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Alessia Russo was thrilled to open her World Cup account as England’s attack came alive in their 6-1 victory over China to conclude the group stage. The 24-year-old, who joined Arsenal on a free transfer from Manchester United last month, has been boss Sarina Wiegman’s first-choice centre-forward so far this tournament to fill the void left by retired striker Ellen White. Russo netted the fourth-minute opener in Adelaide, one of five goal-scorers for an inspired England side, who sealed top spot in Group D and will now test their perfect record in the last 16 against Nigeria in Brisbane. “(I’m) Buzzing. I’m a striker, I like to score as much as I can,” said Russo. “(It was) a positive night, six goals as well, lots of chances created and lots of goals scored. “You’ve just got to go back to basics, work hard and that’s what I’ve been doing in training, hoping for a moment and when you get it you’ve got to take it with both hands. “Really pleased to get on the scoresheet but more importantly we topped the group and now we’re ready for knockout football.” Nigeria, 40th in FIFA’s global rankings, entered the competition as the top-ranked team from the Confederation of African Football (CAF) and managed to outplay world number seven and Olympic champions Canada alongside number 22 Republic of Ireland to finish second in Group B and book a place in the last 16. Russo vowed that while the Lionesses were fully focused on China until they wrapped up Group D, they will “get rested, recovered and fully get locked into Nigeria”, who will be raring to stage another upset. “They’re a good side too, they’re a side that I’ve never faced – I have at youth level but not at senior level – so I’m excited for it, another good test,” she said. Russo, who had not scored in seven games, has so far been preferred to Aston Villa striker Rachel Daly, the 2023 Women’s Super League Golden Boot winner. Versatile Daly came on for Russo after 76 minutes of the Haiti match, started at left-back against Denmark and, in Wiegman’s 3-5-2 formation shake-up, took on the unfamiliar role of left wing-back and scored the last of England’s six against China. The dominant result, combined with her opening strike, perhaps alleviates some of the pressure on Russo, who knows Daly is waiting in the wings, after Wiegman made it clear that she is prepared to make changes in this World Cup. Pressure from the public, however, is another story. Russo added: “I think the media worry about that more than we do as players. We just want to win every game whether it’s 1-0 or 10-0. I think it’s amazing to score that many goals, but we just want to win and progress through this tournament as players.” Read More Charity boss speaks out over ‘traumatic’ encounter with royal aide Ukraine war’s heaviest fight rages in east - follow live Ousmane Dembele wants to join PSG, says Barcelona boss Xavi Finn Russell to captain Scotland in World Cup warm-up against France Ireland out to change World Cup story after 2019 disappointment – Tadhg Beirne

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The United States women’s national team narrowly qualified to the round of 16 after a disappointing 0-0 draw against Portugal inspired a second place finish in group E.

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Northern Irish designer Jonathan Anderson is collaborating with former tennis player Roger Federer for a new collection with Uniqlo. Federer posted a picture of him with Anderson on Instagram with the caption: “Excited for this one… stay tuned.” The nine-piece unisex collection mixes Anderson’s gender-fluid aesthetic with elements of sporty style. Fleece jackets, sweaters, shorts and parkas are offered in neutral colourways – blacks, whites, greys and blues. Polo shirts are a big feature of the mini collection – and were also seen in JW Anderson’s recent Milan Fashion Week show, where models wore sporty styles and rugby-inspired tops. This is the first time Anderson and Federer are teaming up, but both have long relationships with the Japanese retailer. Federer, 41, has been a brand ambassador for Uniqlo since 2018. This was when he broke off his long-standing deal with Nike, and started wearing Uniqlo outfits on the court. In 2018, it was reported that Uniqlo would be paying Federer around £22 million a year for the next decade. Outside of sportswear, Federer – who retired from professional tennis in 2022 – also models the brand’s lifestyle clothing. The Swiss sportsman told Uniqlo: “My style tends toward simple, muted tones and classic looks. That’s me.” Anderson – who is also the creative director of luxury fashion house Loewe – has been creating collaborative collections with Uniqlo since 2017. His most recent spring/summer Uniqlo collection was described as “a modern interpretation of quintessential British style, as always through JW Anderson’s elegant and playful lens”, and was “inspired by the traditional sports of British universities, putting an athletic twist on classic wardrobe staples”. Federer told WWD: “I’ve always wanted to have a collection perfect for playing tennis while also versatile for the other parts of daily life. “I’m fortunate that Jonathan shared this vision. Together we were able to create a stylish and comfortable line rooted in a classic tennis style. Jonathan is talented, creative and incredibly down-to-earth. It has been a pleasure to work with him on this collection.” Anderson told WWD he was “influenced by watching Roger play” when designing the clothes. He said: “We designed a collection that could be worn in an actual match, for a classic look or just as easily be worn around town. We’ve got something that feels elevated, and it is kind of timeless.” Uniqlo’s Roger Federer Collection by JW Anderson will be available in-store and online on August 28, although that might vary in different regions. Prices range from $39.90 to $89.90 (£31.20 to £70.40). Read More Charity boss speaks out over ‘traumatic’ encounter with royal aide Ukraine war’s heaviest fight rages in east - follow live N-Dubz cement comeback with first new album in 13 years Irregular sleep patterns linked to harmful gut bacteria, study suggests Babies as young as four months have taste in fine art, study shows

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It transpires there are different kinds of problems involving the Liverpool midfield. Last season was a tale of the aged, the injured, the inconsistent and the incoherent, the malfunctioning midfield that meant a champion team suddenly looked disjointed and disappointing. If it was an exaggeration to say Liverpool didn’t have a midfield last season, in a sense they don’t have one now. Or not their old midfield, anyway. An exodus was partly planned, partly thrust upon Jurgen Klopp by Saudi Arabia’s injection of money and unexpected wish to acquire defensive midfielders. Perhaps Jordan Henderson and Fabinho will not be able to gegenpress in 45-degree heat, but it is not Klopp’s immediate concern; if the plan was for two new faces to feature in his first-choice midfield, a complete overhaul has become necessary. He wanted change and got a revolution instead. Of the six midfield departures, Arthur Melo – he of the solitary, 13-minute appearance – is still more of an afterthought now. Naby Keita and Alex Oxlade-Chamberlain are cases of what might have been, some of their potential left unrealised amid spells on the treatment table. But James Milner, Henderson and Fabinho were three of the quintessential Klopp midfielders: the fourth, Gini Wijnaldum, left in 2021. Between them, they played 1063 times for Klopp; they rank second, fourth, 17th and 11th respectively for most appearances in the German’s managerial career and, even including his days at Mainz and Borussia Dortmund, no central midfielders have lined up as often for him. They were the men who made his teams work, the rhythm section of his heavy-metal football, leaving the glamorous jobs to others. There were always other midfielders, but they were usually those trusted for the big occasions. In the 2018 Champions League final, Milner and Wijnaldum flanked Henderson. Come the 2019 final, when Fabinho had joined, he had the anchor role, with Henderson and Wijnaldum either side and Milner deployed as a specialist finisher, using his experience to see out the victory. The Dutchman was a different sort of finisher on Klopp’s greatest night: initially benched for the second leg against Barcelona, Wijnaldum came on at half-time, as Milner switched to left back, to score twice in a 4-0 triumph. All of which was uncharacteristic. Those 1063 appearances produced just 71 goals, a total that would have been smaller still but for Milner’s excellent penalty-taking. There were 99 assists, too, but to put that in context, Kevin De Bruyne got 149 on his own for Manchester City since Klopp’s appointment at Anfield, plus 92 goals. It illustrates it is a comparison of opposites. The definitive Klopp midfielders were the selfless support acts, defined by what they did not do – score, for instance – and where they did not go: the penalty area, or not often anyway. The full backs usurped them as creators; the goals came largely from the front three; if most great teams have at least one goalscoring midfielder, and Klopp’s Dortmund protégé Ilkay Gundogan developed a potent streak for Pep Guardiola and alongside De Bruyne, his Liverpool were the exception. His core four at Liverpool were the masters of the unspectacular: workhorses who ran many a mile, though often in relatively short distances, experienced figures who were experts at positional discipline. They were a reason why, at their best, Liverpool were rarely caught on the counter-attack, even when Andy Robertson and Trent Alexander-Arnold were in the final third. Liverpool were never a pure possession team but Wijnaldum, in particular, tended to have very high pass-completion statistics. It was in part because they were rarely charged with playing the most ambitious balls but Wijnaldum, especially, made playing in a Klopp midfield look deceptively simple: as his far greater goalscoring return for the Netherlands showed, his was a self-sacrificial role, playing within himself with the intelligence to make the tactics of a narrow 4-3-3 work. In one respect, Fabinho is the anomaly. He was the specialist defensive midfielder. The other three were all multifunctional grafters, their broader skillsets equipping them for many a task (often playing full back in Milner’s case). None was an out-and-out playmaker, but they brought combativity and understated chemistry. It amounted to a triumph of all-rounders: whereas some midfields were combinations of players with contrasting attributes, Liverpool prospered with those with similar strengths. Maybe an ethos has changed now. Klopp’s first two summer midfield additions, Alexis Mac Allister and Dominik Szoboszlai, offer the prospect of more goals than his quintessential quartet ever provided: after the shift in formation towards the end of last season, when Alexander-Arnold came to join Fabinho at the base of the midfield, Klopp referred to his more advanced pair as “two [No] 10s”. And if Wijnaldum could play as a genuine No 10 elsewhere, Milner and Henderson rarely did. Mac Allister and Szoboszlai, however, can meet the description. But maybe the newcomers will discover they are charged with copying their predecessors. Perhaps the beginning of the end for Klopp’s original midfield can be traced to the signing of Thiago Alcantara, to the sign he wanted something more stylish. But suddenly, an era has ended. Klopp’s four favourite workhorses are all gone. There may not be an all-conquering midfield quite like them again. Read More Jurgen Klopp responds after Kylian Mbappe to Liverpool rumours Liverpool name Virgil van Dijk as new captain after Jordan Henderson exit Liverpool confirm Fabinho transfer in latest Saudi Arabia move Lauren James on song as England thrash China – Tuesday’s sporting social Sadio Mane’s swift decline reaches new low Liverpool make second Romeo Lavia bid as Southampton set transfer price