List of All Articles with Tag 'review'

New Brexit trade rules could push up the price of electric cars, manufacturers warn.

When considering the simple pleasures of the "John Wick" movies, character development and dense back story would rate somewhere below the bottom of the list. The world of streaming, however, favors the long winded, a factor much in evidence in "The Continental: From the World of John Wick," a handsomely produced but unnecessary prequel Peacock miniseries with a Keanu Reeves-shaped donut hole.

After three movies in four years, "The Expendables" waited more than nine to unleash its latest adventure, likely a testament to the poorly received youth movement introduced in the third film. "Expend4ables" seeks to provide a badly spelled tonic to that misstep but works from such a flimsy, threadbare script, "The Disposables" would describe it better.

"Dumb Money" takes full advantage of its David-vs.-Goliath underpinnings to turn a tale of stocks and finance, a la "The Big Short" or "Too Big to Fail," into a crowd-pleasing underdog story. Paul Dano heads a sprawling cast as the guy leading the rebels with pitchforks on behalf of GameStop, resulting in a film that's smart and satisfying enough to earn every dollar it makes.

"Restraint" is a seldom-used word in connection with "American Horror Story," where the emphasis often tilts more toward gory images and sadism than genuine scares. Yet working from a novel with a different writer appears to have imposed some welcome discipline on the 12th edition of the FX series, "Delicate," which owes a tonal debt to "Rosemary's Baby."

Nostalgia only goes so far with "The Super Models," a four-part Apple TV+ docuseries as glossy as a high-end fashion magazine of yore, and often as slim as one from the Internet age. Naomi Campbell, Cindy Crawford, Linda Evangelista and Christy Turlington Burns lead this strut down memory lane, punctuated by occasional highlights but ultimately more celebratory than revelatory.

A long-awaited moment finally arrived for "Star Wars Rebels" fans in the sixth episode of "Ahsoka," marking the live-action debut of two fan favorites from that animated series.

As polarizing he might be, Sean Penn is no stranger to humanitarian efforts and crusading around the globe, as detailed in the documentary "Citizen Penn." Penn was in Ukraine when Russian bombs started falling in February 2022, which turns "Superpower" into a powerful chronicle of Ukrainian courage and resistance, in a way that reflects Penn's passion as opposed to journalistic detachment.

Netflix spends a lot of money on prestigious Oscar bait, but its subscriber/viewership numbers probably owe as much to the light romances that the service spits out with regularity. Add "Love at First Sight" to that column, playing like a slightly darker fairy tale -- rom without much com -- about the odds against finding your soulmate, filtered through one of the young lovers' preoccupation with math.

Kenneth Branagh has found a nice rhythm in his Hercule Poirot mysteries, serving as director, producer and star. "A Haunting in Venice," his third go-round with writer Michael Green, derives its main wrinkle from the vaguely supernatural tone, a just-in-time-for-Halloween adornment that might add a small commercial boost to a formula otherwise as neatly manicured as the great detective's moustache.

Having brought a "Star Wars" fan's instincts to the animated "The Clone Wars" and "Star Wars Rebels," writer-director Dave Filoni transferred that sensibility to live-action series. Clunky at times, at its best that unapologetic approach has yielded lump-in-the-throat moments, and it was on full display in the fifth episode of "Ahsoka," which reunited the titular character with Anakin Skywalker, creating another opportunity for Hayden Christensen to reprise the role.

"The Morning Show" has the look and polish of a smart, prestige TV show, which makes its detours into stupid situations and implausible corners more frustrating. The third season of the Apple TV+ drama again weaves real-world events into its narrative, but this starrily-cast serial would fare better if it stuck to soap-opera-style fantasy instead of positioning itself as a "Succession" wannabe.