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Each year, the Cannes Film Festival red carpet sees the biggest stars in Hollywood and beyond gather in their finest threads. The 2023 festival, which began on Tuesday 16 May and will run until Saturday 27 May, has already served up a plethora of looks, from Elle Fanning’s delightfully risqué sequinned gown to Maya Hawke’s pleasantly demure mossy green dress. There have also been some surprising moments on the red carpet, such as Jennifer Lawrence’s unexpected choice of flip-flops instead of heels and a shock protest by a Ukrainian activist involving plenty of fake blood. Here are our picks for the best-dressed stars at this year’s Cannes Film Festival. Elle Fanning Fans went wild for The Great star Elle Fanning’s silver Paco Rabanne dress that she wore on Thursday 18 May. The metal gown was declared the “party dress of the season” and included long, shard-like sequins and two metal cut-out snowflakes that covered the actor’s breasts. Jennifer Lawrence The Oscar-winning actor arrived on the red carpet on Sunday 21 May wearing a crimson Christian Dior couture gown for the premiere of the Anatomie D’une Chute (Anatomy of a Fall). The dress featured a corset bustier topped with a ruffled bust and a matching shawl worn around Lawrence’s arms. But it was her footwear that really stood out. Lawrence opted to descend the steps at the Palais des Festivals in a pair of casual black flip-flops instead of heels. Maya Hawke The Stranger Things star opted for a Prada ensemble at the world premiere of Asteroid City on Tuesday 23 May. Hawke wore a moss green strapless grown and baby blue gloves, accessorised with a chunky diamond necklace. Julia Fox Known for her daring fashion choices, actor Julia Fox has already appeared several times at this year’s Cannes Film Festival in outfits including transparent elements. She attended the Art of Elysium Paradis 25th anniversary party on Sunday 21 May wearing a see-through abstract breastplate atop a voluminous white skirt. The following day, while attending the premiere of The Idol, Fox wore a sheer gown that appeared to be constructed out of transparent plastic, designed by Nicolas Jebran. She completed the look with black lipstick. Troye Sivan Also attending the premiere of The Idol, which he stars in opposite Lily-Rose Depp, Troye Sivan wore an all-black ensemble on the red carpet on Monday 22 May. His outfit consisted of a black shirt with cut-outs under the collar, as well as a black jacket and trousers. He accessorised with a red rose and silver stem brooch on his lapel, and silver rings. Michelle Yeoh Newly minted Oscar winner Michelle Yeoh arrived at the festival wearing a green taffeta silk gown by Balenciaga Couture, with a matching stole. The look was completed with black opera gloves and black stiletto heels. Around her neck, she wore a black-and-white statement necklace. Gigi Hadid Gigi Hadid wore a strapless, structured Zac Posen gown that featured peplum details around her hips and a slightly flared skirt. The model attended the premiere of Firebrand on Sunday 21 May. She accessorised with a number of jewels from Messika, including a collar necklace, two pairs of drop earrings and multiple diamond rings. Natalie Portman Natalie Portman made jaws drop when she arrived at the Cannes Film Festival wearing a recreation of Christian Dior’s iconic Junon dress, which was first designed in 1949. The actor’s gown features a white bustier and petal-like layers cascading down the voluminous skirt, with each petal edged with sequins. It was named as a nod to Greek mythology and was inspired by peacock feathers. Lily Gladstone Lily Gladstone made her Cannes debut wearing a Valentino Haute Couture gown for the premiere of Killers of the Flower Moon on Saturday 20 May. The actor’s dress featured large yellow flowers against a black base, with a matching cape around her shoulders. She wore dangling earrings by Jamie Okuma, as well as other jewellery by Chopard. Read More Elle Fanning wows fans with daring cut-out dress at Cannes: ‘My nips could never’ Joe Alwyn attends Celine dinner at Cannes Film Festival Maya Hawke raises eyebrows at Cannes as she pirouettes down red carpet

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In the ‘Unfinished Fable of the Sparrows’, a group of small birds come up with a plan to capture an owl egg and raise the chick as their servant. “How easy life would be,” they say, if the owl could work for them, and they could live a life of leisure. Despite warnings from members of their flock that they should first figure out how to tame an owl before they raise one, the sparrows devote all their efforts to capturing an egg. This tale, as its title suggests, does not have an ending. Its author, Swedish philosopher Nick Bostrom, deliberately left it open-ended as he believes that humanity is currently in the egg hunting phase when it comes to superhuman AI. In his seminal work on artificial intelligence, titled Superintelligence: Paths, Dangers, Strategies, the Oxford University professor posits that AI may well destroy us if we are not sufficiently prepared. Superintelligence, which he describes as an artificial intelligence that “greatly exceeds the cognitive performance of humans in virtually all domains of interest”, may be a lot closer than many realise, with AI experts and leading industry figures warning that it may be just a few years away. On Monday, the creator of ChatGPT echoed Professor Bostrom’s 2014 book by warning that the seemingly exponential progress of AI technology in recent years means that the imminent arrival of superintelligence is inevitable – and we need to start preparing for it before it’s too late. OpenAI boss Sam Altman, whose company’s AI chatbot is the fastest growing app in history, has previously described Professor Bostrom’s book as “the best thing I’ve seen on this topic”. Just a year after reading it, Mr Altman co-founded OpenAI alongside other similarly worried tech leaders like Elon Musk and Ilya Sutskever in order to better understand and mitigate against the risks of advanced artificial intelligence. Initially launched as a non-profit, OpenAI has since transformed into arguably the leading private AI firm – and potentially the closest to achieving superintelligence. Mr Altman believes superintelligence has the potential to not only offer us a life of leisure by doing all the majority of our labour, but also holds the key to curing diseases, eliminate suffering and transforming humanity into an interstellar species. Any attempts to block its progress, he wrote this week, would be “unintuitively risky” and would require “something like a global surveillance regime” that would be virtually impossible to implement. It is already difficult to understand what is going on inside the ‘mind’ of AI tools currently available, but once superintelligence is achieved, even its actions may become incomprehensible. It could make discoveries that we would be incapable of understanding, or take decisions that make no sense to us. The biological and evolutionary limitations of brains made of organic matter mean we may need some form of brain-computer interface in order to keep up. Being unable to compete with AI in this new technological era, Professor Bostrom warns, could see humanity replaced as the dominant lifeform on Earth. The superintelligence may then see us as superfluous to its own goals. If this happens, and some form of AI has figured out how to hijack all the utilities and technology we rely upon – or even the nuclear weapons we possess – then it would not take long for AI to wipe us off the face of the planet. A more benign, but similarly bleak, scenario is that the gulf in intelligence between us and the AI will mean it views us in the same way we view animals. In a 2015 conversation between Mr Musk and scientist Neil deGrasse Tyson, they theorised that AI will treat us like a pet labrador. “They’ll domesticate us,” Professor Tyson said. “They’ll keep the docile humans and get rid of the violent ones.” In an effort to prevent this outcome, Mr Musk has dedicated a portion of his immense fortune towards funding a brain chip startup called Neuralink. The device has already been tested on monkeys, allowing them to play video games with their minds, and the ultimate goal is to transform humans into a form of hybrid superintelligence. (Critics note that even if successful, the technology would similarly create a two-tiered society of the chipped, and the chipless.) Since cutting ties with OpenAI, the tech billionaire has issued several warnings about the imminent emergence of superintelligence. In March, he joined more than 1,000 researchers in calling for a moratorium on the development of powerful AI systems for at least six months. That time should then be spent researching AI safety measures, they wrote in an open letter, in order to avert disaster. It would take an improbable consensus of leading AI companies around the world, the majority of which are all profit-seeking, in order for any such pause to be impactful. And while OpenAI continues to spearhead the hunt for the owl’s egg, Mr Altman appears to have at least heeded the warnings from Professor Bostrom’s fable. In a 2016 interview with the New Yorker, he revealed that he is a doomsday prepper – specifically for an AI-driven apocalypse. “I try not to think about it too much, he said, revealing that he has “guns, gold, potassium iodide, antibiotics, batteries, water [and] gas masks” stashed away in a hideout in rural California. Not that any of that will be much use to the rest of us. 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