon), with new faces also joining the cast. Sex And The City ran for six series from 1998 to 2004, with two feature films released in 2008 and 2010. Kim Cattrall – who rounded out the foursome in the original series as Samantha – decided not to join the reboot. However, Variety has reported that she will make a brief cameo in the series two finale, where she will have a phone conversation with Carrie. Episodes one and two of And Just Like That series two are now available on Sky. Read More Charity boss speaks out over ‘traumatic’ encounter with royal aide Ukraine war’s heaviest fight rages in east - follow live AI to be used more widely in NHS hospitals 5 French skincare secrets you need to know What happens if you don’t wash your water bottle often enough?

Whether you’re jetting off on holiday or simply promenading at your local park, sandals are the perfect solution to warm-weather dressing. That being said, finding city-appropriate footwear that doesn’t make you a target for mockery can be a tricky business. While getting some fresh air to your feet is essential during summer, sandals as a sartorial choice for men can be frowned upon so it’s important to carefully consider the dos and don’ts of baring those toes. So, is it really possible to wear sandals without having to sacrifice fashion over function? As expected, sandals were in abundance at the spring/summer 2018 menswear collections from outdoorsy Velcro types at Louis Vuitton and Paul Smith, to classic leather at Guiseppe Zanotti and even dual-strapped versions worn with chunky socks at Bottega Veneta. While the latter is a hit on the runway and beloved by geography teachers everywhere, for real-life wear a new focus on more contemporary and slick iterations means you can finally rock an open-toe without shame. Designer options are of course favourable but considering us Brits rarely, if ever, get a decent summer, it seems wiser to pinch your pennies at least a little. In this instance, high street brands like Cos, Arket and Russell & Bromley all offer sophisticated footwear options. However, if you’re looking for something more sporty, OG sandal brand Teva should be your go-to. Historically shunned by the fashion crowd, these simple sporty sandals are now considered cool. Even more so since their recent collaboration with high-end Japanese brand Porter. Whatever your choice, the even trickier dilemma comes with how to style them. The easiest way is to pair yours with shorts and a simple T-shirt, perhaps layered under a sleek Cuban shirt. However, for smarter occasions wearing sandals with trousers can be conflict-ridden. If you do want an alternative to the shorts and sandals combination, we suggest investing in a smart leather pair and to always team with a slim leg pair of trousers with turned-up hems, so as to avoid looking like you’ve taken a trip back to the Seventies. Read More London Fashion Week Men’s: Five key trends for SS19 5 French skincare secrets you need to know Carrie Bradshaw changes ‘painful’ narrative of wedding dress in And Just Like That Glastonbury 2023: All the best fashion at the biggest UK festival of the year

There’s a reason the French look is held to the highest standard in beauty. Everyone wants a piece of that effortlessly cool aesthetic, and French beauty products are some of the best in the world. Dr Marine Vincent, founder of The French Pharmacy, notes the French approach favours “a more minimalistic and effortless look”. She says: “French women lean towards a more natural aesthetic, prioritising a prevention-focused and holistic approach to beauty. “French women value taking care of their skin as a form of self-care and overall wellbeing. They understand that healthy skin is a reflection of a healthy lifestyle.” Plus, Vincent says “embracing your individuality and cultivating self-confidence are key elements of French beauty”. If you want to get more of a Parisian glow, take a look at some of these French skincare secrets… 1. Adopt positive habits early on “In French culture, skincare is indeed ingrained from a young age, and I believe it comes again from the wellbeing and holistic approach to beauty,” Vincent reflects. “We see it as part of our self-care, not as an option.” She says she learned the “significance of using quality products” growing up, and her mother “taught me to cleanse, moisturise and protect my skin from an early age” – with her first moisturiser from classic French pharmacy brand Avène. “Time has passed and I now gave the same advice to my 12-year-old daughter,” Vincent adds – now adding sunscreen into that list, which is “one of the most effective anti-ageing skincare tools”. Part of forming these positive habits is consistency, which Vincent says is “key in skincare, as it helps to maintain the skin’s balance and prevents common issues such as acne or premature ageing, so starting early will allow you to establish good habits early on, making it easier to maintain them in the long-term”. 2. Use French pharmacy products “If you’re looking for effective skincare without all the fancy marketing and high price tags, French pharmacy beauty products are definitely worth exploring,” says Vincent. “They’ve got a solid reputation for a reason.” One of the reasons they’re so good is they “focus on simplicity”, Vincent suggests. “French skincare brands often prioritise using key active ingredients that are known to work wonders for the skin. It’s all about delivering visible results without any fuss.” Look out for brands like La Roche-Posay, Avène, Caudalie and Bioderma – helping you get science-based, effective products without breaking the bank. Bioderma Hydrabio Serum, £20, Escentual Caudalie Vinopure Moisturizing Mattifying Fluid, £25 3. Try endermologie This secret is a bit pricier than pharmacy skincare products, but many French women swear by it. Endermologie is a treatment where a therapist uses a machine with various settings on your body or face. “It is very renowned for its amazing results, primarily on cellulite, sagging skin [and] body contouring,” suggests LPG Endermologie ambassador Nathalie Paradis. She says it’s “powerful” in “increasing firmness, but at the same time very respectful of the skin, especially when it’s fragile”. Endermologie isn’t quite a household name in the UK, but is much more prominent in France where there’s a more holistic approach to beauty. Paradis says: “We are facing a new era where beauty cannot be separated from health, and where people can benefit from this technology to reach their goals of wellbeing in an increasingly stressful environment.” Becoming increasingly popular in UK salons, it can also be used to treat scars or scar tissue. 4. Get the ‘French touch’ Vincent says thermal water spray is the extra “French touch” you can add to your beauty bag and use “all year long”. According to Vincent, some of the best uses of thermal water spray are before applying hyaluronic acid serums (you “need moisture to be effective”, she says), to “fix your make-up”, to refresh your face in summer and “to layer in between your skincare steps and add an extra layer of hydration”. Avène Thermal Spring Water Spray for Sensitive Skin, £15.50, Boots Vichy Mineralizing Thermal Spa Water, £9, Look Fantastic 5. Use a secret weapon Is cica cream in your routine? This is the nickname for centella asiatica creams and “long before [it was a] TikTok trend, all French women have one in their beauty bag”, Vincent says. According to Vincent, it’s useful for any skin irritation (cracked lips, burns, baby rashes, etc), dry areas (like elbows or knees), after sun, as a skin recovery mask and as a moisturiser. La Roche Posay Cicaplast Balm, £10, Boots Bioderma Cicabio Pommade – Repairing Ointment, £8, Escentual Read More Charity boss speaks out over ‘traumatic’ encounter with royal aide Ukraine war’s heaviest fight rages in east - follow live What happens if you don’t wash your water bottle often enough? Prince George visits Eton with parents Prince William and Kate Middleton King Charles and Queen Camilla ecstatic after getting their first Royal Ascot winner

A user wrote, 'He's a walking red flag. Best of luck, you seem even more delusional than Kim'

The season two premiere of And Just Like That brought back a familiar face for many loyal Sex and the City fans, and no, it wasn’t the upcoming cameo from actor Kim Cattrall as Samantha Jones. The second season of And Just Like That, which debuted on Max on Thursday 22 June, saw the return of Carrie Bradshaw’s beloved Vivienne Westwood wedding gown, which she wore to her failed wedding to Mr Big (Chris Noth) in the 2008 Sex and the City movie. When Sarah Jessica Parker was photographed wearing the fan-favourite bridal gown in the streets of New York City last November, many fans wondered the reason for its reprise. Now, the season two premiere has revealed that Carrie dons the flowing gown to none other than the Met Gala. Warning: Spoilers ahead In the season two premiere, Carrie works with an up-and-coming designer named Smoke (Bethlehem Million) to create a custom design for the annual fashion event, themed “Veiled Beauty”. But when things go awry, the columnist resorts to her fashion archive and pulls the wedding dress out of her closet. “I may have something,” Carrie tells Smoke during the episode. “I’ve only worn it once. It’s not the best memory.” She even decides to wear the same bird-like headpiece that she wore to her wedding, but this time pairing it with teal gloves, teal heels, and a matching teal cape that Smoke had made. Although wearing the same wedding gown twice may seem like bad luck to some, Parker revealed how the new season of And Just Like That was able to give the dress “new life”. In an interview with People, Parker detailed how she and And Just Like That showrunner Michael Patrick King wanted to change the narrative surrounding the iconic dress by breaking it out for season two. “How would it become something else?” the actor told People. “How would we layer it and give it a new life and have it feel modern and change the poetry that surrounded that dress from a lot of really painful but important memories that I don’t think Carrie really wanted to let go of, especially given this loss?” King – who directed the original Sex and the City movie – noted how they wanted first-time viewers to relate to the moment as well, despite not knowing the original importance of the wedding dress. “It must mean something for someone who has never seen the scene where Carrie is left at the altar,” King told People. “So, you just have to create a story, like in that case, the Met Ball, which is named Veiled Beauty, which gets me to wedding veil, which gets to wedding gown, and then Carrie tells Smoke: ‘It wasn’t the best memory.’” “All you need to know is it was a bad moment that she’s putting it on, and then everybody gets to enjoy the gown.” And just like that, fans of the series took to Twitter on Thursday to applaud Carrie for repurposing the iconic wedding dress for the Met Gala. “CARRIE WEARING HER WEDDING DRESS AHH LOVE THE CHANGING THE NARRATIVE TO THAT DRESS,” one viewer tweeted. “I know it was supposed to be a sad moment but when Carrie threw on her wedding dress and veil and rocked it with them shoes and cape I was like yass!!!!” another person said. “Take that pain and sashay that gala”. A third fan wrote: “Carrie Bradshaw repurposed the Vivienne Westwood wedding dress and wore it to the MET Ball!! What a way to honour her,” which appears to refer to the designer’s death in December 2022. Although the return of the wedding dress was a nice surprise for fans of the original series, Parker and King detailed the lengths they had to go to retrieve the Vivienne Westwood gown. “We weren’t entirely certain that we could get the dress back,” Parker told People. “It was in London and unearthing it was complicated – getting it through customs in time and then making sure was this, in fact, the original dress? The colour looked different.” Not to mention Parker worried about fitting into the dress more than a decade later, adding that it “was terrifying to put it on”. “It was really incredible and fun and thank goodness it fit!” Parker said. “It was very special to have it back in our possession for a brief period and to figure out how it helped tell this story now.” The first two episodes of And Just Like That season two are available to stream on Max. Read The Indpendent’s two-star review here. Read More And Just Like That season two review: A toothless imitation of Sex and the City Sarah Jessica Parker’s son James explains why it feels ‘weird’ watching And Just Like That Sex and the City stars recall ‘near-death experience’ that occurred while filming season three Glastonbury 2023: All the best fashion at the biggest UK festival of the year Warehouse advert featured ‘unhealthily thin’ model, ASA rules Glastonbury festival fashion might not even exist anymore

There’s expensive makeup, and then there’s Chanel makeup. And while the packaging is a solid 11/10, it’s not just the double C’s that are making us covet the stuff; the formulas — all made in France — bien sûr, are on another level. Whether it’s foundation pigments suspended in a weightless carrier gel, pressed powder so delicately milled it feels like silk, or lipstick so buttery-smooth it makes other lipsticks look bad, Chanel spares no expense with its beauty products. (It also helps to have globally-renowned makeup artists leading the charge with color trends and product development.)

Crop tops. Denim cut-offs. Someone else’s wellies. In 2023, festival fashion has officially become a tired sport. Even the words themselves carry connotations that seem to have fallen far out of sync with the sartorial zeitgeist. Is anyone still slathering themselves in glitter? Do we still care about sequins and novelty sunglasses? And surely we’ve all long-tired of neon by now? With Glastonbury Festival underway this weekend, all of this begs one crucial, singular question: Does festival fashion still exist? The fashion industry’s growing environmental conscience might provide an answer. Today, it’s much cooler to source your wardrobe from the likes of Depop and your local charity shop than Asos or Big Topshop (RIP). We fell out of love with fast fashion some time ago and, as a result, generally far more considerate consumers when it comes to our clothing. This is, of course, a very good thing. But it’s also completely at odds with the concept of festival fashion. Few modes of dressing revolve around disposability quite like it. Think about it. A typical festival lasts one weekend, during which time you will inevitably be camping in a wide range of weather scenarios, sweating and dancing for hours on end without access to showers. You’ll also be surrounded by scores of people who may or may not raid your tent for all of your belongings. In short, you don’t exactly want to bring items you care about. Hence why fast fashion and festivals made so much sense; flimsy, cheap, tacky garments comprised the optimum capsule wardrobe. At least they did, anyway – until everyone wised up to the environmental consequences. Nonetheless, if you’re going to a festival this summer, it’s a universally accepted truth that you will probably have to wear some clothes. Where, then, does that leave you? And what of festival fashion trends? Is there space to tap into the latest cool, new thing when you’re trying to shop sustainably and save money? Can we still have a hot girl (festival) summer? “The cost of living crisis is having a huge impact on young peoples’ purchasing patterns, particularly when it comes to ad hoc events, so second-hand buys are proving a big hit for festival season,” says Emily Gordon-Smith, content director and sustainability lead at the trend and insights forecaster Stylus. “This means tapping into more personalised looks, not straight off the high street, and often with a nod to iconic festival-ready styling that definitely includes Kate Moss in her Glasto heyday.” As any seasoned festival-goer will know, few outfits have stood the test of time quite like Moss’s from the early Noughties. One quick Google search will bring up hundreds of infamous shots of the model stomping through the muddy fields in micro-shorts, leather trousers, waistcoats, belted mini dresses, and other understated, utilitarian looks that couldn’t be further from the festival fashion aesthetic du jour. Other style mavens for the era? Alexa Chung in a silver mini dress with a jumper tied loosely around her waist. Sienna Miller in yellow sunglasses and a studded belt. And so on. They weren’t so much dressing for festivals as they were just dressing for a day of drinking beer and watching live music. Yes, they looked amazing, but it wasn’t because they were soaking themselves in lame co-ords. It was because they weren’t trying very hard, and it’s this modus operandi that has established itself at the centre of festival fashion now. Kate’s festival looks are still being recreated on the runways, with key items like the waistcoats and flat knee boots appearing in many collections Emily Gordon-Smith It’s also at the root of the Y2K trends reigning supreme on catwalks across the globe for the last year. “The Nineties and Noughties continue to be eras of stylistic fascination for those not even old enough to remember them, so of course style icons like Kate Moss are a major reference point,” adds Gordon-Smith. “Her festival looks are still being recreated on the runways, with key items like the waistcoats and flat knee boots appearing in many collections including those from Celine and Stella McCartney.” As for how to incorporate all this into your own festival wardrobe, it’s obviously not as easy as popping into a high-end luxury store and snapping up a £700 waistcoat. But if you want to follow in Moss and Co’s footsteps, the way to do it is to actually do the exact opposite and try and find something unique. It might sound counterintuitive but, ultimately, that’s what made their outfits so memorable in the first place; you couldn’t easily replicate them. That’s not to say you can’t look for key items, like tinted sunglasses and mini dresses, but you can find standout ones by taking your search onto secondhand shopping platforms, where you’ll find limitless options and one-off pieces. On Depop, some of the most searched-for items reflect a wide range of trends for festival season, spanning from “silver” (21 per cent increase in searches) and “lace cami” (37 per cent) to “mirror” (65 per cent) and “parachute pants” (1,200 per cent). If you do find yourself wanting to follow the crowd, though, the leading trend of the season is “Western”. According to money-saving platform WeThrift, searches for the “cowboy aesthetic” have increased by 40 per cent on Pinterest in the last 90 days. Meanwhile, over on TikTok, the #cowboyaesthetic hashtag has surpassed more than 4.3 million views. The hashtag #cowboyboots has more than 920.9 million views. Similar data has been found by retailers, with Pretty Little Thing reporting a 57 per cent increase in searches for cowboy boots in the last month, while “Western” searches have surged by 49 per cent. So long as you wear it right, it’s a look that reflects the boho chic image of the early Noughties Glastonbury set. Our suggestion is to pair some brightly coloured boots (we love these ones) with a secondhand slip dress and a pair of yellow-tinted shades. Throw on an oversized cargo jacket and you’re all set. Alternatively, if the sun is shining you might find yourself wanting to opt for a pair of statement trainers (these ones are very Nineties), which would work well with some classic Adidas tracksuit bottoms, a lace cami and some tiny sunglasses, amounting to a very Bella Hadid look. If you must do the crop top and denim cut-offs combo, there are ways to reinvent it a little. Try a knitted option from sustainable Australian brand MNK, for example, and there are plenty of secondhand denim shorts available across the web. All of it is easy to do – and far more comfortable than the festival outfits of yore – if you know what you’re doing. Just remember, though, that if you’re channelling Moss, less is always more. Don’t be afraid to take risks. And stay very far away from the glitter. Read More Glastonbury 2023 – live: Immigration enforcement officers spotted near festival site at Castle Cary station Flip-flops, nudity and ‘up the vajayjay!’: How the red carpet became a platform for protest Subversive? Dangerous? Boring?: How the red carpet became a barometer for modern masculinity

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