A tiny ground and a squad costing less than a Man City sub. How are Luton one game from the Premier League?
Before every home game, Luton Town’s club shop is teeming. The little building perched outside Kenilworth Road is like a temporary prefab classroom and inside it’s cosy: once you’ve bought a shirt or a mug or a woolly hat then you best be on your way to make room for someone else. It is a different world to the extravagance of the Premier League. Tottenham, for example, boast the largest club shop in Europe: half an acre of sheer Spursy-ness, selling everything from Spurs-encrusted party bowls to the Spurs Monopoly board game, complete with a 100-seat auditorium to consume even more Spurs from the comfort of a soft chair. These two clubs seem to exist on different planets, and yet they could well be rivals in the same league next season. Luton have climbed here by consistently punching above their weight. The club’s entire wage budget, around £6m, would buy one Manchester City sub. They are always swimming against the tide and the small but mighty Kenilworth Road is a monument to that – intimate and intense, like a particularly atmospheric cow shed, with 10,000 seats that sound like 50,000 when the linesman fails to spot a foul throw. Luton’s long-awaited move to a new venue at Power Court is still a couple of years away. So should they win promotion – having advanced to the play-off final after victory over Sunderland, this is a distinct possibility – what on earth will the Premier League giants make of a ground where away fans file through an alleyway and up a metal staircase that hangs over neighbouring gardens? “They will think it’s a tip,” smiles Alex, a Luton season-ticket holder in the club shop. He has been coming here since 2005, sitting in the same seat since he was three years old. “But it’s our tip.” *** Despite his reputation as one of the brightest managers in the Football League, Rob Edwards was expecting some hate from Luton fans when he took charge in November. He had only recently left Watford, their bitter rivals, and so when he sat down for his first press conference as the new man in charge of Luton Town, all he could do was try to defuse a potentially volatile situation. “It’s not as if I left Watford a club legend,” he joked. Edwards was referring to the way he was spat back out by Watford after only 11 games, a familiar story for managers who dare work for the trigger-happy Pozzo family. But far from holding a grudge, Luton fans seemed to get a kick out of sticking one to their rivals. “Welcome Rob,” read a banner at his first game away at Middlesbrough, which soothed some anxiety. His first home game at Kenilworth Road, a Boxing Day win over Norwich City, finished with the entire ground singing his name. It would prove to be the first win of many, with only two league defeats for the rest of the campaign meaning Luton finished third in the Championship and got themselves into the play-offs for the second successive season. A club with a tight-knit staff and limited funds have improved their league position every year for eight in a row, climbing from the Conference in 2014 to the upper echelons of the Championship, and now they are within touching distance of the top tier for the first time in 30 years. At the heart of their rise is continuity – midfielder Pelly Ruddock Mpanzu has been with the club from non-league – and careful planning. Losing manager Nathan Jones to Southampton was a sudden bruise, but Edwards was already on the radar. Luton had analysed his League Two-winning year in charge of Forest Green Rovers and found it was no fluke – the underlying numbers showed a manager deploying the kind of fast, aggressive football that Luton themselves used to dominate Leagues One and Two. They analysed his 11 games at Watford too, and discovered some good things in the team Edwards was building, despite the quick sacking. Preparation has been key in the transfer market too. Led by club legend Mick Harford, chief scout Phil Chapple and analyst Jay Socik, Luton have made a habit of identifying smart signings from across the Football League and some inspired loans from the Premier League too. Right-back James Bree left the club in January but Luton seamlessly replaced him with Cody Drameh on loan from Leeds, and the addition of Aston Villa’s Marvelous Nakamba has brought solidity in midfield. Buying Carlton Morris from Barnsley last summer was crucial, and he has racked up a career-best 20 league goals. They recruit a specific Luton type: as well as being technically sound and a good character, they have to be athletic, able to withstand a high tempo for 90 minutes and out-run their opposition. After all, this is what Luton are: a club who extract every last drop from whatever they have. No Championship side have won more tackles in the final third than Luton this season, and the result is a team that are often hard and horrible to play against. Edwards has found a balance between a pragmatic approach and a team who can play football too. A direct route to goal is always an option with the power and strength of Morris and the imposing Elijah Adebayo up front, and Luton have found they don’t need to dominate possession to win games. That might be a useful trait in the Premier League. But what really stands out is how Luton are run off the pitch. There is no billionaire benefactor here: the club were saved by their own fans and now they are supporter-owned, and the people in charge – chief executive Gary Sweet, chairman David Wilkinson and majority stakeholder Paul Ballantyne – are deeply invested in its future. As one member of staff told The Independent: “Our owners give a s**t, and that isn’t always the case in football.” *** One staff member, Bill Cole, has worked for Luton for five years and has been visiting Kenilworth Road for 76. He will miss it, but he won’t shed a tear when it’s gone. He reels off more than half a century’s worth of new stadium plans that ended in disappointment, and says Power Court is exactly what the club has been crying out for, for far too long. “I hope they build a metal pillar in front of the press box to remind us of The Kenny,” he smiles. At full-time of a late-April clash against fellow high-flyers Middlesbrough, buoyant Luton fans poured out into the narrow streets that run down the hill to town following a 2-1 victory. It was a crucial moment in ensuring Luton finished third, and Boro fourth to face Coventry. If these two sides are to contest the play-off final – the so-called richest game in football – then perhaps this win has set the tone. Cole has seen it all before, though, and has a warning. “In 1959 we played Nottingham Forest in the FA Cup final,” he remembers. “Two weeks earlier we’d played them here at Kenilworth Road and we stuffed them 4-0. But at Wembley, we never showed up.” But win or lose the play-offs, Luton are unlikely to change too much. They are going in the right direction and their progress is a result not of vast investment but of sound stewardship. Amid the game’s financial bonanza benefitting a few elite clubs, Luton are showing that there is still a place for a little meritocracy in football. Read More Luton Town one game from Premier League after comeback win over Sunderland How to watch Championship play-offs Dimitar Berbatov warns Harry Kane not to ‘tarnish’ Tottenham legacy by leaving Dimitar Berbatov warns Harry Kane not to ‘tarnish’ Tottenham legacy by leaving I don’t blame English fans for cynicism over US investment – Burnley’s JJ Watt Arsenal and Leverkusen in ‘advanced talks’ over Granit Xhaka deal
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McGregor Forever: The problem with the new Conor McGregor documentary
Conor McGregor is sitting in a hospital bed, clad in a surgical gown, his face still drained from a weight-cut. “I thought it was over,” he says of his career, before the setting morphs to an Octagon, where McGregor is sitting on the canvas, sporting his fight-night attire, his face twisted in pain. “This is not over!” he hisses at Dustin Poirier. That is how Netflix’s McGregor Forever begins, the second documentary built around the MMA megastar. While 2017 film Notorious covered the Irishman’s rise to becoming the first dual-weight champion in UFC history and his iconic rivalry with Nate Diaz, this new series documents the journeys around his last four fights – three of them defeats – with an episode dedicated to each, loosely speaking. McGregor Forever, directed by Gotham Chopra and produced by Religion Of Sports, starts at the end: in the aftermath of McGregor breaking his leg against Poirier in July 2021. It then veers back to 2018 and the Irishman's bitter rivalry with Khabib Nurmagedomov, onto his 2020 return against Donald Cerrone, his January 2021 duel with Poirier, and finally their ill-fated rematch six months later. Notorious was released shortly after McGregor’s spectacle of a super-fight with boxing legend Floyd Mayweather, the backstory of which was absent from that film and eludes this series. And so McGregor Forever begins in earnest in the lead-up to the UFC star’s clash with Khabib, a fascinating and until-now-under-explored spell in McGregor’s career. It is a spell made even more bewitching by the stark contrast between scenes of McGregor playing with his first-born son, partaking in a gender reveal for his daughter, and the venom of his exchanges with Nurmagomedov. An eerie soundtrack only serves to enhance the foreboding feeling throughout. McGregor’s coach, John Kavanagh, once spoke of his fighter’s ominous attitude ahead of the fight; how McGregor was beating up sparring partners, rather than trying to learn from them, before celebrating by going out and drinking. Indeed, this particular stint of the series validates those revelations, painting a picture of an insecure McGregor, and each second of never-before-seen footage is welcome – even an excruciating scene in which McGregor’s dislocated toes are wrenched back into place, three weeks before the fight; especially shots of a teary-eyed McGregor coming to terms with the defeat, surrounded by teammates in his locker room yet desperately alone. For all the intriguing elements to this phase of McGregor’s career, the fighter himself sees it simply: “I was beat, and that’s that. I was beat where it mattered, end of.” There is a similarly revealing moment in the third episode, after McGregor suffers his first ever knockout loss. “That was just abysmal,” he says, before questioning his team. “How come you boys have nothing... I was shot, my leg was dead, and there wasn’t a rattle at all [from you].” Both scenes follow satisfyingly cinematic framings of the fights themselves, and the other episodes employ the same impactful sound and visual editing. The opening episode closes with McGregor carrying out community service in the series’ only acknowledgement of his various legal issues in recent years. Yet hearing McGregor express his sincere feelings about the experience highlights perhaps the most disappointing aspect of the documentary: Elsewhere, there is a distinct lack of soundbites from McGregor, with old interviews instead laid over much of the fresh footage and undermining the excitement of seeing new clips. Yet the biggest problem is the timing of the series itself. McGregor Forever is sold as the story of the Irishman’s comebacks from numerous setbacks, and of his impending comeback from his broken leg; however, he is yet to come back in the manner that matters most to his fans and to the sport: in the ring, and more ideally with a win. Furthermore, the series does not exactly convince you that such a win is impending. If you had not seen McGregor’s final encounter with Poirier, the last episode of the series would lead you to believe that the Irishman was approaching a redemptive victory, rather than the concerning performance and devastating injury that followed. That McGregor has conquered his recovery from that injury is more than commendable and should not be overlooked. The 34-year-old speaks in this documentary about his desire to keep fighting, how he is and always will be a fighter first and foremost, but we are yet to even see a date announced for his next fight, against Michael Chandler. When it comes to making fights, the number and nature of moving parts can be dizzying, so McGregor’s ongoing, extended absence is not entirely his fault. But fans want a clarity on the situation that this documentary cannot provide. Between this series, his appearances as a coach on The Ultimate Fighter, and his constant presence on social media, there is plenty of McGregor content to consume in 2023. There are just not enough McGregor contests. Click here to subscribe to The Independent’s Sport YouTube channel for all the latest sports videos. 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