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Angelica Jolie has announced her foray into the fashion world with the launch of her new business venture called Atelier Jolie. Branded as a “creative collective for self-expression”, the 47-year-old Girl, Interrupted actor is approaching the fashion industry with a focus on the consumer. Under the rather vague model, the consumer will be invited to play the role of the designer and collaborate with tailors, pattern makers and artisans to create unique fashion statements. “Why simply buy the design of another person, when you can create yourself?” Jolie wrote on her personal Instagram page, announcing the launch of the new account @atelierjolieofficial. “We can all collect, appreciate and be influenced by the designs of others. But the highest form of self-expression — and I believe the most fun — is to create for ourselves,” she wrote in the manifesto for the new venture. The Mr & Mrs Smith actor said she wants to help “democratise the fashion industry” by allowing customers to have access to a collective of emerging designers. She added that Atelier Jolie will only use “quality vintage” and “deadstock” – leftover – material. Jolie also revealed the brand’s logo designed by Peter Miles, an art director who has collaborated with Celine, Gabriela Hearst and Repossi. The logo shows white text reading the brand name, printed over a brown rustic fabric. The mission statement continued: “You will be able to repair or upcycle a piece from your closet you wish to revive, perfecting fit, breathing new life into what could have been thrown away, and creating quality heirloom garments with personal meaning.” Jolie provided little clarity on the specifics of the business’s operation, or even launch date, asking fans to “bear with me”. “We hope to create a community of creativity and inspiration, regardless of socio-economic background,” she wrote. Jolie also alluded to her long-term interest in fashion. “Fashion is an art I’ve had the opportunity to play with over the years. I’ve designed clothes, and learned about shapes with many of the best tailors,” she continued. “Designers often sketch or approve designs, but it is the tailors who make the difference and who I truly love creating with. And yet, these makers rarely receive the credit and respect they deserve. This isn’t the first time Jolie has started a business venture. The Maleficent actor founded a French winery and began selling her own rosé, Chateau Miraval, with her then-husband Brad Pitt. In 2021, however, Jolie sold her portion of the business. Read More Everything we know about ‘near catastrophic’ Harry and Meghan paparazzi chase in New York Fans aghast after Kanye West’s ‘wife’ Bianca Censori wears cross-shaped body tape Harry and Meghan – latest: Paparazzi blame car chase on couple’s ‘reckless’ driver Angelina Jolie shares tribute to late mum and urges women with family cancer history to get checked Fans aghast after Kanye West’s ‘wife’ Bianca Censori wears cross-shaped body tape 5 of this summer’s hottest swimwear trends

By Diane Bartz WASHINGTON The Federal Trade Commission (FTC) faces an uphill battle in its fight against Amgen

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An overview of the media in Spain, including links to broadcasters and newspapers.

Liverpool manager Jurgen Klopp has been handed a two-match touchline suspension for comments made about referee Paul Tierney, during the win over Tottenham in April. The Reds won a chaotic fixture 4-3, Diogo Jota scoring the last-ditch winner after Klopp’s team had initially given up a three-goal lead. But after the game, the German manager gave a television interview in which the Football Association suggested Klopp had implied “bias” or questioned “the integrity” of Tierney. As a result, Klopp will not be allowed in the dugout for the Reds’ weekend Premier League game, with the second match of his ban suspended until the end of next season. A statement from the FA read: “The first match of the manager’s touchline ban is effective immediately and the second is suspended until the end of the 2023/24 season on the condition that he does not commit any further breaches of FA Rule E3 in the meantime.” Liverpool play Aston Villa at the weekend and must continue their recent winning streak to maintain pressure on Newcastle United and Manchester United above them, in the race for the top four. Read More Rumours: Man Utd ‘agree terms’ with Napoli defender, PSG target Silva On this day 2016 – Liverpool lose to Sevilla in Europa League final James Milner came to Liverpool and won the lot - an era ends with his departure

The Supreme Court has sidestepped a case against Google that might have allowed more lawsuits against social media companies

A teen’s heartwrenching essay that made her professor cry has gone viral on TikTok leaving readers “sobbing”. Teenager Ryan Harman penned the personal essay when she was just 18 years old after losing her mother to cancer. The TikTok has been viewed almost 7 million times and racked up 1 million likes as Harman shared screenshots of the story she penned about her mother’s untimely death. Harman’s heartbreaking story began with her explaining that her mother had been diagnosed with Sarcoma cancer in January 2021. At the time, Harman explained, her mum made it her mission to be around to see her children graduate and attend prom. The TikToker wrote: “She never asked the doctors for a time expectancy, she wanted to live the best she could with her 3 children and her husband. Sign up to our free Indy100 weekly newsletter “My mom had a goal from the start, to watch me go to my senior prom and to see me and my sister, Madeline, walk across the stage at graduation. She achieved both of those goals.” As her mother’s condition worsened, Harman described the agony of knowing she was going to lose her mother, writing: “My heart shattered into a million pieces.” Harman recalled being by her mother’s side almost constantly towards the end and feeling a sense of “relief” when the final moment came that “my mom passed away just the way she wanted to and I knew she wasn’t in pain anymore”. The essay left other TikTokers in tears, with many in the comments commenting on how proud her mother would be of her. “I can’t stop crying,” one person commented. Another said: “Beautifully written, I know she is so proud of you.” Someone else wrote: “I’m sobbing.” One TikToker commented: “This has me ugly crying right now, you’re so strong. I know your mom is so proud of who you’ve become.” Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings.

President Joe Biden intends to select veteran government lawyer Anna Gomez to serve on the Federal Communications Commission

The curator of this year’s Venice Biennale on architecture has denounced Italy’s denial of visas to three Ghanaian men who worked with her on the main exhibition giving voice to Africans and the African diaspora

Carlo Ancelotti has seen a heavier defeat for Real Madrid in a European Cup semi-final. Indeed, he has scored in one. Their record continental loss came at San Siro, to Arrigo Sacchi’s AC Milan in 1989, with the first of the Rossoneri’s five goals scored by Ancelotti. That Milan side were perhaps the greatest the club game has ever seen; until, many would argue, Pep Guardiola’s Barcelona. The Real team of the late 1980s, however, was less distinguished than the class of 2023 who were destroyed 4-0 by Guardiola’s Manchester City. But, in the time between Guardiola’s Barcelona triumphing in 2011 and the Catalan perhaps securing his third Champions League in Istanbul next month, Real were kings of Europe five times. The club with the indelible association with winning left the stylistic awards to others. They simply won. Their greatness was proved in the trophy cabinet. They played by their own rules. The unique dynamics at the Bernabeu are such that ending a campaign with neither La Liga nor the Champions League somehow compels them to sack the manager, whether or not it is actually the right decision or if the replacement will be an upgrade. Until now? Ancelotti insisted so. “Next season I will be here, to fight to win another Champions League,” he said. “No one doubts me. The president has been quite clear two weeks ago: there are no doubts about my staying on.” Often the amiable realist, the most decorated manager in the history of the European Cup may benefit from the inside track. But, for once, he sounded like a man in denial. “I don’t think we have to make a drama out of it,” Ancelotti added. “These things happen in football. They were better than us today. It has been a good season; to get to the semi-final of the Champions League is a success.” All of which would have sounded perfectly reasonable sentiments if expressed by the manager of many another club. But this is Real. It is a club where every Champions League exit is a drama, where the manager is the prime target for a symbolic sacrifice, where a seismic setback demands change. The last time they lost 4-0 in England, to Liverpool in 2009, they responded with a record spending spree, on Cristiano Ronaldo, Kaka, Xabi Alonso and Karim Benzema. Fourteen years, 645 games and 352 goals later, Benzema is still there. Real have turned experience into an asset; at times, it has seemed their trump card. They could outmanoeuvre opponents; until, suddenly, City made Real look old by outrunning them. Maybe it was summed up by the sight of Luka Modric trudging off with half an hour remaining, replaced by a defender, in Antonio Rudiger, so the more youthful legs of Eduardo Camavinga could be unleashed in midfield. Seven minutes later, his long-time sidekick followed, with Toni Kroos also replaced; he had hit the bar and so even in an emphatic defeat, Real could wonder what might have been, but those are emotions they have invoked in others over the years. Jude Bellingham may have been Real’s marquee signing this summer anyway, but if it felt a piece of future planning, it was tempting to wonder if the future arrived as a 37-year-old and a 33-year-old finally showed their age. The end of an era or a lone bad night against the side who are probably the best in Europe now? “I don’t think it is the end of a chapter at Madrid,” Guardiola said. Real have a team of two generations; in Camavinga, Rodrygo and Vinicius Junior, they have champions who were born in the 21st century. They have evolved. They have lost to City before and responded: eliminated by Guardiola’s side in 2020, they won the competition again in 2022. The Champions League, Ancelotti argued before this game, was their “special power”; until it deserted them amid a 90-minute demonstration of City’s running power. If it spoke to the Premier League’s greater physicality and intensity, it feels as though Real have been defending mainland Europe against the English invasion in recent years. They have used their history, their pedigree, their ability to trail in games and win major moments, the seeming timelessness of Modric and Benzema and the explosiveness of Vinicius. They saw off Chelsea, City and Liverpool last season, repeated the feat to eliminate Liverpool and Chelsea this. And then they were blown away at the Etihad, in such a manner that it was not just the scoreline that brought back memories of Anfield in 2009. “They are an extraordinary team,” Guardiola insisted. “It doesn’t mean they are a bad team or Carlo is a bad manager.” If that is transparently true, Ancelotti appears inimitable, his Zen calm rendering him best suited to this competition’s rhythms. But it is always the case that he looks in effortless control when his sides win and passive and powerless when they lose. When Bernardo Silva scored his second goal of the first half, the manager drummed his fingers against his top lip in impotence. He could take off Modric and Kroos but Real, last season’s comeback kings, instead conceded two more. He has four games left but, at perhaps the only club that could sack a quadruple Champions League winner, it felt like the endgame.